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The Doors (1991)

R  |   |  Biography, Drama, Music  |  1 March 1991 (USA)
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Ratings: 7.2/10 from 65,506 users   Metascore: 62/100
Reviews: 203 user | 81 critic | 19 from Metacritic.com

The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.



(as J. Randal Johnson) ,
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Cast overview, first billed only:
Josh Evans ...
Engineer - Last Session


Oliver Stone's homage to 1960s rock group The Doors also doubles as a biography of the group's late singer, the "Electric Poet" Jim Morrison. The movie follows Morrison from his days as a film student in Los Angeles to his death in Paris, France at age 27 in 1971. The movie features a tour-de-force performance by Val Kilmer, who not only looks like Jim Morrison's long-lost twin brother, but also sounds so much like him that he did much of his own singing. It has been written that even the surviving Doors had trouble distinguishing Kilmer's vocals from Morrison's originals. Written by Denise P. Meyer <dpm1@cornell.edu>

Plot Summary | Plot Synopsis


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Motion Picture Rating (MPAA)

Rated R for heavy drug content, and for strong sexuality and language | See all certifications »

Parents Guide:





Release Date:

1 March 1991 (USA)  »

Also Known As:

Ha-Dlatot  »

Box Office


$38,000,000 (estimated)


$35,183,792 (USA)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(analog 70 mm prints)| (digital 35 mm and 70 mm prints)| (analog 35 mm prints)


Aspect Ratio:

2.35 : 1
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Did You Know?


Robbie Krieger, the guitarist in the Doors, gave his consent and assistance to the film because Stone's earlier film Salvador (1986) was one of his favourite films and he could easily envision a film like that about the Doors. See more »


In the film, a female photographer sexily encourages Morrison to take his shirt off, resulting in the iconic "Young Lion" photo first seen in the Village Voice, and later used as the cover photo for the Doors 1985 "Best Of" album. The photographer was actually a man, Joel Brodsky. See more »


Jim Morrison: Come on, let's get some tacos.
See more »


Referenced in Hollywood Mouth 2 (2014) See more »


Love Me Two Times
Written and Performed by The Doors
Elektra Records
See more »

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User Reviews

Mr. Mojo Risin And The Turbulent 60s
23 April 2006 | by (Dallas, Texas) – See all my reviews

Although less popular now, Jim Morrison was an American pop culture icon during the late 1960s. He liked to refer to himself as "Mr. Mojo Risin", an anagram of his name. Oliver Stone's film "The Doors" is mostly about Morrison ... his rise to stardom in the 1960s, his personality, and his mysterious death in 1971.

Influenced in childhood by American Indians, Morrison grew up fascinated with Indian Shamanism, elements of which he would later infuse into his poetry and music while hanging out in the mid 60s in the hip areas of Los Angeles. Here he would meet musician Ray Manzarek (Kyle MacLachlan). Along with two other band members, the group would form "The Doors", a name Morrison borrowed from the title of Aldous Huxley's book on drug use and enlightenment, called "The Doors Of Perception". During this time Morrison comes across as sensitive, shy, poetic, and an idealistic dreamer. The film's first hour is quite good. We get some insights into Jim's early years, and we get to hear some of that great music, like "Riders On The Storm", and "Light My Fire".

The film's second half is less interesting. Morrison himself has changed, as a result of his celebrity status. His narcissism, his boozing and drug use, have turned his world into chaos, which is evident in a couple of staged concert events, one in New Haven, the other in Miami. The amount of time that Oliver Stone spends on these noisy, chaotic events is excessive. Some of that could have been edited out.

As with most Stone films, the cinematography in "The Doors" is excellent, and includes some early CGI. Val Kilmer is a great choice to play the part of Morrison. And Kathleen Quinlan is good as Patricia, the seductive witch. The film's images at the cemetery in Paris, together with Gothic background music, make for a haunting finale.

Stone's movie is not to be taken in a literal sense. Rather, it is suggestive of the complex mix of personal and cultural forces that interacted to create a pop culture legend. As a byproduct of this cinematic tribute, the viewer gets to see how the late 1960s really were, with the art deco, the hippie lingo, and all that hostility that existed in society. The film thus counters the political revisionism that later decades have assigned to that period. As such, "The Doors" complements and reinforces other films of that era which also "tell it like it really was": "Medium Cool", "Easy Rider", "Alice's Restaurant", and "Zabriskie Point", to name a few.

Despite a noisy, irksome second half, "The Doors" is an intriguing film about an intriguing historical figure. Mr. Mojo Risin's "style" may have died with the times. But Jim Morrison, himself, lives on ... as legend.

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