| Maria de Medeiros | ... | Sónia | |
| Miguel Guilherme | ... | Raskolnikov | |
| Luís Miguel Cintra | ... | Prophet | |
| Mário Viegas | ... | Philosopher | |
| Leonor Silveira | ... | Eva | |
| Diogo Dória | ... | Ivan | |
| Paulo Matos | ... | Jesus | |
| José Wallenstein | ... | Aliosha | |
| Ruy Furtado | ... | Director | |
| Carlos Gomes | ... | Adao | |
| Luís Lima Barreto | ... | Pharisee | |
| Laura Soveral | ... | Elena Ivanovna | |
| Júlia Buisel | ... | Maria | |
| Cremilda Gil | ... | Isabel Ivanovna | |
| Miguel Yeco | ... | Lázaro | |
| Nuno Melo | ... | Male Nurse | |
| João Romão | ... | Male Nurse | |
| Maria João Pires | ... | Marta | |
| rest of cast listed alphabetically: | |||
| Ricardo Trêpa | ... | (uncredited) | |
Directed by | |||
| Manoel de Oliveira | |||
Writing credits | ||
| Manoel de Oliveira | (scenario) | |
| Manoel de Oliveira | (dialogue) | |
| Fyodor Dostoevsky | (extracts) (as Dostoievski) and | |
| José Régio | (extracts) and | |
| Friedrich Nietzsche | (extracts) (as Nietzsche) | |
Produced by | |||
| Paulo Branco | .... | producer | |
| Claude-Éric Poiroux | .... | co-producer | |
Cinematography by | |||
| Ivan Kozelka | |||
Film Editing by | |||
| Manoel de Oliveira | |||
| Valérie Loiseleux | |||
Production Design by | |||
| Zé Branco | |||
Costume Design by | |||
| Lurdes Rocha | |||
Makeup Department | |||
| Ilda Campino | .... | makeup artist | |
| Ana Escada | .... | assistant makeup artist | |
| Alda Matos | .... | hair stylist | |
Production Management | |||
| Camilo 'Tuxa' João | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Luís Campos | .... | trainee assistant director | |
| José Maria Vaz da Silva | .... | second assistant director | |
| Manuel João Águas | .... | first assistant director | |
Art Department | |||
| António José | .... | carpenter | |
| Manuel Lobão | .... | assistant decorator | |
| António José Matos | .... | carpenter (as António Matos) | |
| Miguel Mendes | .... | assistant decorator | |
Sound Department | |||
| Gita Cerveira | .... | sound | |
| Jean-Paul Loublier | .... | sound mixer | |
Camera and Electrical Department | |||
| João 'Musga' Carlos Aguiar | .... | electrician (as João Carlos Aguiar) | |
| Mário Castanheira | .... | electrician | |
| João Guerra | .... | second assistant camera | |
| Victor Nunes | .... | assistant camera | |
| José Manuel Rodrigues | .... | electrician | |
| Vasco Sequeira | .... | grip | |
| Francisco Vilar | .... | grip | |
Costume and Wardrobe Department | |||
| Dina Teresa | .... | assistant costume designer | |
Editorial Department | |||
| Ana de Lurdes | .... | negative cutter | |
| Angela Melo | .... | assistant editor | |
| Francisco Villa-Lobos | .... | assistant editor | |
Other crew | |||
| Maria João Abelho | .... | production secretary | |
| Pedro Bento | .... | production assistant | |
| Júlia Buisel | .... | continuity | |
| Fernanda Costa | .... | production accountant | |
| P. João Marques | .... | biblical consultant | |
| João Montalverne | .... | assistant continuity | |
| João Montalverne | .... | production assistant | |
| Carla Pereira | .... | production assistant | |
| Luísa Perestrello | .... | public relations | |
| Teresa Tainha | .... | assistant continuity | |
| Francisco Villa-Lobos | .... | production assistant | |
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| Os Canibais | Anxiety | Le soulier de satin | The Fifth Empire | Hail Mary |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb Portugal section |
*** This review may contain spoilers ***
This was my first contact, a few years ago, with the work of portuguese director Manoel de Oliveira, and I was completely astonished. The movie is given to a lot of interpretations, and the way I see it, it presents in it several extremes of the kind of people that in fact exists in our society. The story takes place in an insane institution, where all the "clients" believe they are an historical character. So we have a couple who believes to be Adam and Eve, we have another who sees himself as Jesus, another one wants to die so he can return to life as Lazarus did. But the characters whose dialogues I enjoyed the most where the prophet and the philosopher. This one is a none believer who is always discussing with the prophet on the theme of god. The prophet spends the movie carrying a book which he says has the truth in it, it's like the fith gospel. In the end (and I saw that as the true message of the movie), we find out that the book is totally empty. Just blanke pages. If the mankind history was almost always made by wars in the basis of books which had supposed truths in it, and those wars caused a lot of pain in lots of people troughout the times, than we should write no longer. The true gospel is in the good actions, not in a book with written
things that can be interpreted in many ways, even lethal ways... Think about it... and watch the movie to help you.