11 items from 2014
The first time I recall Terry Gilliam‘s name being used to sell me on a movie it was City of Lost Children, but that was through a critic blurb making a comparison between the Brazil director and City‘s Jean-Pierre Jeunet and Marc Caro. Prior to that, though, he’d actually lent his name as a presenter for their Delicatessen. I might not have discovered those movies without the endorsement. Later, Gilliam also put his name in a similar manner on Bill Plympton’s Idiots and Angels. As a Gilliam fan, I fell in love with Jeunet’s work immediately, while I’d already been into Plympton and now had more reason to appreciate the animation legend. I don’t know that Gilliam attached his name to anything before, between or after those two — I’m not counting the BBC TV adaptation of the book The Last Machine: Early Cinema and the Birth of the »
- Christopher Campbell
Veteran Pinon is known to international audiences for roles in such classics as Diva, Amelie From Montmartre and Delicatessen, while 26 year-old Bikovic appeared in the football films Montevideo - God Bless You! and its sequel as well as Nikita Mikhalkov’s forthcoming Bunin adaptation, Sunstroke.
The sequel by Art Pictures Studio and Kinoslovo is headlined again by Danila Kozlovsky, known popularly as ¨Russia’s answer to Brad Pitt¨ who has recently broken into the international film scene with his role in Vampire Academy.
Kozlovsky reprises his role as top manager Max Andreev who has left the hustle and bustle of Moscow behind for the quiet life on the Indonesian island of Bali until events back home lead him to head for Russia.
Seen by many »
- firstname.lastname@example.org (Martin Blaney)
Horror is really the only genre that has entries that, while “good,” may not necessarily mean “recommended.” So, how does that affect what is “definitive?” A recent conversation brought up the nightmare of a movie A Serbian Film (great review here from Justine) which, by all accounts, is a horror film. But, while everyone in film circles knows about the film (many have even seen it), I can’t imagine anyone actually recommending it. It’s made impact, sure. But at what cost? The best horror films aren’t simply there to scare and disgust viewers. They’re there to serve as metaphors for other issues, however big or small. But the best ones are those that do it in a way that, while still may scare and disgust you, will also make you think and reevaluate your situation.
40. À l’intérieur (2007)
English Title: Inside
- Joshua Gaul
★★★★☆French director Jean-Pierre Jeunet has demonstrated a deft ability for creating fantastical worlds, as previously seen in Delicatessen (1991), The City of Lost Children (1995) and his big crossover hit, Amélie (2001). All of these showed a gift for aesthetically-pleasing oddities, and his new work, The Young and Prodigious T.S. Spivet (2013), is no exception. It's also his second American feature, his last being the poorly-received Alien Resurrection (1997). It seems the source material, a beautifully illustrated tome by Reif Larsen about a cartography-obsessed boy genius, is a perfect fit, redeeming him of past sins and creating a plush, modern fairytale with strains of Mark Twain's Huckleberry Finn.
- CineVue UK
Jean-Pierre Jeunet: "I think of a film as being like a toy train."
He has a small but perfectly formed body of work (seven films in total) although Jean-Pierre Jeunet is best known to most as the director of [fiilm id=8803]Amelie[/film]. There was also a sortie to Hollywood for Alien: Resurrection. More recently he offered up the satirical comedy about weapons merchants Micmacs.
Jeunet was born in Roanne in the Loire valley. He bought his first camera at the age of 17 and made short films while studying animation. He befriended Marc Caro, a designer and comic book artist who became his long-time collaborator and co-director. Their first live action film was The Bunker Of The Last Gunshots (1981), a short film about soldiers in a bleak futuristic world. He also directed numerous advertisements and music videos.
Jeunet and Caro's first feature film was Delicatessen (1991), a black comedy set in a famine-plagued post-apocalyptic world, »
- Richard Mowe
Directed by Jean-Pierre Jeunet.
Upon receiving the news that he has won an award from the Smithsonian Institute, the ten-year-old Ts Spivet leaves his family home on an adventure to collect his prize.
Whenever I watch a Jean-Pierre Jeunet picture, the feelings that it invokes are always the same. There is fascination and wonder, not disimilar to the feelings of open-mouthed awe at everything from the eyes of a blind man seeing for the first time. It might not actually be that revolutionary, but dressed up just right, it is still a previously unwitnessed treat. Like the eponymous Ts Spivet, you could also liken it to the inquisitve nature of a curious and innocently optimistic child, not knowing what’s coming but anticipating the nervous excitement of its arrival, »
- Steve Leadbetter
Director: Jean-Pierre Jeunet
Running Time: 105 minutes
Synopsis: A ten-year-old cartographer secretly leaves his family’s ranch in Montana where he lives with his cowboy father and scientist mother and travels across the country aboard a freight train to receive an award at the Smithsonian Institute.
Director Jean-Pierre Jenuet paints a distinctive pallet of work from Delicatessen (1991) to A Very Long Engagement (2004), but you’d probably be most familiar with the wonderful Amelie starring Audrey Tautou. Never a stranger to taking an alternative look at a story, his beautiful visuals continue in The Young And Prodigious T.S. Spivet alongside a strong blood-beating heart to take hold of.
T.S. Spivet tells the story of its namesake, a ten-year boy who’s a genius and impeccably portrayed by Kyle Catlett in his feature film debut. »
- Dan Bullock
Avid filmgoers likely have a handle already on what emotions director Jean-Pierre Jeunet stirs up, as over distinctive efforts like “Amelie," “The City of Lost Children," and “Delicatessen” he’s fashioned a completely unique perspective that’s not everyone’s cup of tea. But Jeunet’s latest work, “The Young And Prodigious T.S. Spivet," strays into new territory — being entirely family friendly and in 3D for a start — and close to the film’s German premiere and UK release, we have a new clip to share. Adapted from the novel by Reif Larson, the film also breaks from Jeunet’s wheelhouse by placing the action outside of Europe and places it in rural Montana. The story follows 10-year-old T.S. Spivet (Kyle Catlett), a child prodigy who lives with his scientist mother (Helena Bonham Carter), ranch owner father (Callum Keith Rennie), and two siblings (Niamh Wilson and Jakob Davies). He »
- Charlie Schmidlin
Jeunet is best known for feature debut “Delicatessen” and “Amelie,” which grossed $170 million worldwide. His other pics include “The City of Lost Children,” “Alien: Resurrection” and “A Very Long Engagement.”
The festival is to present the first complete retrospective of Hill’s work worldwide.
“For almost four decades Walter Hill has been one of America’s most innovative directors,” said festival director Diana Iljine. “Time and time again his films seem to achieve the impossible by spanning the gap between entertainment and art. Having Walter Hill here will be one of the highlights of the festival.”
Hill will be at almost all »
- Leo Barraclough
I’ll be honest and say I didn’t know too much about The Young And Prodigious T.S. Spivet before watching the new trailer from Entertainment One UK, and at first glance I get the sense of a little Wes Anderson entwined with Jean-Pierre Jeunet’s very distinct direction.
You’ll know him best for Amelie but also like the likes of Micmacs (2009) and before that, the rather unique Delicatessen from 1991 but this time, he’s turned to an adventure film with a young lead that’s based on the book The Selected Works of T.S. Spivet, written by Reif Larsen.
The Young And Prodigious T.S. Spivet stars Helena Bonham Carter, Judy Davis, Callum Keith Rennie, and Kyle Catlett as T.S. Spivet and, as these are early days, here’s that official introduction just before the trailer below:
T.S. Spivet lives on a remote ranch in Montana with his parents, »
- Dan Bullock
Odd List Ryan Lambie Simon Brew 20 Feb 2014 - 05:40
The unloved films of 2009 provide the focus in our final list of the 2000s' overlooked greats...
The year 2009 will partly be remembered as the year Avatar dominating the box office, with audiences flocking to see James Cameron's leafy pulp epic in shimmering 3D. Making almost $2.8bn worldwide, Avatar was a true behemoth, besting Cameron's own Titanic as the highest-grossing film of all time (not adjusted for inflation) and hastening a rush of 3D films in the years that followed.
Films such as 2012, Sherlock Holmes and boozy comedy The Hangover were also among the top 10, but as always, some of the most memorable and individual films of the year were far from the most financially successful. So to round off our series of underrated flicks of the 2000s, here's our selection of 2009's overlooked films...
A really good, »
11 items from 2014
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