7.7/10
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170 user 105 critic

Delicatessen (1991)

R | | Comedy, Crime | 3 April 1992 (USA)
Post-apocalyptic surrealist black comedy about the landlord of an apartment building who occasionally prepares a delicacy for his odd tenants.

Writers:

(screenplay), (screenplay) | 3 more credits »

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Nominated for 1 BAFTA Film Award. Another 13 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Boban Janevski ...
Mikael Todde ...
Young Rascal (as Mikaël Todde)
Edith Ker ...
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Howard Vernon ...
Chick Ortega ...
Silvie Laguna ...
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Storyline

The story is centered on a microcosm of a post-apocalyptic society where food is so rare it's invaluable and is used as currency. The story centers on an apartment building with a delicatessen on the ground floor. The owner of the eatery also owns the apartment building and he is in need of a new maintenance man since the original "mysteriously" disappeared. A former clown applies for the job and the butcher's intent is to have him work for a little while and then serve him to quirky tenants who pay the butcher in, of course, grain. The clown and butcher's daughter fall in love and she tries to foil her father's plans by contacting the "troglodytes", a grain eating sub-group of society who live entirely underground. The "trogs" are possibly the most sensible of the lot, as they see food as food and not money. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

A futuristic comic feast

Genres:

Comedy | Crime

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

3 April 1992 (USA)  »

Also Known As:

Delicatessen - Herkuttelijoiden yö  »

Filming Locations:


Box Office

Budget:

FRF 24,000,000 (estimated)

Gross:

$1,794,187 (USA)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Rumored to be a surrealistic interpretation of The Delicate Delinquent (1957). See more »

Goofs

When Julie first invites Louison to her house, she accidentally throws a vase to the floor. There is no "crash" sound when the vase is destroyed. See more »

Quotes

Aurore Interligator: They talk to me about you.
Robert Kube: Who?
Aurore Interligator: The voices in my head.
Robert Kube: Of course, the voices. What do they say?
Aurore Interligator: Let me think... They speak in such a way...
Robert Kube: [expectantly] Do they speak... About love?
Aurore Interligator: They tell me Robert is a pervert, an ass-wipe, a panty-eater.
Robert Kube: [flustered] No, but you know that's not true?
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Connections

Featured in Room 101: Episode #1.5 (1994) See more »

Frequently Asked Questions

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User Reviews

Connections
14 January 2010 | by (Virginia Beach) – See all my reviews

Most commentors on this marvel at the imagination, the adventuresome cinematography and the mix of black and humor. I found these amusing, but hardly interesting.

What was interesting was how many ways the film explored human connection. Usually you get two: love (or some surrogate) and folded insight, connecting the movie to the viewer.

Here you have:

— eating one another and with each other — love of course, love in the romantic sense — sex (well, this is common too, but not usually divorced from love) — performing together (two ways) — conspiring together

You have connections themselves by radio, TeeVee, performing, pipes and chutes in the building (about which much is made), and a repeated set of Rube Goldberg suicide mechanisms. String, yarn, boomerang knife. Postal packages. None of these make sense unless you believe they were put there to make sense.

It is as if they decided first to make a film about connection, and then to place it in a threatening future, allowing filming tricks.

I'm glad this guy went on to make at least one film after this that found coherence. Maybe we have to sit through some number of these sometimes to get a good film. God knows that Terry Gilliam has punished before he rewards.

Ted's Evaluation -- 2 of 3: Has some interesting elements.


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