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Delicatessen (1991)

R  |   |  Comedy, Crime  |  3 April 1992 (USA)
7.7
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Ratings: 7.7/10 from 62,313 users   Metascore: 66/100
Reviews: 162 user | 103 critic | 17 from Metacritic.com

Post-apocalyptic surrealist black comedy about the landlord of an apartment building who occasionally prepares a delicacy for his odd tenants.

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(dialogue), (screenplay), 2 more credits »
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Title: Delicatessen (1991)

Delicatessen (1991) on IMDb 7.7/10

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Nominated for 1 BAFTA Film Award. Another 13 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Pascal Benezech ...
...
Marie-Laure Dougnac ...
...
...
...
...
Boban Janevski ...
Mikael Todde ...
Young Rascal (as Mikaël Todde)
Edith Ker ...
Rufus ...
Jacques Mathou ...
Howard Vernon ...
Chick Ortega ...
Silvie Laguna ...
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Storyline

The story is centered on a microcosm of a post-apocalyptic society where food is so rare it's invaluable and is used as currency. The story centers on an apartment building with a delicatessen on the ground floor. The owner of the eatery also owns the apartment building and he is in need of a new maintenance man since the original "mysteriously" disappeared. A former clown applies for the job and the butcher's intent is to have him work for a little while and then serve him to quirky tenants who pay the butcher in, of course, grain. The clown and butcher's daughter fall in love and she tries to foil her father's plans by contacting the "troglodytes", a grain eating sub-group of society who live entirely underground. The "trogs" are possibly the most sensible of the lot, as they see food as food and not money. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

A futuristic comic feast

Genres:

Comedy | Crime

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

3 April 1992 (USA)  »

Also Known As:

Delicatessen - Herkuttelijoiden yö  »

Filming Locations:


Box Office

Budget:

FRF 24,000,000 (estimated)

Gross:

$1,794,187 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jean-Pierre Jeunet got the idea for a cannibal butcher when living in an apartment above a butcher's shop. Each morning at 7am he would hear the metallic clash of knives and a voice shout, "Chop chop!" His girlfriend said he was carving up the neighbors, and it would be their turn next week. See more »

Goofs

When Julie first invites Louison to her house, she accidentally throws a vase to the floor. There is no "crash" sound when the vase is destroyed. See more »

Quotes

Louison: One must always forgive.
Julie Clapet: Depends. It's not always possible.
Louison: Don't say that. No one is entirely evil. It's circumstance. Or they don't realize the wrong.
See more »

Connections

Referenced in Watching the Detectives (2007) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
An often ingenious, always entertaining cult favorite from France.
9 July 2003 | by (Ohio, USA) – See all my reviews

If you think the cannibal movie subgenre has been milked dry... think again! This one will have you from the opening credits. It's set in a crumbling apartment building in 21st century, post-apocalyptic Paris where food is at a minimum, grains are used as money and the butcher downstairs runs a black-market deli providing clientel with what seems to be the only meat product available, and it ain't chicken.

Dominique Pinon is an ex-circus clown who answers a personal ad doing odd jobs there and encounters assorted weirdos while being targeted as the main course. There's a noncomformist who eats snails and frogs, a band of grimy cave-dwelling looters, an unhinged woman whose botched suicide attempts are comic highlights and an amazing musical sequence featuring a cello, creaky bed springs, machinery, drills and other noises combining to create a symphony of sounds.

The oppressive atmosphere and murky brown color schemes could have easily turned this into a dreary disaster, but the directors keep it offbeat, surprising and clever throughout, and don't miss their chance to throw in some inventive black comedy.


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