| Videos (see all 2) |
| Balthazar Getty | ... | Allister Gibbs | |
| Jason London | ... | Russell Littlejohn | |
| Brian Krause | ... | Tim Mitchell | |
| Wil Wheaton | ... | Kipp Gibbs | |
| Chris Young | ... | Stuart Brayton | |
| Robert Miller | ... | Headmaster Thurston | |
| Ann Hartfield | ... | Mrs. Langley | |
| Soren Bailey | ... | Billy Wade |
Directed by | |||
| Gabe Torres | |||
Writing credits(WGA) | ||
| Gabe Torres | (written by) | |
Original Music by | |||
| Deborah Holland | |||
Cinematography by | |||
| James Glennon | |||
Film Editing by | |||
| Carole Kravetz Aykanian | (as Carole Kravetz) | ||
| Rick Hinson | |||
Casting by | |||
| Donald Paul Pemrick | |||
Production Design by | |||
| Garreth Stover | |||
Art Direction by | |||
| Kenneth Hardy | (as Kenneth A. Hardy) | ||
Set Decoration by | |||
| Margaret Goldsmith | |||
Costume Design by | |||
| Ronald Leamon | |||
Makeup Department | |||
| Renata Helfman | .... | assistant makeup artist | |
| Angela Nogaro | .... | key hair stylist | |
| Angela Nogaro | .... | key makeup artist | |
| Ellen 'Holly' Weinberger | .... | assistant hair stylist | |
Production Management | |||
| John P. Melfi | .... | unit production manager | |
| Graham Stumpf | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Toni Phillips | .... | second assistant director | |
| Brad Richardson | .... | second second assistant director | |
| J.B. Rogers | .... | first assistant director (as James B. Rogers) | |
Art Department | |||
| Philip Briggs | .... | art department assistant | |
| Chris Forster | .... | construction coordinator | |
| David Gallo | .... | scenic artist | |
| Gordon Germaine | .... | scenic artist (as Gordon H. Germaine) | |
| Steve Koch | .... | storyboard artist | |
| Daniel Kuttner | .... | property master | |
| Frank Lloyd | .... | construction coordinator | |
| Gary B. Matteson | .... | leadman | |
| Brana Rosenfeld | .... | assistant set decorator | |
| Jeff Snyder | .... | key art department assistant (as Jeffrey Snyder) | |
| Caroline Stover | .... | on-set dresser | |
| Bill Wade | .... | art department assistant | |
| Gregory M. Wilson | .... | painter | |
| Chris L. Winslow | .... | scenic artist | |
Sound Department | |||
| Barbara J. Boguski | .... | adr supervisor | |
| Armond Ghzanian | .... | sound apprentice | |
| Dwayne S. Henkel | .... | boom operator (as Dwayne Henkel) | |
| Larry Hoki | .... | sound recordist | |
| Christopher Lewis | .... | sound editor (as Christopher J. Lewis) | |
| Jeffrey Perkins | .... | sound re-recording mixer | |
| Steve Rice | .... | dialogue editor | |
| Ken Segal | .... | sound mixer | |
| Steve F.B. Smith | .... | sound consultant: Dolby | |
| Bruce Stambler | .... | sound re-recording mixer | |
| Ann L. Thornberg | .... | sound assistant | |
| Audrey Trent | .... | foley artist | |
| Jerry Trent | .... | foley artist | |
| David Lewis Yewdall | .... | supervising sound editor | |
Visual Effects by | |||
| Steve Koch | .... | miniatures | |
Stunts | |||
| Gregg Smrz | .... | stunt coordinator: New York | |
| Patrick J. Statham | .... | stunt coordinator (as Patrick Statham) | |
Camera and Electrical Department | |||
| John L. Allen | .... | grip: New York | |
| Dan Auerbach | .... | second assistant camera | |
| Anthony Lee Beverly | .... | best boy electric | |
| Jack Cochran | .... | gaffer | |
| William M. Gunther | .... | grip (as William Michael Gunther) | |
| Mishka Harnden | .... | electrician | |
| Audrey Jameson | .... | grip: New York | |
| Juliet Lofaro | .... | location photographer | |
| Echol Marshall | .... | first assistant camera (as Echol S. Marshall III) | |
| Joe-Joe Presson | .... | best boy grip (as Joseph Presson) | |
| Philip A. Reilly | .... | generator operator: New York (as Phil Reilly) | |
| Howard Rosenberg | .... | special photographer | |
| John Savka | .... | key grip (as John R. Savka) | |
| Ross C. Whitaker | .... | grip | |
| Ignacio Woolfolk | .... | electrician: New York (as Ignacio 'Nacho' Woolfolk) | |
| Nina Zarnett | .... | electrician: New York | |
Casting Department | |||
| Deverin Karol | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Henry Earl Lewis | .... | wardrobe supervisor | |
Editorial Department | |||
| Donald Milne | .... | apprentice editor (as Don Milne) | |
| Vanick Moradian | .... | assistant editor | |
| K.T. Morgan | .... | assistant editor | |
| Kenneth Jamie Neese | .... | apprentice editor | |
| Folmer Wiesinger | .... | assistant editor | |
| Jim Williams | .... | color timer | |
| Karen Wondra-Grisham | .... | post-production assistant | |
Music Department | |||
| Elliot Anders | .... | music coordinator | |
| Paul Di Franco | .... | music supervisor | |
| Michael Elliott | .... | music coordinator | |
| Christopher Guardino | .... | conductor | |
| K.T. Morgan | .... | assistant music editor | |
| Barbara Pokras | .... | music editor | |
Other crew | |||
| Liz Chiz | .... | production coordinator | |
| Patrick Gagliano | .... | production assistant: New York | |
| Matt Haenlin | .... | stand-in | |
| Matthew David Hensley | .... | production assistant (as Matthew Hensley) | |
| Deverin Karol | .... | assistant to producer | |
| Alletta Y.L. Kriak | .... | assistant: Mr. Copeland | |
| Brad D. LaFave | .... | assistant: Gabe Torres | |
| Kile Ozier | .... | location manager: New York | |
| Tim Quist | .... | stand-in | |
| Lilli Rouleau | .... | assistant: Mr. Colichman (as Lilli Fields Rouleau) | |
| Hugo Scales | .... | assistant: Kevin Reldy | |
| Patrick Shiffrar | .... | assistant: Mr. Reich | |
| Regi Toscano | .... | assistant: Mr. Willenson | |
| Luke Varga | .... | stand-in | |
| Rachel Villa | .... | production controller | |
| Mary Wright | .... | script supervisor (as Mary C. Wright) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Set on the night after the bombing of Pearl Harbour in 1941, this film follows the decisions of five young men faced with the prospect of going to war. An unusual film, set mainly in school dormitories, and essentially dependant solely on dialogue, one is under the impression that this is a film that may lend itself better to the stage than the screen, although the film set is remarkably impressive and is enhanced by the dim lighting associated with the period. That said, this film isn't really about war, nor is about impressive sets. It is simply the story of five students, who in the space of one night, make some heavy decisions which could have far reaching consequences on their futures. A largely likeable cast make the film enjoyable enough, although for the casual viewer, it is a very intense film, and does tend to be rather claustrophobic. Despite the lengthy dialogue, the film is well scripted and this is probably as well, as the subject matter is in retrospect somewhat simplistic, and some might say idealistic. The film has shades of Dead Poets Society scattered around, although the subject matter is quite different, and it stands it's ground well as a good Coming of Age/Period Drama. It is evident that a great deal of attention has been paid to the costume design, music and sets, to make this a convincing period film, and the sepia tones of the film print enhance this effect even more. On the whole the film is well casted, with good performances by all the cast, that said Chris Young's character is on the whole decidedly irritating, although I suspect this is entirely intentional. If you can track down a copy of this film it is well worth seeing, although for the UK audience it has not been released for general sale, and can be extremely difficult to find.