| Photos (See all 17 | slideshow) | Videos (see all 2) |
| Kenneth Branagh | ... | Roman Strauss / Mike Church | |
| Andy Garcia | ... | Gray Baker | |
| Derek Jacobi | ... | Franklyn Madson | |
| Wayne Knight | ... | 'Piccolo' Pete Dugan | |
| Hanna Schygulla | ... | Inga | |
| Campbell Scott | ... | Doug | |
| Emma Thompson | ... | Grace / Margaret Strauss | |
| Jo Anderson | ... | Sister Madeleine / Starlet | |
| Christine Ebersole | ... | Lydia Larsen | |
| Lois Hall | ... | Sister Constance | |
| Richard Easton | ... | Father Timothy | |
| Patrick Montes | ... | Pickup Driver | |
| Raymond Cruz | ... | Clerk | |
| Robin Williams | ... | Doctor Cozy Carlisle | |
| Patrick Doyle | ... | Policeman in lift | |
| Erik Kilpatrick | ... | Cop #2 | |
| Gordana Rashovich | ... | Handcuffed Woman | |
| Obba Babatundé | ... | Syd (as Obba Babatunde) | |
| Vasek Simek | ... | Otto (as Vasek C. Simek) | |
| Gregor Hesse | ... | Frankie | |
| John Gould Rubin | ... | Cafe Owner | |
| Steven Culp | ... | Party Guest #1 | |
| Yvette Freeman | ... | Nurse | |
| rest of cast listed alphabetically: | |||
| Miriam Margolyes | ... | Lady (uncredited) | |
| Ralph Morse | ... | Reporter (uncredited) | |
| Peter Riga | ... | Waiter at House Party (uncredited) | |
Directed by | |||
| Kenneth Branagh | |||
Writing credits(WGA) | ||
| Scott Frank | (written by) | |
Produced by | |||
| Lindsay Doran | .... | producer | |
| Dennis Feldman | .... | co-producer | |
| Charles H. Maguire | .... | producer | |
| Sydney Pollack | .... | executive producer | |
Original Music by | |||
| Patrick Doyle | |||
Cinematography by | |||
| Matthew F. Leonetti | (director of photography) | ||
Film Editing by | |||
| Peter E. Berger | |||
Casting by | |||
| Gail Levin | |||
Production Design by | |||
| Tim Harvey | |||
Art Direction by | |||
| Sydney Z. Litwack | |||
Set Decoration by | |||
| Jerry Adams | |||
Costume Design by | |||
| Phyllis Dalton | |||
Makeup Department | |||
| Kathryn Blondell | .... | hair stylist | |
| Thomas R. Burman | .... | special makeup effects (as Tom Burman) | |
| Bari Dreiband-Burman | .... | special makeup effects (as Bari Burman) | |
| Leonard Engelman | .... | second makeup artist | |
| Virginia G. Hadfield | .... | second hair stylist (as Virginia Hadfield) | |
| Daniel C. Striepeke | .... | makeup artist (as Dan Striepeke) | |
| Audrey L. Anzures | .... | hair stylist (uncredited) | |
Production Management | |||
| William C. Gerrity | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Steve Danton | .... | first assistant director | |
| Tracy Rosenthal-Newsom | .... | second assistant director (as Tracy Rosenthal) | |
| Kate Yurka | .... | dga trainee | |
Art Department | |||
| Henry Alberti | .... | set designer | |
| Gary Daspit | .... | property person | |
| Glen R. Feldman | .... | assistant property master (as Glen Feldman) | |
| Frank Flores | .... | property person | |
| Joseph E. Hubbard | .... | set designer (as Joseph Hubbard) | |
| Jim Husbands | .... | lead person (as James Husbands) | |
| Dennis Ivanjack | .... | production painter | |
| Robert Krume | .... | construction coordinator | |
| Eric Orbom | .... | set designer | |
| George Stuart Jr. | .... | paint supervisor (as George Stuart) | |
| Robert A. Sturtevant | .... | general supervisor (as Bob Sturtevant) | |
| Edward Staten Vance | .... | construction supervisor (as Ed Vance) | |
| Dean Wilson | .... | assistant property master | |
| John Zemansky | .... | property master | |
| Jim Husbands | .... | leadman (uncredited) | |
| Gary Stel | .... | laborer (uncredited) | |
Special Effects by | |||
| Steven C. Foster | .... | special effects (as Steve Foster) | |
| Greg Hendrickson | .... | special effects (as Gregg Hendrickson) | |
| Frank Toro | .... | special effects | |
Stunts | |||
| Gregory J. Barnett | .... | stunt coordinator (as Greg Barnett) | |
| Steve Boyum | .... | stunt coordinator | |
| Clarke Coleman | .... | stunts | |
| Doug Coleman | .... | stunts | |
| Kenny Endoso | .... | stunts (as Ken Endoso) | |
| Jeannie Epper | .... | stunts (as Jean Epper) | |
| Kelly Malone | .... | stunts | |
| John Meier | .... | stunts | |
| Chad Randall | .... | stunts | |
| Jayleen Sun | .... | stunts | |
| Mickey White | .... | stunts | |
Camera and Electrical Department | |||
| Keith Baber | .... | assistant lighting technician | |
| Pat Blymyer | .... | chief lighting technician (as Patrick Blymyer) | |
| Tim Dunford | .... | second assistant camera | |
| Mark Figueroa | .... | second assistant camera | |
| Bob Fillis | .... | assistant lighting technician (as Robert Fillis) | |
| Antonio V. Garrido | .... | dolly grip (as Antonio Garrido) | |
| Lloyd Gowdy | .... | electrician | |
| Burton Lindemoen | .... | second company grip (as Burt Lindemoen) | |
| Don Linsley | .... | grip | |
| Kurt Marshall | .... | electrician | |
| Patrick Marshall | .... | electrician | |
| Robert D. McBride | .... | camera operator (as Robert McBride) | |
| Terry H. Neville | .... | electrician (as Terry Neville) | |
| Thomas A. Pendell | .... | video assist operator | |
| Dan Reilly | .... | first company grip (as Daniel Reilly) | |
| Russell Reilly | .... | second company grip | |
| Peter Sorel | .... | still photographer | |
| Stephen J. Ullman | .... | first assistant camera (as Steve Ullman) | |
| Michael D. Weldon | .... | first assistant camera (as Mike Weldon) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| Elisabeth Jereski | .... | casting assistant (as Liz Jereski) | |
| Kim Hardin | .... | casting associate (uncredited) | |
| Franklyn Warren | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Ann Culotta | .... | costumer | |
| Sandra Culotta | .... | costume supervisor | |
| Deborah Hopper | .... | costumer | |
| Daniel Weinberg | .... | costumer | |
Editorial Department | |||
| John Coniglio | .... | apprentice film editor (as John Robert Coniglio) | |
| Bob Kaiser | .... | color timer | |
| Karen Marmer | .... | post-production associate (as Karen Marmer Allen) | |
| Theresa Repola Mohammed | .... | negative cutter | |
| George C. Villaseñor | .... | assistant film editor | |
Music Department | |||
| Lawrence Ashmore | .... | orchestrator | |
| William Kraft | .... | conductor | |
| Roy Prendergast | .... | music editor | |
| John Richards | .... | score mixer | |
| Bob Beecher | .... | apprentice music editor (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Transportation Department | |||
| Manny Demello | .... | transportation co-captain | |
| Anthony C. Steere | .... | transportation captain (as A.C. Steere) | |
| James Thornsberry | .... | transportation coordinator (as Jim Thornsberry) | |
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| La corta notte delle bambole di vetro | Madame Bovary | Original Sin | So Sweet, So Dead | I Confess |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb USA section |
***SPOILERS*** Modern Film-Noir murder mystery that covers 42 years,1948-1990, and two lifetimes. Grace, Emma Thompson,has been in this Catholic sanitarium, Saint Audrey's, since she was found wandering aimlessly on the streets of L.A. With the church not being able to keep or care for her any longer due to her deteriorating mental condition the church's administrator Father Thimothy, Richard Easton,calls a former parishioner Private eye Mike Church, Kenneth Branagh. Church is to find out just who this Grace, a name given to her by the church, really is.
Putting an ad in the local L.A newspapers Church is immediately contacted by antique dealer Franklin Madson, Derek Jacobi. Madson dabbles in the occult and is experienced in the science of past-life regression; regressing persons back to their past lives through hypnosis. Madson puts Grace into a trance and regresses her back in time. It's then that Grace claims that in her previous existence she was a woman named Margrate Struss back in 1949. It was back then in 1949 that she was murdered by her husband Roman. Roman was a failing Hollywood musical composer and with his money, that he inherited from his first wife back in Germany, gone he was just about to have a nervous breakdown. Romans also suspected that Margaret was cheating on him by having an affair with newspaper reporter Gray Baker, Andy Garcia. One evening Roman just lost it and took out a pair of scissors brutally murdering Margaret.
This amazing revelation, by Grace, is later confirmed through old newspapers clippings that also brought out that not only was there a Margaret and Roman Struss, back in L.A in 1948-49, but that she was also brutally murdered by her husband Roman.
Mike and his assistant Pete(Wayne Knight), who later in the film makes one of the most jolting as well as unsuspecting guest appearances in motion picture history, get in touch with former psychiatrist and now grocery store owner Cozy Carlisle, Robin Williams, an expert in past-life regression. Cralisle, who was drummed out of his profession for having sex with one of his patients, tells them that past-life regressions do in fact have some truth to them and what Grace has been saying under hypnosis could very well have happened to her in a past life.
The movie then takes on an almost supernatural angle to it and as its story slowly starts unfolding it becomes apparent to everyone that Grace is telling the truth but there's only one slight misrepresentation in her story! Grace wasn't Margrate Struss in her previous existence and the person who was wasn't murdered by Roman! There are surprises galore in this movie about murder madness and reincarnation and an ending that will surly blow you, like almost everyone else watching it, away.
The movie is so well put together that your never allowed, by it's writer and director, to realize exactly what's going on until almost the very last five or so minutes. It's then where the truth about Grace/Margrate suddenly explodes right in your face leaving you, like it did both Grace & Mike Church, in a state of shock.
Crossing different lives and time periods "Dead Again" in its concluding moments comes to a startling and paranormal rendezvous. It's at that point when the past suddenly catches up with the present and the mind boggling results of that time/space related conjunction become truly astonishing.