Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mystery woman who he calls Grace. She is suffering from amnesia and has ... See full summary »
Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mystery woman who he calls Grace. She is suffering from amnesia and has no memories of her own. She keeps having nightmares involving the murder of a pianist, Margaret, by her husband Roman Strauss in the late 1940s. In an attempt to solve the mystery about these nightmares, Church seeks the help of Madson who is an antiques dealer with the gift of hypnosis. The hypnosis sessions will soon begin to reveal some surprises. Written by
Sami Al-Taher <email@example.com>
Casting Derek Jacobi as the stutterer made sense. Jacobi had gained fame as the Roman emperor Claudius in the BBC/Masterpiece Theatre production of "I, Claudius". Contemporaries of the emperor made fun of his speech impediment by referring to him as "Claudius the Stammerer" and "Clau-clau-clau-claudius". See more »
Grace says "I know my left hand from my right hand" but gestures with the wrong hands. See more »
I've known Mike Church forever. He would never hurt her.
This is fate we're talking about, and if fate works at all, it works because people think that THIS TIME, it isn't going to happen!
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Jo Anderson and Patrick Doyle are each credited twice for their dual roles in this movie. See more »
Film noir reincarnation/murder story with surprising twists
This movie is one of the unappreciated jewels of the 1990's, a film done so well that virtually every aspect, from script to direction to performances to music to editing, sweeps you away. Kenneth Branagh and Emma Thompson (who were then married)each played two roles, one in the past, one in the present, with different clothes, hairstyles and accents, as part of a couple destined to be together forever.
Branagh, coming off his rookie directing debut in HENRY V, did a simply beautiful job here, using the same creative team as HV (Patrick Doyle deserves especial kudos for his astounding musical score). Playing both a cynical private eye ("I'm not looking for Miss Right; I'm looking for Miss Right Now") and a jealous German composer from the 1940's, he turns in two complete portraits of unusual men, while directing as well.
The film didn't stay in theaters long (most likely due to studio politics), but has apparently found a new audience on video. I've loved it since the first time I saw it, in its first run (I admit to seeing it five times in the theater and buying it on video the day it came out) -- so I may be slightly prejudiced -- but from every angle -- thriller, love story, character study -- it's a winner. See it on DVD and hear Branagh's comments on various aspects of the film -- that adds another dimension right there.
In fact, see it any way you can. It's just marvelous.
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