Directed by
| John David Coles | ||
Writing Credits (WGA)
| William Schmidt | ... | (story) |
| William Schmidt | ... | (teleplay) and |
| Stephen Stept | ... | (teleplay) |
Cast (in credits order) complete, awaiting verification
Produced by
| Sean Dillon | ... | assistant producer |
| Ricki Franklin | ... | executive producer |
| Richard Heus | ... | producer |
| Stephen Stept | ... | producer |
Music by
| Richard Einhorn | ||
Cinematography by
| Paul Murphy | ||
Editing by
| Angelo Corrao | ||
Casting By
| Douglas Aibel | ||
| Canice Kennedy | ||
Production Design by
| Vincent Peranio | ||
Art Direction by
| Dolores Deluce | ... | (as Delores Delux) |
Costume Design by
| Calista Hendrickson | ||
Makeup Department
| June Brickman | ... | makeup artist |
| Nancy Keslar | ... | hair stylist |
| Geri Mataya | ... | additional hair stylist |
| Vera Mitchell | ... | hair stylist |
| Izear Winfrey | ... | hair stylist |
Production Management
| John A. Amicarella | ... | post-production supervisor |
| James Ragan | ... | unit production manager |
Second Unit Director or Assistant Director
| Joseph Ray | ... | second assistant director |
| Dwight Williams | ... | first assistant director |
Art Department
| Chris Call | ... | property master |
| Michael Davis | ... | construction coordinator |
| D.W. Kann | ... | props (as David Kann) |
| Lee Nagle | ... | property master |
| Gregory Puchalski | ... | sign painter |
| Kevin Rainey | ... | art department coordinator |
| Paul Bucciarelli | ... | scenic artist and set dresser (uncredited) |
Sound Department
| Felipe Borrero | ... | sound mixer |
| Andy D'Addario | ... | re-recording mixer |
| Tommy Louie | ... | boom operator |
Special Effects by
| Timothy B. Graham | ... | special effects coordinator |
Camera and Electrical Department
| Huston Beaumont | ... | electrician |
| Erik L. Brown | ... | first assistant camera |
| Dante Cardone | ... | gaffer |
| Michael L. Colwell | ... | key grip |
| Gregory L. Edwards | ... | grip |
| Chris Espeset | ... | dolly grip |
| Heather Page | ... | second assistant camera |
| Joseph 'Bruno' Pelle | ... | best boy |
| Ethan Phillips | ... | electrician |
| Michael Sudmeier | ... | best boy |
| Ted Wiegand | ... | electric |
Casting Department
| Nancy Mosser | ... | casting / extras casting director |
| Scott Small | ... | extras casting |
| Scott Alan Small | ... | extras casting |
Costume and Wardrobe Department
| Karen Hare Neilsson | ... | key costumer (as Karen Hare) |
Editorial Department
| Sheri Eisenberg | ... | associate editor |
| Casey Spira | ... | post-production coordinator |
Location Management
| Judy Matthews | ... | location manager |
| Carol McClenahan | ... | location scout |
Script and Continuity Department
| J.S. Shoe | ... | script supervisor |
Transportation Department
| 'Wild Bill' Laczko | ... | transportation |
| Mario Simon | ... | transportation coordinator |
Additional Crew
| Barbara Babcock | ... | historical consultant |
| Phylis Geller | ... | executive in charge |
| Kitty Olisky | ... | production coordinator |
| Diana Osberg | ... | extras wrangler |
| Alicia Rivera Frankl | ... | production accountant |
| Robert Rosenstone | ... | historical consultant |
| Nick Salvatore | ... | historical consultant |
| Kevin Tierney | ... | historical consultant |
| Arthur Weinberg | ... | historical consultant |
| Lila Weinberg | ... | historical consultant |
