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22 user 6 critic

The Dark Wind (1991)

R | | Drama, Mystery | 15 May 1992 (UK)
A Navajo police officer is mixed up in drug smuggling and murder on the reservation.

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(novel), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
Lance Baker ...
Betty C. Barlow ...
...
Billy Beck ...
Motel Clerk
Arlene Bowman ...
...
Charlie Carpenter ...
...
Julia Collins ...
Kee Collins ...
Old Navajo Man #1
...
Patrick Jensen ...
...
Neil Kayquoptewa ...
James Koots ...
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Storyline

A Navajo police officer is mixed up in drug smuggling and murder on the reservation.

Plot Summary | Add Synopsis

Genres:

Drama | Mystery

Certificate:

R | See all certifications »
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Details

Country:

Language:

| |

Release Date:

15 May 1992 (UK)  »

Also Known As:

A Brisa da Morte  »

Filming Locations:

 »

Company Credits

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Technical Specs

Sound Mix:

Color:

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Did You Know?

Trivia

Director Errol Morris, better known for his documentary work, did not finish the film due to "artistic differences" with Robert Redford. See more »

Goofs

A microphone is visible twice: once at the bottom of the screen about 42 minutes into the film; the other at the top of the screen about 10 minutes before the end. See more »

Crazy Credits

The producers would like to acknowledge the Hopi and Navajo people. Their land, culture and humor enlightened us throughout the making of "The Dark Wind." See more »

Connections

Followed by Coyote Waits (2003) See more »

Soundtracks

Louisiana Hush Puppy
Music and Lyrics by Harry Shannon
See more »

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User Reviews

Boom mike technical notes
4 December 2006 | by (oklahoma) – See all my reviews

Plenty of films of this vintage suffer from boom mikes in frame and the top and dolly tracks visible at the bottom: this is an artifact born of failed productions. When the camera operator composed the shot, he had been told the film was being made for theatrical release, in a 1:1.85 ratio and so when the boom dipped down slightly, but not enough to make it into the "letterbox" they let it slide. Then, after the film failed on the festival circuit or preview process, etc and was dumped to video no one cared to correct the errors - they were all just trying to dump the project on the market as quickly as possible. Had the final "release print" been made, instead of a video transfer from the camera original (mivees and all) we would have been spared the spectacle of seeing mister boom mike. Most of these types of film were being dumped onto the video market before consumers cared to see letterboxed releases, so the transfer was made full frame.


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