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Storyline
Julia (Rojo) is a phone operator in Mexico City who divides her time between her job, her daughter and the danzon: a cuban dance very popular in Mexico and Central America. Every wednesday Julia does the danzon with Carmelo (Rergis) in the old "Salon Colonia". They've danced for years but barely know each other. One night Carmelo disappears without a trace. Feeling lonely and sad, Julia takes a train to Veracruz, where she knows Carmelo has a brother. That sudden trip will change Julia's life forever. Written by
Maximiliano Maza <mmaza@campus.mty.itesm.mx>
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What would a film for women look like? Well, one possibility is Maria Novaro's wonderful reversal of all of the expectations of male-oriented films. Playing with a number of genres and turning them on their heads, Novaro gives us the story of Julia, an ordinary late thirty-something woman, who, used to playing a traditionally passive, "feminine" role, takes on the active role of searching for her missing danzon partner in a journey that takes her from gloomy Mexico City to sun-drenched Veracruz. In the process she changes from object of the male gaze to bearer of the gaze. The film boasts a super performance from Maria Rojo as Julia and fine supporting performances by Carmen Salinas, Tito Vasconcelos, and Victor Carpenteiro. It is saturated with fantastic Mexican music, especially songs written by Veracruz' native son, Agustin Lara. And then there is the dancing. The danzon, where a single glance may give the game away, becomes a perfect metaphor for Julia's journey of self-discovery.