Dance Macabre (1992/I)

User Rating:

1.8/10   

Director:

Greydon Clark

Writer:

Greydon Clark (writer)

Genre:

Thriller

Plot:

A dance instructor brings his dance troupe to Russia for training. What his dancers don't know, however, is that he has a dual personality--and his hidden personality is a serial killer. |

Plot Keywords:

Russia | Ballet | Murder | Independent Film

Cast

Robert Englund	...	Anthony Wager / Madame
Michelle Zeitlin	...	Jessica
Marianna Moen	...	Ingrid
Julene Renee	...	Angela
Nina Goldman	...	Claudine
Irina Davidoff	...	Olga
Alexander Sergeyev	...	Alex
Natasha Fesson	...	Natasha
Vadim Zajtsev	...	Ivan
Alexander Usanov	...	Detective Benski
Irina Sabanova	...	Model
Nina Ivanovich	...	Anna
Marina Guseva	...	Maria
Elena Gromova	...	Katerina
Greydon Clark	...	Anderson

Also Known As:

Phantom of the Opera (Philippines: English title)
Phantom of the Opera II (USA) (alternative title)

Runtime:

97 min

Country:

USA | Soviet Union

Language:

English

Color:

Color

Sound Mix:

Stereo

Certification:

USA:R

Filming Locations:

St. Petersburg, Russia

Company:

21st Century Film Corporation

Quotes:

Anthony: Tortured people do things in this world no one understands.

Second-Rate Production Brings Far Less Than Satisfactory Results.

A doleful fable that one must hope will be the sole example of a Ballet Slasher genre, this socio-cultural hybrid is additionally not unique in any other fashion, with a result that ennui will be the fate of those viewers who may see it, although taking into account the somewhat tarnished reputation of director Greydon Clark, their numbers should probably be few. Although featured player Robert Englund has stated that this affair is not a sequel or otherwise related to the version of PHANTOM OF THE OPERA (1989) in which he stars, its producers, 21st Century, have hired Clark to utilize elements from such a hypothetical undertaking, with St. Petersburg, Russia, as setting and with a familiar theme of serial homicide included in the blend. Englund is Anthony Wagner, a renowned American choreographer who, along with his former lover, Svetlana, manages a ballet academy in St. Petersburg, his partner now referred to as "Madame", and confined to a wheelchair following a long past motorcycle collision upon which she and the now deeply facially scarred Anthony were riding. When a young American dancer, Jessica (Michelle Zeitlin) is enrolled by her father (Clark) at the facility, Wagner immediately expresses his amazement at her resemblance to the young Svetlana, a likeness not apparent to a rational viewer. From among the academy attendees, one fortunate woman will be selected to perform with the "St. Petersburg Ballet Russe" and as the most skilled aspirants are being slaughtered by various means and in rapid succession, it becomes apparent that Jessica will make the cut, this not being the only predictable element within a flabbily constructed screenplay. There are problems here with continuity, substandard makeup effects for this essay in Grand Guignol are risible, dubbing, synching and other post-production processing are shabbily accomplished, the photography is hyperfiltered, red plainly being the colour of choice, and the direction, script and scoring are dullish throughout. The much maligned Clark also directs another low budget film with its setting in picturesque St. Petersburg, and in which there is much to like, Russian HOLIDAY (a.k.a. Russian Roulette), but in that movie he benefits from an abler cast, paced by Susan Blakely.