A pregnant peasant woman seeks redress from the Chinese bureaucracy after the village chief kicks her husband in the groin in this comedy of justice. As she is frustrated by each level of ... See full summary »
In 1930s China a young woman is sent by her father to marry the leprous owner of a winery. In the nearby red sorghum fields she falls for one of his servants. When the master dies she finds... See full summary »
A woman married to the brutal and infertile owner of a dye mill in rural China conceives a boy with her husband's nephew but is forced to raise her son as her husband's heir without ... See full summary »
After World War II, a small French village struggles to put the war behind as the controlling Communist Party tries to flush out Petain loyalists. The local bar owner, a simple man who ... See full summary »
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were ... See full summary »
An ex-convict struggles to survive by brute force alone in a turn-of-the-century slum in Braila. Codine (Alexandre Virgil Platon) is the thug who served 10 years for murdering a friend. He ... See full summary »
Alexandru Virgil Platon,
China in the 1920's. After her father's death, nineteen year old Songlian is forced to marry Chen Zuoqian, the lord of a powerful family. Fifty year old Chen has already three wives, each of them living in separate houses within the great castle. The competition between the wives is tough, as their master's attention carries power, status and privilege. Each night Chen must decide with which wife to spend the night and a red lantern is lit in front of the house of his choice. And each wife schemes and plots to make sure it's hers. However, things get out of hand... Written by
Mattias Pettersson <email@example.com>
"The Master's" face is never seen. It is either obscured behind thin curtains or out of shot. See more »
The Third Concubine:
Good or bad, it's all playacting. If you act well, you can fool other people; if you do it badly, you can only fool yourself, and when you can't even fool yourself, you just can fool the ghosts.
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In response to the comments that this film is boring, shallow or without a character to identify with: Please study some Chinese history before you make such judgments. The story we see is a visual treat but overlays a much deeper story of China in myriad aspects. Perhaps you are unaware that films and books of the period had to tread lightly on topics that were not merely taboo but could result in danger for all connected. Thus, a slight symbolic representation often took place. Sort of poetic shorthand. Not unlike Chinese art that may seem to be about the season of autumn but is actually about death or change or loss. Nevertheless, any film must stand on its own regardless of the background. This film includes acting scenes that are incredibly forceful and still so gentle. The photography, costumes, sound and music blend into a cinematic work of art. I found the character completely believable, a woman bound in a tradition from which she found no escape except death or madness. And for those who sneer at the opera singer, imagine how the music you enjoy would sound to someone who has a completely different background. Please accept cultural diversity and let your mind and heart be enlarged!
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