Da hong deng long gao gao gua (1991)

Director:

Yimou Zhang

Writers:

Su Tong (novel)
Ni Zhen (writer)

Release Date:

12 February 1992 (Spain)

Genre:

Drama

Tagline:

China, 1920. One master, four wives.

Plot:

China in the 1920's. After her father's death, nineteen year old Songlian is forced to marry Chen Zuoqian...

Plot Keywords:

1920s | Lantern | China | Drunk Scene | Romantic Rivalry

Awards:

Nominated for Oscar. Another 14 wins & 2 nominations

Cast

Li Gong	...	Songlian
Saifei He	...	Meishan (Third Wife)
Cuifen Cao	...	Zhuoyan (Second Wife)
Jingwu Ma	...	The Master
Qi Zhao	...	Housekeeper
Lin Kong	...	Yan'er
Shuyuan Jin	...	Yuru (First Wife)
Weimin Ding	...	Songlian's mother
Zhengyin Cao	...	Old servant
Zhihgang Cui	...	Dr. Gao
Chu Xiao	...	Feipu

Also Known As:

Raise the Red Lantern (UK) (USA)

Runtime:

125 min

Country:

China | Hong Kong | Taiwan

Language:

Mandarin

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Australia:PG | Iceland:L | Argentina:13 | Chile:14 | Finland:K-10 | Germany:12 | Netherlands:16 | Peru:14 | Spain:13 | Sweden:11 | UK:PG | USA:PG | Singapore:PG

Company:

Century Communications

Trivia:

"The Master's" face is never seen. It is either obscured behind thin curtains or out of shot.

Quotes:

The Third Concubine: She has the face of Buddha and the heart of a scorpian

Movie Connections:

Featured in Nitrato d'argento (1996)

Amazing film of domestic tragedy in 1920s China

Zhang Yimou solidifies his standing as one of cinema's most brilliant craftsmen with Raise the Red Lantern, a heartbreaking and fascinating look into the life of a young, well-educated woman who gives up her future to become the fourth wife of a wealthy landowner in 1920s China. Gong Li, the director's longtime muse, delivers a performance nearly unsurpassed by anyone, male or female, in the 1990s (and many other decades, as well). Her opening close-up is an indelible image of sorrow and resignation capable of drawing tears out of a statue. Zhang Yimou makes films as exquisitely composed as any master's painting, and his palette extends beyond the obvious beauty of Gong Li to include the details of the courtyards, lanterns, silks, and rooftops with an inexplicable mixture of tranquility and austerity.