Curly Sue
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Curly Sue (1991) More at IMDbPro »

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3 items from 2017

Voice Champ Alisan Porter Talks Returning to the Show, ‘Sister’ Christina Aguilera and Balancing Music with Motherhood

3 May 2017 1:50 PM, PDT | | See recent news »

Alisan Porter is back!

The season 10 winner of The Voice released her new single “Deep Water,” and on Tuesday night, she returned to the singing competition to make her primetime debut of the soulful ballad.

The former child star — she starred in John Hughes’ 1991 movie Curly Sue — caught up with People on Tueday. Porter, 35, dished on her new music, her tight-knit bond with former mentor Christina Aguilera and her life as a rock star mom.

Congrats on “Deep Water”! How did the song come together?

I had been wanting to go to Nashville for a really long time and finally. »

- Jeff Nelson

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Blu-ray Reviews: Robocop 2 and Robocop 3 Collector’s Editions

6 April 2017 2:32 PM, PDT | DailyDead | See recent DailyDead news »

Let me get this out of the way up front: I think Paul Verhoeven’s 1987 sci-fi action classic, RoboCop, is a perfect film. With its mix of brilliant social satire, comic book action, dystopian sci-fi, and insane violence—a brilliant blend of ’80s aesthetics, Ed Neumeier and Michael Miner’s sharp script, a perfect cast, and Paul Verhoeven’s particular brand of genius/madness. It is the kind of movie that cannot really be reproduced… though two sequels and a 2014 remake certainly gave it a shot. That each came up short in different ways comes as no surprise. It only offers proof of the original movie’s magical alchemy.

Though they are disappointing in comparison to RoboCop, both of its initial sequels—1990’s RoboCop 2, directed by Irvin Kershner, and the Fred Dekker-helmed RoboCop 3 from 1993—attempt to replicate different aspects of the original and are not without some amount of charm, »

- Patrick Bromley

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Sundance Film Review: ‘Landline’

20 January 2017 6:36 PM, PST | Variety - Film News | See recent Variety - Film News news »

When a director crafts a youth comedy that’s also a pop-culture period piece, like “Everybody Wants Some!!” or “Twentieth Century Women,” it’s important for the audience to feel they know why — to know what it is about that moment that ignited the filmmaker’s imagination, beyond his or her desire to sprinkle a movie with the mix-tape nuggets, hipster TV choices, and hairstyles of their youth. “Landline,” the pleasingly spiky and confident second feature directed and co-written by Gillian Robespierre (“Obvious Child”), is set in Manhattan in the long-ago, far-away, now-exotic year of 1995, and it’s fun to hook into the movie’s remember-this? vibe — the references to slam poetry and Lorena Bobbitt and eyebrow rings and Must-See TV, to renting “Curly Sue” at Blockbuster (and actually thinking it’s funny), to Hillary Clinton as a fashion role model, to second-hand CD stores with world-music listening stations. But »

- Owen Gleiberman

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