| Photos (See all 15 | slideshow) | Videos (see all 3) |
| James Belushi | ... | Bill Dancer | |
| Kelly Lynch | ... | Grey Ellison | |
| Alisan Porter | ... | Curly Sue | |
| John Getz | ... | Walker McCormick | |
| Fred Dalton Thompson | ... | Bernard Oxbar | |
| Cameron Thor | ... | Maitre d' | |
| Branscombe Richmond | ... | Albert | |
| Steve Carell | ... | Tesio (as Steven Carell) | |
| Gail Boggs | ... | Anise Hall | |
| Burke Byrnes | ... | Dr. Maxwell | |
| Viveka Davis | ... | Trina | |
| Barbara Tarbuck | ... | Mrs. Arnold | |
| Edie McClurg | ... | Secretary | |
| Charles Adams | ... | Prison Guard | |
| James W. Boinski | ... | Pawnbroker | |
| Lyle Browne | ... | Theater Patron (as Lyle Brown) | |
| Nadine Burke | ... | Social Worker | |
| Adele Robbins | ... | DCFS Caseworker | |
| Carol Chickering | ... | Soprano | |
| Grace Collette | ... | Foster Mother | |
| Ralph Foody | ... | Drifter | |
| Cedrick Pipes | ... | Cook | |
| Alonzo Hall | ... | Cook | |
| Luke Reichle | ... | Store Clerk 1 | |
| Joel Levin | ... | Store Clerk 2 | |
| Tammy Karabas | ... | Store Clerk 3 (as Tammy Karabas-Brody) | |
| Patricia Hooker | ... | Store Clerk 4 | |
| Joe Liss | ... | Ticket Taker | |
| Rocco Pecirno | ... | Father of the Bride | |
| Ely Pouget | ... | Dinah Tompkins | |
| Susan Mayer | ... | Woman with Champagne Glass | |
| rest of cast listed alphabetically: | |||
| John Ashton | ... | Frank Arnold (uncredited) | |
| James DeAngelo | ... | Hobo (uncredited) | |
| Brian Reed Garvin | ... | Theater Manager (uncredited) | |
| Shon Little | ... | Federico (uncredited) | |
| Robert Minkoff | ... | Bit (uncredited) | |
| Larry Nazimek | ... | Homeless Person (uncredited) | |
| Robert 'Bobby Z' Zajonc | ... | State Trooper (uncredited) | |
Directed by | |||
| John Hughes | |||
Writing credits(WGA) | ||
| John Hughes | (written by) | |
Produced by | |||
| Tarquin Gotch | .... | executive producer | |
| John Hughes | .... | producer | |
| Lynn M. Morgan | .... | associate producer | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Jeffrey L. Kimball | (director of photography) | ||
Film Editing by | |||
| Peck Prior | |||
| Harvey Rosenstock | |||
Production Design by | |||
| Doug Kraner | |||
Art Direction by | |||
| Steven Schwartz | |||
Set Decoration by | |||
| Marjorie Fritz-Birch | |||
| Samara Schaffer | (as Sam Schaffer) | ||
Costume Design by | |||
| Michael Kaplan | |||
Makeup Department | |||
| Linda Boykin-Williams | .... | makeup artist | |
| Bonnie Clevering | .... | hair stylist (as Bonnie M. Cleverling) | |
| Susan Mayer | .... | makeup artist (as Susan 'Sam' Mayer) | |
| Ve Neill | .... | makeup artist | |
| Kathe Swanson | .... | hair stylist | |
Production Management | |||
| Lynn M. Morgan | .... | production manager | |
Art Department | |||
| Daril Alder | .... | leadman | |
| Paul Allen | .... | gang boss | |
| Gary Baugh | .... | set designer | |
| Daniel B. Clancy | .... | leadman: Chicago (as Dan Clancy) | |
| Edward England | .... | construction coordinator (as Ed England) | |
| Anthony Joseph Fatigato | .... | on set painter | |
| William B. Fosser | .... | set designer (as William Fosser) | |
| Randy Gordon | .... | construction foreman | |
| Kim S. Hobbs | .... | art department coordinator | |
| Aaron C. Holden Jr. | .... | assistant props | |
| Aaron Holden | .... | property master (as Aaron Charles Holden) | |
| Patty Hooker | .... | property master | |
| Jeffrey Kushon | .... | leadman: Chicago | |
| Masako Masuda | .... | set designer | |
| Amie McCarthy | .... | assistant props | |
| John Mikels | .... | stand-by painter | |
| Agnes Oberth | .... | painter | |
| Tom Osman | .... | laborer | |
| Pat Raney | .... | construction foreman | |
| Steven Wolff | .... | assistant art director (as Steve Wolff) | |
| John Biesack | .... | art production assistant (uncredited) | |
| Anthony Joseph Fatigato | .... | painter (uncredited) | |
| Robert E. Knight | .... | lead scenic painter (uncredited) | |
| Andy Mentzer | .... | painter/dyer (uncredited) | |
| James Nedza | .... | art department coordinator (uncredited) | |
| Tyler Osman | .... | carpenter foreman (uncredited) | |
Special Effects by | |||
| John E. Gray | .... | special effects coordinator | |
| Mike Hohe | .... | special effects | |
| Rodman Kiser | .... | special effects | |
| Dieter Sturm | .... | special effects snowmaker | |
Visual Effects by | |||
| Kevin Nordine | .... | opticals | |
Stunts | |||
| Troy Brown | .... | stunt player | |
| Freddie Hice | .... | stunt coordinator | |
| Freddie Hice | .... | stunt player | |
| Johnny Hock | .... | stunt player | |
| Rick Le Fevour | .... | stunt player (as Rick LeFevour) | |
| Stacy Logan | .... | stunt player | |
| Daniel Maldonado | .... | stunt player (as Daniel Maldanado) | |
| Randy Popplewell | .... | stunt player | |
| Chad Randall | .... | stunt player | |
| Cris Thomas-Palomino | .... | stunt player | |
| Rich Wilkie | .... | stunt player | |
Casting Department | |||
| Janet Hirshenson | .... | casting | |
| Catherine Jane Holzer | .... | extras casting director (as Catherine Holzer-Ballowe) | |
| Jane Jenkins | .... | casting | |
| Jacqueline King | .... | casting assistant | |
| Mark A. Ridge | .... | extras casting (uncredited) | |
| Suzy Sachs | .... | additional casting: Seattle (uncredited) | |
Costume and Wardrobe Department | |||
| Cathy Newport-Logan | .... | costumer: women | |
| Kaye Nottbusch | .... | costumer: women | |
| Luke Reichle | .... | costumer: men | |
| Barbara Scott | .... | costume supervisor | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Eric L. Beason | .... | assistant editor | |
| Chris Boscardin | .... | assistant editor | |
| Jerrie Fowler | .... | assistant editor | |
| John Lafferty | .... | first assistant editor | |
| Jim Makiej | .... | assistant editor (as John Makiej) | |
| Ray Martin | .... | color timer | |
| Julie Rogers | .... | assistant editor | |
| David Stiven | .... | additional film editor (as David B. Stiven) | |
| Sandy French | .... | assistant editor (uncredited) | |
| Steve Kraus | .... | editing systems technician (uncredited) | |
Music Department | |||
| Dan Carlin Sr. | .... | supervising music editor (as Dan Carlin) | |
| Daniel Allan Carlin | .... | supervising music editor (as Dan Carlin) | |
| George Doering | .... | musician | |
| Robert Fernandez | .... | scoring mixer (as Bobby Fernandez) | |
| Jeffrey P. Kloth | .... | composer: additional music | |
| Blake Martin Moulin | .... | assistant music editor | |
| Eric Reasoner | .... | music editor | |
| Michael Dittrick | .... | music editor (uncredited) | |
Transportation Department | |||
| James Hogan | .... | transportation captain | |
| John P. McAuliffe | .... | transportation captain | |
| Armand Paoletti | .... | transportation coordinator | |
Other crew | |||
| Betsy Bottando | .... | assistant location manager | |
| Mark Bransfield | .... | staff assistant | |
| Raymond Bulinski | .... | craft service (as Ray Bulinski) | |
| Thomas J. Busch | .... | location manager (as Tom Busch) | |
| Scott Delsener | .... | staff assistant | |
| Jesse J. Donnelly | .... | assistant: Mr. Belushi (as Jesse Donnelly) | |
| Wilma Garscadden-Gahret | .... | script supervisor | |
| West Humphries | .... | caterer | |
| John Iltis | .... | unit publicist | |
| William Johnson | .... | production secretary | |
| Tammy Karabas | .... | assistant: Mr. Gotch (as Tammy Karabas-Brody) | |
| Lori Koravos | .... | production accountant (as Lori LeNoble-Koravos) | |
| Kathryn Madden | .... | first aid (as Kathryn A. Madden) | |
| Ernie Malik | .... | unit publicist | |
| Pat McNeeley | .... | staff assistant | |
| Terry Mettger | .... | set estimator | |
| Charlene Norman | .... | assistant production secretary | |
| Bill Ryan | .... | assistant: Mr. Hughes | |
| Bob Saunders | .... | staff assistant (as Robert Saunders) | |
| Kirsten Stevens | .... | assistant production accountant (as Kirsten A. Stevens) | |
| Elizabeth Tompkins | .... | assistant production accountant (as Elizabeth K. Tompkins) | |
| Seth Vamos | .... | staff assistant | |
| Jane Vickerilla | .... | assistant: Mr. Hughes | |
| Jimmy Borto | .... | production assistant (uncredited) | |
| Kyle Cooper | .... | title designer (uncredited) | |
| Bill Daly | .... | post-production accountant (uncredited) | |
| Mark Gulbrandsen | .... | dailies projection technician (uncredited) | |
| Steve Kraus | .... | dailies projectionist (uncredited) | |
| Michelle Landes | .... | extras coordinator: on-set (uncredited) | |
| James Andrew Pearson | .... | production assistant (uncredited) | |
| R.P. Sekon | .... | production executive: Hughes Entertainment (uncredited) | |
| Robert 'Bobby Z' Zajonc | .... | aerial coordinator (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Curly Sue is a 6 year old with an abundance of hair and a life as a drifter. She and her father, Bill (Jim Belushi), try to survive on the streets by being small time con artists. In Chicago, Bill decides to jump in front of a car in a pricey parking garage while Curly will scream about lawsuits and traction to the intended victim. It happens to be a very upscale lawyer named Grey (Kelly Lynch) who is appropriately appalled at what she has done. Not only do the scammers make some cash, they get to spend the night at Grey's plush apartment. Even then, Grey feels she owes them more so the three of them hang together for a spell. Grey only knows the lucrative law business and nothing about life. Who better to teach her than Bill and Curly, those savvy experts on life's realities? But, all good things must come to an end and there is no life for a legal expert and a couple of con men. Or is there? This is a sweet and funny movie about the unexpected. Curly is certainly as entertaining as Shirley Temple but much edgier, of course. Belushi gives a rare touching performance as the down on his luck con and Lynch is luminous as the snooty but soft touch lawyer. John Hughes, as writer and director, shows us his magic touch once again, as the script is lively and unpredictable. Just watch Curly and Bill take Grey out for a night, with no money, and see the humorous results. Do you long for happy endings, long promised and finally delivered, with a few uncertain moments in between? This is your made-to-order movie.