Sylvia's work increasingly takes her away from the three men who help bring up Mary, her daughter. When she decides to move to England and take Mary with her, the three men are heartbroken ... See full summary »
When his parents have to go out of town, Dennis stays with Mr. and Mrs. Wilson. The little menace is driving Mr. Wilson crazy, but Dennis is just trying to be helpful. Even to the thief who's arrived in town.
Baby Bink couldn't ask for more; he has adoring (if somewhat sickly-sweet) parents, he lives in a huge mansion, and he's just about to appear in the social pages of the paper. Unfortunately... See full summary »
Patrick Read Johnson
Lara Flynn Boyle,
Alyssa (a rich girl) and Amanda (an orphan) are two little girls who are identical, but complete strangers, that accidentally meet one day. In an attempt to stop Alyssa's father from ... See full summary »
Bill Dancer and his young companion Curly Sue are the classic homeless folks with hearts of gold. Their scams are aimed not at turning a profit, but at getting enough to eat. When they scam the rich and beautiful Grey Ellison into believing she backed her Mercedes into Bill, they're only hoping for a free meal. But Grey is touched, and over the objections of her snotty fiance, insist on putting the two up for the night. As they get to know each other, Bill becomes convinced that this is where Curly Sue belongs - in a home, cared for by someone that can give her the advantages that his homeless, nomadic existence lacks. He plans to leave the young girl in the care of Grey and take off.... but Curly Sue has other ideas! Written by
Rick Munoz <email@example.com>
Bill Murray turned down the role of Bill Dancer because he was busy with other projects. See more »
It is revealed that Susan can't read, yet when she and Bill take Grey out to eat they check a banquet listing directory and it is Susan's finger that scans the listed parties and chooses the one they attend. This seems to indicate that she can read. See more »
If "Curly Sue" doesn't warm the cockles of your heart, you're dead.
Good story. Good script. Good casting. Good acting. Good directing. Good art direction. Good photography. Good sound. Good editing. Good everything. Put it all together and you end up with good entertainment.
The shame of it is that there aren't nearly enough films of this caliber being made these days. We may count ourselves lucky that writers/directors like John Hughes are occasionally able to make their creative voices heard.
Whenever I notice that I'm watching a film for the third or fourth time and still find it thoroughly satisfying I have to conclude that something about that film is right.
8 of 9 people found this review helpful.
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