| Photos (see all 5 | slideshow) |
| Peter Berg | ... | Tom (as Pete Berg) | |
| Vincent D'Onofrio | ... | Charley | |
| Noah Wyle | ... | Ask | |
| Peter Coyote | ... | Edward | |
| Cindy Pickett | ... | Jill | |
| Juliette Lewis | ... | Cassie | |
| Jennifer Jason Leigh | ... | Marriet Hoffman | |
| Wendy Gazelle | ... | Eileen | |
| Marg Helgenberger | ... | Jennetta | |
| Deanna Milligan | ... | Julie (as Deanna Jean Milligan) | |
| Sasha Moisewitsch | ... | Bonita | |
| Joshua Jackson | ... | Tom (11 years) | |
| Ryan Jorgenson | ... | Ask (9 years) | |
| Ian Tracey | ... | Limber Watkins | |
| Vincent Gale | ... | Charley's Friend | |
| Doreen Ramus | ... | Woman in Bakery | |
| David Longworth | ... | Gas Station Owner | |
| Babs Chula | ... | Neighbor Woman | |
| Dee Jay Jackson | ... | Fire Captain (as D.J. Jackson) | |
| Curt Bonn | ... | Fireman | |
| Kenneth Kantymir | ... | John Heffel | |
| John Kernahan | ... | Driver |
Directed by | |||
| Michael Bortman | |||
Writing credits(WGA) | ||
| Robert Boswell | (novel) | |
| Michael Bortman | (screenplay) | |
Produced by | |||
| Mark Bentley | .... | associate producer | |
| Gil Friesen | .... | producer | |
| Lianne Halfon | .... | associate producer | |
| Dale Pollock | .... | producer | |
| Rick Stevenson | .... | producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Tak Fujimoto | |||
Film Editing by | |||
| Richard Francis-Bruce | |||
Casting by | |||
| Fiona Jackson | |||
| Lora Kennedy | |||
| Linda Lowy | |||
Production Design by | |||
| David Brisbin | |||
Art Direction by | |||
| Lawrence F. Pevec | |||
Set Decoration by | |||
| Lesley Beale | |||
Costume Design by | |||
| Susan De Laval | (as Susan deLaval) | ||
Makeup Department | |||
| Ian C. Ballard | .... | hair stylist (as Ian Ballard) | |
| Linda A. Brown | .... | makeup artist | |
| Francesca von Zimmermann | .... | assistant makeup artist | |
Production Management | |||
| Marin Hopper | .... | post-production supervisor | |
| Colleen Nystedt | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jack Hardy | .... | second assistant director | |
| Jackie Jordan | .... | third assistant director (as Jacqueline A. Jordan) | |
| T.W. Peacocke | .... | first assistant director | |
| Curtis Petersen | .... | second unit director | |
| Mellanie Siteman | .... | trainee assistant director | |
Art Department | |||
| Chris Bartleman | .... | storyboard artist (as Christopher Bartleman) | |
| Doug Hardwick | .... | construction coordinator (as Douglas Hardwick) | |
| Max Matsuoka | .... | props buyer | |
| Dale Menzies | .... | carpenter | |
| Brian Shell | .... | construction foreman | |
| Dan Sissons | .... | property master | |
| Ken Wells | .... | painting coordinator | |
Sound Department | |||
| Mark Berger | .... | supervising re-recording mixer | |
| Jay Boekelheide | .... | sound designer | |
| Jay Boekelheide | .... | supervising sound editor | |
| B.J. Clayden | .... | boom operator | |
| Malcolm Fife | .... | foley mixer | |
| Barbara McBane | .... | dialogue editor | |
| Douglas Murray | .... | sound effects editor | |
| Jennifer Myers | .... | foley artist | |
| John Nutt | .... | dialogue editor | |
| Margie O'Malley | .... | foley artist | |
| David Parker | .... | sound effects mixer | |
| Eric Thompson | .... | foley mixer | |
| Rob Young | .... | production sound mixer | |
Special Effects by | |||
| Michael Blacklock | .... | special effects coordinator | |
| John Thomas | .... | special effects consultant | |
Stunts | |||
| Jim Dunn | .... | stunts | |
| Bill Ferguson | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Richard Buckmaster | .... | best boy electric | |
| Glen Forrieter | .... | best boy grip | |
| Dave Gordon | .... | key grip | |
| Christopher Harris | .... | first assistant camera | |
| Barbara Harwood | .... | camera trainee | |
| John G. Helme | .... | rigging gaffer | |
| Nathaniel Massey | .... | Steadicam operator | |
| Armin Matter | .... | camera operator | |
| Craig Munroe | .... | dolly grip | |
| Geoff Rogers | .... | second second assistant camera | |
| Pete Romano | .... | underwater camera operator (as Peter Romano) | |
| Jack Rowand | .... | still photographer | |
| Al Uglanica | .... | best boy grip | |
| Ronald Vidor | .... | panaglide operator | |
| Pat Williams | .... | second assistant camera (as Patrick Williams) | |
| Ron Williams | .... | chief lighting technician | |
Casting Department | |||
| Fiona Jackson | .... | casting: Canada | |
Costume and Wardrobe Department | |||
| Crystine Booth | .... | costume supervisor | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Patricia A. Galvin | .... | first assistant editor | |
| Bruce Giesbrecht | .... | first assistant editor | |
| Mike Stanwick | .... | color timer | |
| Marcy Stoeven | .... | assistant editor (as Marcy Stoeven Gibbens) | |
Music Department | |||
| John Boylan | .... | music consultant | |
| Billy Goldenberg | .... | musical cues | |
| Stephen Krause | .... | score mixer (as Steve Krause) | |
| Stephen Krause | .... | scoring mixer | |
| Becky Mancuso-Winding | .... | executive music producer (as Becky Mancuso) | |
| Timothy R. Sexton | .... | executive music producer (as Tim Sexton) | |
| Jeffery Stephens | .... | music editor | |
| Jim Weidman | .... | music editor | |
Transportation Department | |||
| Robert McLean | .... | transportation coordinator | |
Other crew | |||
| Natalie Drache | .... | script supervisor | |
| Gordon Hardwick | .... | location manager | |
| Judith Marcuse | .... | choreographer | |
| Steve Newman | .... | unit publicist | |
| John Sanderson | .... | video coordinator | |
| Roberta Sheehy | .... | production coordinator | |
| Mike Vézina | .... | fire coordinator (as Mike Vezina) | |
| Ainslie S. Wiggs | .... | assistant location manager | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
I was (pleasantly) surprised how this movie slowly and surely grew on me as I was viewing it. I also was thinking that "this has got to be Canadian; it has that edge." Once I saw the credits, it surely was.