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Robbie, the singer and Julia, the waitress are both engaged to be married but to the wrong people. Fortune intervenes to help them discover each other.
Director:
Frank Coraci
Stars:
Adam Sandler,
Drew Barrymore,
Christine Taylor
Scott and Kate are married and very much in love with each other. Scott is more than 60 years old, while Kate is at least thirty years younger. When Scott dies, his soul cannot get peace ... See full summary »
When Anus Magillicutty's woman stops a would-be assassin, Anus is forced to interrupt his life of guzzling beer and women to dispose of the corpse. What starts as a simple chore quickly ... See full summary »
Young Kid has been invited to a party at his friend Play's house. But after a fight at school, Kid's father grounds him. None the less, Kid sneaks out when his father falls asleep. But Kid ... See full summary »
Director:
Reginald Hudlin
Stars:
Christopher Reid,
Robin Harris,
Christopher Martin
Jewish Luck revolves around Menakhem Mendl (one of Sholem Aleichem's characters), a daydreaming entrepreneur who specializes in doomed strike-it-rich schemes. Despite Jewish oppression in ... See full summary »
In the 1890s Trottie True moves from bit theatre parts to stardom and from balloonist Sid Skinner to more prominent men. Later on she wonders if Sid wasn't better after all and seeks to ... See full summary »
The old teen rebel saga is updated for the rap crowd, unfortunately rapper Vanilla Ice is the teen. Ice shows up on a neon-yellow motorcycle which gets everyone's attention, including the female honor student who has never had a rebellious bone in her body. Written by
John Sacksteder <jsackste@bellsouth.net>
In the VH1 Behind the Music episode that featured Vanilla Ice, it was stated that Robert Van Winkle was paid a cool $1,000,000 for his role as Johnny Van Owen. See more »
Goofs
When Johnny step out from Kathy room through window and lawn sprinklers start working, Johnny jumps over camera rails. See more »
Quotes
Johnny:
Sharper than the point on the tip of a nail.
See more »
Crazy Credits
The last text of the end credits is :"B kool stay n skool", followed by a quick shot of Ice fixing his hat while on the bike (obviously being pulled on a trailer) before giving the "peace" sign. See more »
For those too young to remember, Vanilla Ice was a malignant tumor growing on the popular music scene ten years ago. Along with MC Hammer and Marky Mark he pilfered and diluted black music to make it commercially acceptable to middle-class white children. His flash-in-the-pan `attitude' eventually fizzled away - but not before becoming the blueprint for every idiot bad-boy pop star on top of the charts today.
Cut to ten years later, and the threat of an Ice comeback is unlikely. It's the perfect time to watch COOL AS ICE. The film bombed on release, and signaled the end was nigh for Vanilla Ice. Watching it today, the star reduced to a relic of inane pop history, the film becomes a candidate for the best worst film of all time.
Rebels and their motorcycles have a history on screen. They define the times. Marlon Brando was the quintessential bad boy when he rode into town as THE WILD ONE. Fast-forward fifteen years and history repeats: Fonda and Hopper rewrite the Hollywood rulebook in EASY RIDER.
In COOL AS ICE, the bad boy of rap rides into the suburbs with his all-black posse, ready to reap havoc on suburbia, right? Wrong. Ice's crew only reappear when director David Kellogg requires a cut-away shot. Even then, rather than scaring the local children, they're making peanut-butter sandwiches and watching TV. They sit around, waiting for Vanilla to get the girl.
The romantic sub-plot is a peach. She's the highest achieving student in town, but will she risk her future for Vanilla Ice? He's a self-educated poet of the street, although his actual words of wisdom somehow escape me at the moment. The sub-sub plot involves her father, who we are led to believe was the most honest cop on a corrupt force. Despite seemingly being transplanted back into the same community, he doesn't mind going on television so the bad guys can find him.
There's a few other sub-sub-sub plots of minimal concern, but no real story. It's a star vehicle resting on the shoulders of a ludicrously vain idiot. Fortunately, his fifteen minutes of fame and torture translates to a typically foolish ninety minutes. The most vain ego exercise in Hollywood history? Perhaps. All in vain? Definitely.
28 of 34 people found this review helpful.
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For those too young to remember, Vanilla Ice was a malignant tumor growing on the popular music scene ten years ago. Along with MC Hammer and Marky Mark he pilfered and diluted black music to make it commercially acceptable to middle-class white children. His flash-in-the-pan `attitude' eventually fizzled away - but not before becoming the blueprint for every idiot bad-boy pop star on top of the charts today.
Cut to ten years later, and the threat of an Ice comeback is unlikely. It's the perfect time to watch COOL AS ICE. The film bombed on release, and signaled the end was nigh for Vanilla Ice. Watching it today, the star reduced to a relic of inane pop history, the film becomes a candidate for the best worst film of all time.
Rebels and their motorcycles have a history on screen. They define the times. Marlon Brando was the quintessential bad boy when he rode into town as THE WILD ONE. Fast-forward fifteen years and history repeats: Fonda and Hopper rewrite the Hollywood rulebook in EASY RIDER.
In COOL AS ICE, the bad boy of rap rides into the suburbs with his all-black posse, ready to reap havoc on suburbia, right? Wrong. Ice's crew only reappear when director David Kellogg requires a cut-away shot. Even then, rather than scaring the local children, they're making peanut-butter sandwiches and watching TV. They sit around, waiting for Vanilla to get the girl.
The romantic sub-plot is a peach. She's the highest achieving student in town, but will she risk her future for Vanilla Ice? He's a self-educated poet of the street, although his actual words of wisdom somehow escape me at the moment. The sub-sub plot involves her father, who we are led to believe was the most honest cop on a corrupt force. Despite seemingly being transplanted back into the same community, he doesn't mind going on television so the bad guys can find him.
There's a few other sub-sub-sub plots of minimal concern, but no real story. It's a star vehicle resting on the shoulders of a ludicrously vain idiot. Fortunately, his fifteen minutes of fame and torture translates to a typically foolish ninety minutes. The most vain ego exercise in Hollywood history? Perhaps. All in vain? Definitely.