7.6/10
27,615
110 user 61 critic

The Commitments (1991)

When Jimmy Rabbitte wants to start a band, he has open auditions at his house.

Director:

Writers:

(novel), (screenplay) | 2 more credits »
Reviews
Popularity
3,500 ( 621)

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From $2.99 (SD) on Amazon Video

ON DISC
Nominated for 1 Oscar. Another 10 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Michael Aherne ...
Steven Clifford
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Imelda Quirke
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Natalie Murphy (as Maria Doyle)
Dave Finnegan ...
Mickah Wallace
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Bernie McGloughlin
Félim Gormley ...
Dean Fay
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Outspan Foster
Dick Massey ...
Billy Mooney
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Joey 'The Lips' Fagan
Ken McCluskey ...
Derek Scully (as Kenneth McCluskey)
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Mr. Rabbitte
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Mrs. Rabbitte
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Storyline

Funny, musical and occasionally dramatic, this is the story of tumultuous rise and fall of a Dublin Soul band, The Commitments. Managed by Jimmy Rabbitte, an unemployed wheeler and dealer with a vision to create "The Worlds Hardest Working Band". Written by Rockpile

Plot Summary | Add Synopsis

Taglines:

They had nothing to lose, they risked it all. See more »

Genres:

Comedy | Drama | Music

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

13 September 1991 (USA)  »

Also Known As:

Camino a la fama  »

Box Office

Gross:

$14,919,570 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Blaise Smith, who played the pool hall manager in the film, came close to getting the role of Jimmy Rabbitte See more »

Goofs

When some members of the group are talking about some famous Rock Stars have died, "Outspan" mentions Cass Elliot cause of death as a heart attack. The others correct him by saying it was by choking on her own vomit but it was indeed due to a heart attack. See more »

Quotes

Jimmy Rabbitte: Elvis is not soul.
Jimmy Rabbitte, Sr.: [defensively] Elvis is God.
Jimmy Rabbitte: I never pictured God with a fat gut and corset singing "My Way" at Caesar's Palace.
See more »

Connections

Featured in The Commitments: Looking Back (2004) See more »

Soundtracks

Take Me To The River
Written by Al Green and Teenie Hodges
Performed by Andrew Strong, with Angeline Ball, Maria Doyle Kennedy and Bronagh Gallagher
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Frequently Asked Questions

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User Reviews

 
Funny, heartbreaking and true
6 July 2004 | by (Perth, Australia) – See all my reviews

Who needs expensive movie stars when a group of unknowns can light up the screen like this lot?

On paper, it sounds like a failure - a cast comprising almost entirely of untrained and untested performers, set in working class Dublin, based on the novella by Roddy Doyle. By God, does it defy expectations.

Jimmy Rabbitte is a working class Dublin lad who's been collecting unemployment benefits for two years. But he dreams of bigger things, namely making it big in the music industry. He sets out to form a soul band, and assembles a motley crew of musicians and singers, most of whom don't know each other and many of whom can't stand each other.

The look of the film is gritty and realistic - nothing is glossed over. North Dublin is presented in all it's glory. The home lives of the band members are depicted warts and all - their private lives set the scene for the inevitable personality clashes that are almost as explosive as the music. In the mix is the unique character of the Irish people - at one point Jimmy enters a tenement block and, as he waits for the lift, looks over to see a boy with a horse. "You aren't taking that in the lift, are you?" he asks. "I have to," the boy replies. "The stairs would kill him."

The real star of the show is the music - this film spawned two hugely successful soundtrack albums. The band members were cast partly due to their musical ability, and the results are superlative. The stand out is Andrew Strong as Deco - would you believe this kid was only 16 when the film was made? His amazing voice belies his tender years, and suggests that he's been smoking a packet a day since the age of about four. At the end of the day with is a fine ensemble piece, much like the band. The acting may be a little wonky at times, but the hysterical dialogue makes up for that.

Most remarkably, this is a feel good film that does not rely on any of the conventional feel good plot devices. There are no group hugs, no plot conveniences, no trite happy endings. Just a shrewdly observed and wittily captured human story about people who dream of making it out of their dreary world. And isn't that something we can all relate to?


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