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Storyline
After some years of tension, Richard begins a sexual relationship with his sister Natalie. Now married, the relationship proves dangerously obsessional. Their private intensity (& working class origins) contrast with the middle-class, inhibited, stuffy public scenes we see in the Richmond world into which Natalie has moved with her marriage. As the guilt and intensity of the siblings increases we seem to be heading for disaster, a forboding which increases when Natalie's husband Sinclair finds out. Written by
Moray McConnachie <cerberus@ermine.ox.ac.uk>
Plot Summary
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Taglines:
There are some relationships so taboo they're irresistible.
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Did You Know?
Goofs
When Natalie and Richard are fighting on the country lane, there is a rip in the right shoulder of her jacket. When they get back to the party, the rip has gone.
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Quotes
[
first lines]
Natalie:
You're late.
Richard:
Sorry, it was unavoidable, trains on Sunday, you know what they're like.
Natalie:
Unavoidable? I don't believe it. I've eaten all the food.
Richard:
You've eaten all the food? Now that's serious.
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Connections
References
Rosemary's Baby (1968)
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Soundtracks
"Rio Carnival"
(uncredited)
Music by
Frank McDonald and
Chris Rae
De Wolfe Music Ltd
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The film is really haunting and keeps you spellbound. While the film appears to portray sex scenes for nudity's sake, that's not really what is going on.
Okay, okay, this is no Pulitzer Prize winner and Alan Rickman, Clive Owen, and Saskia Reeves can act better than they do in this movie. Butt, I think they each brought so much into the picture that other, less talented, actors would have failed to make this film work as well as it did.
The dynamic between Natalie, her brother Richard, and her husband Sinclair is very strange. If you let yourself go and immerse yourself into the story, then you can enjoy it.
The story is about very taboo subject matter, at the time when AIDS/HIV finally came into the public consciousness. But, I do think the screenplay by Stephen Poliakoff is very well written and the film strongly succeeds because he also directed it.
I can compare the story to that of Jane Campion's "The Piano". It is risqué, bizarre, and seemingly shallow. It is also thoroughly compelling. The characters are otherworldly and mysterious, yet very commonplace. You can almost identify with them and by the end of the movie you will find yourself wanting to know more. It is as if you have been looking into a snow globe at a fantasy world come to life, just on the other side of the looking glass. Everything is madness for this trio....
"Close My Eyes" is a journey into the "What if ? ". The most difficult question is, "Why ? ". Only Natalie and Richard can answer that question, or can they? If you are a fan of Clive Owen, Alan Rickman, and/or Saskia Reeves, check it out.