Une place à prendre
(1991)
|
|
| Watch Trailer 0Share... |
Une place à prendre
(1991)
|
|
| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| Frank Whaley | ... | ||
| Jennifer Connelly | ... | ||
| Dermot Mulroney | ... | ||
| Kieran Mulroney | ... | ||
| John M. Jackson | ... |
Bud Dodge
|
|
| Jenny O'Hara | ... |
Dotty Dodge
|
|
| Noble Willingham | ... | ||
|
|
Nada Despotovich | ... |
Penny Dodge
|
|
|
Reid Binion | ... |
Cal Dodge
|
| Barry Corbin | ... |
Officer Don
|
|
| Denise Galik | ... |
Lorraine
(as Denise Galik-Furey)
|
|
| Wilbur Fitzgerald | ... |
Bob Bosenbeck
|
|
|
|
Dan Albright | ... |
Dave Hockner
|
|
|
Marc Clement | ... |
Otis
|
|
|
Andrew Winton | ... |
Boy #1
|
Josie, the daughter of the town's wealthiest businessman, faces problems at home and wishes to leave home, but is disorientated. Her decision is finalized after she falls asleep in a Target dressing room, and awakes to find that she is locked in the store overnight with the janitor, Jim, the town "no hoper" and liar. A decision to go to L.A. is established, but first they must get through the night. A relationship develops, only to be interrupted by a break in by two petty criminals. Written by <TSPAJB@Lure.LaTrobe.edu.au>
"Career Opportunities" is not only one of the finest films of the Last Great Golden Age Of American Cinema--the early 1990s, specifically, 1991 ("Another You", "For The Boys", "Highlander 2: The Quickening"--do I have to list more?), it might just one day revered as the "O Lucky Man" of the post-Reagan "grunge" era. A surrealist, even MAGICAL REALIST parable/satire on American Consumerism and our collective enslavement to petty bourgeois dreams of success, with a touch of "La Dolce Vita" tossed in for added subtext, with the lovely OSCAR-NOMINATED Connelly as Anita Ekberg, representing the impossible female ideal that will remain forever out of reach until our hero, Whalley's milquetoast Candide, renounces the evils of capitalism. Connelly's ride atop a coin-operated pony is Hughes' nod to Sylvia's romp through the fountain in Rome, and his oft-misunderstood casting of the Mulroneys are a post-modern riff on Fellini's Virgin Mary thread, although instead, the brothers embody a different Biblical allusion--to that of the parable of Cain and Abel. Sigh--I'll be defending this one until the end of my autumn years.
But oh, that white tank top...