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Directed by | |||
| Martin Scorsese | |||
Writing credits(WGA) | ||
| John D. MacDonald | (novel "The Executioners") | |
| James R. Webb | (earlier screenplay) | |
| Wesley Strick | (screenplay) | |
Produced by | |||
| Barbara De Fina | .... | producer | |
| Kathleen Kennedy | .... | executive producer | |
| Frank Marshall | .... | executive producer | |
| Robert De Niro | .... | producer (uncredited) | |
| Steven Spielberg | .... | executive producer (uncredited) | |
Non-Original Music by | |||
| Bernard Herrmann | |||
Cinematography by | |||
| Freddie Francis | (director of photography) | ||
Film Editing by | |||
| Thelma Schoonmaker | |||
Casting by | |||
| Ellen Lewis | |||
Production Design by | |||
| Henry Bumstead | |||
Art Direction by | |||
| Jack G. Taylor Jr. | |||
Set Decoration by | |||
| Alan Hicks | |||
Costume Design by | |||
| Rita Ryack | |||
Makeup Department | |||
| Stephan Dupuis | .... | special burn makeup (as Stephan L. Dupuis) | |
| Donna Battersby Greene | .... | hair stylist (as Donna Greene) | |
| Edouard F. Henriques | .... | hair stylist: Mr. Nolte (as Edouard F. Henriques III) | |
| Edouard F. Henriques | .... | makeup artist: Mr. Nolte (as Edouard F. Henriques III) | |
| Ilona Herman | .... | hair stylist: Mr. De Niro | |
| Ilona Herman | .... | makeup artist: Mr. De Niro | |
| Elizabeth Lambert | .... | makeup artist | |
| Neal Martz | .... | special makeup effects artist | |
| Dorothy J. Pearl | .... | makeup artist: Ms. Lange (as Dorothy Pearl) | |
| Lyndell Quiyou | .... | hair stylist: Ms. Lange | |
| Jo-Anne Smith-Ojeil | .... | assistant special burn makeup | |
Production Management | |||
| Deborah Lee | .... | unit production manager | |
| Margery Mailman | .... | post-production supervisor | |
Art Department | |||
| Richard Adee | .... | property master | |
| Wally Adee | .... | assistant property master (as Walter Adee) | |
| Michael Calabrese | .... | set dresser | |
| Robert Crowley | .... | set dresser | |
| Robert Cuevas | .... | carpenter | |
| Gary Dunham | .... | propman | |
| Stephen P. Durante | .... | stand-by set dresser (as Stephen Durante) | |
| Gabriel C. Ell | .... | construction coordinator (as Gabriel Ell) | |
| Adrian Gorton | .... | assistant art director | |
| Joe Griffith | .... | production illustrator (as Joseph F. Griffith Jr.) | |
| David C. Hardie | .... | carpenter | |
| James Harris | .... | carpenter | |
| Eric Helfritz | .... | set dresser | |
| Richard Howarth | .... | set dresser | |
| Richard F. Malone Jr. | .... | carpenter | |
| Regina McLarney | .... | assistant set decorator (as Regina Marie McLarney) | |
| Michael Metzel | .... | construction foreman | |
| Al Mouradian | .... | greensman (as Albert Mouradian) | |
| Kevin Oates | .... | lead set dresser | |
| Theodore Pappas | .... | set dresser | |
| J. Randy Peterson | .... | set dresser | |
| Genessa Goldsmith Proctor | .... | head scenic artist | |
| John R. Salemi | .... | stand-by painter | |
| Cary Whittaker | .... | greensman (as Cary Whitaker) | |
| Susan Inge Wood | .... | scenic foreman | |
| John Alvin | .... | poster artist (uncredited) | |
| Michael J. Flynn | .... | on-set greensman (uncredited) | |
| William Kellow | .... | construction propmaker (uncredited) | |
| Greg Koronowicz | .... | art department assistant (uncredited) | |
| Arturo Mendez | .... | scenic art crew (uncredited) | |
| Jeremy Alan Read | .... | greensman (uncredited) | |
| Barbara S. Shelton | .... | painter (uncredited) | |
| Ginny Walsh | .... | property fabricator (uncredited) | |
Sound Department | |||
| Andy Aaron | .... | sound effects recordist | |
| Marko A. Costanzo | .... | foley artist | |
| William Docker | .... | assistant sound editor | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Kenton Jakub | .... | assistant sound editor | |
| Shari Johanson | .... | apprentice sound editor (as Shari Schwartz) | |
| Brian Johnson | .... | assistant sound editor | |
| Frank Kern | .... | foley editor | |
| Skip Lievsay | .... | supervising sound editor | |
| Marissa Littlefield | .... | dialogue editor | |
| Tod A. Maitland | .... | production sound mixer (as Tod Maitland) | |
| Sylvia Menno | .... | assistant sound editor | |
| T.J. O'Mara | .... | boom operator (as Terence J. O'Mara) | |
| Bruce Pross | .... | foley supervisor | |
| Gail Showalter | .... | adr editor | |
| Philip Stockton | .... | supervising dialogue editor | |
| Kevin M. Tromer | .... | cable person | |
| Steven Visscher | .... | foley editor | |
| Mel Zelniker | .... | adr recordist (uncredited) | |
Special Effects by | |||
| David A. Duvall | .... | special effects | |
| J.B. Jones Jr. | .... | special effects | |
| Cary Jones | .... | special effects | |
| J.B. Jones | .... | special effects coordinator | |
| John Patteson | .... | special effects (as John F. Patteson) | |
| James L. Roberts | .... | special effects foreman (as James L. Roberts II) | |
| Thomas Kittle | .... | special effects (uncredited) | |
Stunts | |||
| Daniel W. Barringer | .... | stunts (as Daniel Barringer) | |
| Doug Coleman | .... | stunt double: Mr. De Niro | |
| Leon Delaney | .... | stunt coordinator | |
| Donna Evans | .... | stunt double: Ms. Lange | |
| Marcia Holley | .... | stunt double: Ms. Lewis | |
| Billy Judkins | .... | stunts | |
| Don Pulford | .... | stunt double: Mr. Nolte (as Don Polford) | |
| Bob Stephens | .... | stunts | |
Casting Department | |||
| Patricia Wilson | .... | principal casting assistant | |
| Ellen Jacoby | .... | casting: Florida (uncredited) | |
Costume and Wardrobe Department | |||
| Vivian Cocheo | .... | wardrobe supervisor (as Vivian J. Cocheo) | |
| Kathleen Gerlach | .... | assistant costume designer | |
| Linda Hamilton | .... | wardrobe supervisor | |
| Kristy Aitken Hernandez | .... | costumer (uncredited) | |
Editorial Department | |||
| Carolyn Calvert | .... | apprentice editor (as Carolyn J. Horton) | |
| Brent Eldridge | .... | digital color correction | |
| Mark Ginsberg | .... | color timer | |
| Joel Hirsch | .... | apprentice editor | |
| Nell Kelly | .... | assistant editor | |
| Lisa J. Levine | .... | assistant editor | |
| Cara Silverman | .... | first assistant editor | |
| Joe Violante | .... | laboratory coordinator: Technicolor | |
Music Department | |||
| Diana Barry | .... | assistant music editor | |
| Elmer Bernstein | .... | conductor: Bernard Herrmann's original score | |
| Elmer Bernstein | .... | music adaptor: Bernard Herrmann's original score | |
| Elmer Bernstein | .... | music arranger: Bernard Herrmann's original score | |
| Emilie A. Bernstein | .... | orchestrator | |
| Emile Charlap | .... | orchestra contractor | |
| Kathy Durning | .... | music editor | |
| Shawn Murphy | .... | music scoring mixer | |
| Christopher Palmer | .... | music consultant | |
Transportation Department | |||
| Walter 'Red' Bedell | .... | driver (as Red Bedell) | |
| Dick Boyles | .... | driver | |
| Connie Lee Brown | .... | driver (as Connie Brown) | |
| Ben Coney | .... | transportation co-captain | |
| Todd Dickison | .... | driver | |
| Pete Dilella | .... | driver | |
| Bill Girard | .... | driver | |
| Olga González | .... | driver (as Olga Gonzalez) | |
| Edward Haber | .... | driver (as Eddie Haber) | |
| George Hamilton | .... | driver | |
| Charlie Joe | .... | driver (as Joe Charlie) | |
| Clarence Lark III | .... | driver | |
| Joyce M. Lark | .... | transportation captain | |
| Eddie Manson | .... | driver | |
| Verdell Owen | .... | driver (as Verdell Owens) | |
| Richard P. Pecora | .... | driver (as Richie Pecora) | |
| Matt Watson | .... | driver | |
| Denny Caira | .... | transportation coordinator (uncredited) | |
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| Cape Fear | Freeway | A History of Violence | Straw Dogs | The Night of the Hunter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb USA section |
Martin Scorcese's filmography as director is one of the most accomplished in modern film history. While Cape Fear can't even hold a candle next to "Taxi Driver", "Raging Bull" and "Goodfellas", it is still a fabulous remake of the 1962 noir classic and it keeps the viewer on the edge right through until the closing credits.
Robert De Niro (in yet another brilliant teaming with Scorcese behind the camera) plays Max Cady, a psychopathic rapist who was sent to jail 14 years earlier for such crimes. He leaves prison with vengeance. Not for his victims or his prosecutor, but his defence councillor, Sam J. Bowden, played by Nick Nolte. It seems Bowden did not defend Cady to the best of his ability. Cady knows this and wants some payback.
Cady's initial return into Bowden's life could not have come at a worse time. Bowden has been forced to move his family to Florida after his infidelities threatened his marriage and career. His wife is distrustful and worst of all, Bowden is on the verge of beginning another affair with a female workmate. Added to that, his daughter is at the difficult age of 15.
Almost by ozmosis, Cady understands these problems in the Bowden household and acts on them. He begins terrorising Bowden and his whole family, taking it from one extreme to the next.
What makes Cape Fear such a good film is the rapidly increasing sense of claustrophobia. Scorcese makes a point of using almost only close up shots towards the end of the film. It is a great touch that makes the viewer that much more scared as the film goes on.
Along with that, Robert De Niro is superb as Cady. Only occasionally does the role slip into parody. Mostly he is expertly evil.
Nick Nolte is good if not great, the same for Jessica Lange as Leigh Bowden. It seems as if they were void of any great lines in this film, which is unfortunate given their immense talent. Julliette Lewis is absolutely brilliant as the young daughter, Danielle. She slips effortlessly between curious sexual awakenings, rebellious teen and straight thinking woman. Add in small roles for Robert Mitchum and Gregory Peck (the leads of the 1962 version) and you have a great ensemble cast.
So not the best Scorcese film ever, but some tight editing, great camerawork, a haunting theme and devilishly over-the-top acting help make this a frighteningly fun movie to watch. Strongly recommended.