A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Sam Bowden is a small-town corporate attorney/"Leave It to Beaver"-esque family-man. Max Cady is a tattooed, cigar-smoking, bible-quoting, rapist. What do they have in common? Fourteen years, ago Sam was a public defender assigned to Max Cady's rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey, bibliophile Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss. Written by
Lori, talking with Max, says, "Now weren't I the bozo on this bus!" - a reference to the 1971 album by The Firesign Theatre called "I Think We're All Bozos on this Bus". A reference like this may seem against period, but Martin Scorsese, like the Firesign Theatre players, was part of the counter-culture scene of the '60s and early '70s. Considered with other elements in the script, such as the lax attitude toward marijuana, this doesn't seem so out of character. See more »
When Cady is kissing Danielle, he leans to the right. When the camera switches, showing the back of Danielle's head, now Cady is leaning to the left. This sequence happens again when the camera switches back to its original angle. See more »
My reminiscence. I always thought that for such a lovely river the name is mystifying: "Cape Fear". When the only thing to fear on those enchanted summer nights was that the magic would end and real life would come crashing in.
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Later half of the credits are played to the sound of nighttime crickets. See more »
Robert De Niro plays Max Cady, an illiterate criminal who has been imprisoned for fourteen years on rape and battery charges. Nick Nolte plays Sam Bowden, Cady's lawyer who intentionally buried a valuable document, which may have allowed Cady's prison sentence to be significantly shorter. Cady learns to read while in prison. He starts with 'See Spot Run,' then proceeds to study law books. Cady's rage and desire for revenge grows with each additional day that he is in prison. Although Cady's original prison sentence was only eight years, it is increased to fourteen years due to battery of another inmate. He memorizes the Bible and tattoos his body with scripture referring to vengeance. When Cady is finally released from prison, he immediately seeks out Bowden and his family. Cady has become a scripture slinging psychopath hell bent on revenge. The director Martin Scorsese is attempting to prove that everyone has skeletons in their closet. Bowden might appear to be a terrific lawyer and loving family man on the surface, but underneath the perfect image lies a cheating husband and corrupt lawyer. Scorsese also shows how powerful the emotion of revenge can be and how it can distort ones version of what is right and wrong. Scorsese demonstrates this by showing Cady's knowledge of scripture and his acceptance of the terror that he is inflicting on the Bowden family. Scorsese's use of cameo appearances by Robert Mithcum and Gregory Peck was brilliant. The fact that they played such opposite roles in the original film was an interesting twist. I enjoyed the original 1962 version more than this remake, but I feel that the blood being in color definitely added to the terror that this film inflicts.
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