A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Sam Bowden is a small-town corporate attorney/"Leave It to Beaver"-esque family-man. Max Cady is a tattooed, cigar-smoking, bible-quoting, psychotic rapist. What do they have in common? Fourteen years, ago Sam was a public defender assigned to Max Cady's rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey, bibliophile Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss. Written by
The recorded threat was different to the actual threat made to Cady. See more »
My reminiscence. I always thought that for such a lovely river the name is mystifying: "Cape Fear". When the only thing to fear on those enchanted summer nights was that the magic would end and real life would come crashing in.
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Later half of the credits are played to the sound of nighttime crickets. See more »
Not in his (Scorsese's) best, but definately has it's moments of glory
Martin Scorsese takes his first whack at the horror/thriller genre with a remake of the 1962 classic of the same title. While I can not truthfully say the original was better due to the fact that I never saw the original, I have a feeling that Scorsese has brought his maestro touch to the film that changes it slightly from the original to make it better, because this is quite the suspenser.
Here, a very dangerous and evil man named Max Cady (played in one of the best villain roles of the 90's by Robert De Niro) gets out of jail after 14 years of imprisonment, and decides to get vengeance on the lawyer (Nick Nolte) and his family (Jessica Lange the mother and a young and supple Juliette Lewis as the daughter). At times the film is surprisingly slow, but the film is never boring, and suspense is always in the air; the climax/ending contains some of Scorsese and De Niro's finest work. Also, De Niro steals the show as the animal Cady by making the person who is supposed to be the hero into a flawed character, thereby turning the film almost into a Film-noir, which is quite a feat for Scorsese and company. Not perfect, but it shouldn't be. Those are Scorsese's parents briefly buying fruit. A-
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