A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Sam Bowden is a small-town corporate attorney/"Leave It to Beaver"-esque family-man. Max Cady is a tattooed, cigar-smoking, bible-quoting, rapist. What do they have in common? Fourteen years, ago Sam was a public defender assigned to Max Cady's rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey, bibliophile Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss. Written by
In the original script, Leigh only met Max Cady at the end. Jessica Lange suggested the scene where they talk outside her house be added to the script, because she felt there should be a meeting between the two before the climax. See more »
Dani removes her retainer while on the phone with Cady, but it reappears and disappears again between shots before she finally puts it back in when she hangs up. See more »
My reminiscence. I always thought that for such a lovely river the name is mystifying: "Cape Fear". When the only thing to fear on those enchanted summer nights was that the magic would end and real life would come crashing in.
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Later half of the credits are played to the sound of nighttime crickets. See more »
"Counselor, Come Out! Come Out! Wherever You Are!"
Robert De Niro is one of those actors that just melts into a role. His performance as rapist, convict, and all-around not-a-very-nice fellow Max Cady is certainly one of his most memorable performances for its stamina, strength, and excessiveness. The film by Martin Scorsece is a remake of the classic film starring Robert Mitchum and Gregory Peck. Although Scorsece keeps the spirit of the film intact, he does make some very modern changes. He changes the role of Sam Bowden and family from one of harmony to dysfunction. No character is the epitome of a universal good, but rather flawed(very flawed) goodness. Nick Nolte does a fine job as Bowden and Jessica Lange and Juliette Lewis both give deep, emotional performances. The film is really a sea of emotion...most of that emotion being fear. Scorsece adds some arty touches with the camera, but it is his gritty style that really dominates the film's impact. Scorsece also is ever the protector of film as he gives cameos to Gregory Peck, Robert Mitchum, and Martin Balsam(all in the original film). The other acting standout goes to Joe Don Baker as a hired private investigator. But make no mistake....this is De Niro's film all the way. He has some of the best lines as he harasses the Bowden family, terrorizes the Bowden family, and strips the Bowden family of all civility, pretense, and dignity. This film is definitely a keeper!
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