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By the Sword (1991)

Trailer
1:54 | Trailer
A mysterious man, Suba, gets himself a job at a fencing academy, and as he learns the way of the students, the school, and its maestro, they learn that there's more to him than meets the ... See full summary »

Director:

(as Jeremy Paul Kagan)
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Cast

Cast overview, first billed only:
...
...
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Christopher Rydell ...
...
...
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Hobbs
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Tanos
...
Johnson
...
Tatiana
Peter Cohl ...
Calder
...
Williams
Ennalls Berl ...
Dana
Dharvi Darrell ...
Landlady
Eve Kagan ...
Daughter
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Storyline

A mysterious man, Suba, gets himself a job at a fencing academy, and as he learns the way of the students, the school, and its maestro, they learn that there's more to him than meets the eye. He gains (or regains?) his fencing skills and his philosophy of teaching clashes with the maestro's. As they are thrown into conflict, Suba and the maestro's past appear to be linked. And the resolution of their mysterious relationship may be a duel to the death. Written by Kathy Li

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Taglines:

They come from everywhere to challenge their fate...

Genres:

Adventure | Drama | Sport

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »
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Details

Country:

Language:

Release Date:

7 October 1992 (France)  »

Also Known As:

A Espada da Justiça  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Quotes

Max Suba: Like father, like son.
Alexander Villard: I won two of each.
Max Suba: Twice the man he was.
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User Reviews

 
Slow burning fuse to a large keg of gunpowder
12 February 1999 | by (York, England) – See all my reviews

Normally, I like Leonard Maltin and can sympathise with his reviews but he seems to have watched a different film here entirely. It is not really a revenge story, "by-the-numbers" or otherwise. There is a man with a mission here but cheap vengeance isn't his goal. The leads do an excellent job of portraying antagonistic personalities coming slowly to the boil in the claustrophobic world of the fencing salon as the characters evolve. And they do evolve.

As for Errol Flynn doing it better, that is a fatuous comment in the extreme. Apart from his swordfight on the beach with Basil Rathbone in "Captain Blood", his fencing always looked very stagy to me. The last fight in "By the Sword", by contrast, is the single most vicious fencing combat I've ever seen. It is the only time I have ever had the impression that the combatants actually intend to kill one another. A brilliantly choreographed sequence.


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