A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
From start to finish, it's a story of friendship between 4 street-wise males who don't mind using violence to achieve the lives that they want. They trust no one but each other which is vital to their success as mobsters.
Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig ... See full summary »
Jimmy Alto is an actor wannabe who stumbles into the role of a lifetime. He becomes a vigilante crime-fighter, aided by his sidekick William, who has suffered a head wound and has problems ... See full summary »
New York gangster Ben 'Bugsy' Siegel takes a brief business trip to Los Angeles. A sharp-dressing womaniser with a foul temper, Siegel doesn't hesitate to kill or maim anyone crossing him. In L.A. the life, the movies, and most of all strong-willed Virginia Hill detain him while his family wait back home. Then a trip to a run-down gambling joint at a spot in the desert known as Las Vegas gives him his big idea. Written by
Jeremy Perkins <firstname.lastname@example.org>
While the film suggests that Bugsy Siegel and Virginia Hill first meet on the movie set, they had actually met several years earlier in real life. At the time, Hill was dating Joe Adonis (portrayed as Joey A. by Lewis Van Bergen in this film) when she and Bugsy had an affair, thus explaining the animosity Bugsy and Joey have for one another throughout the film. See more »
In Virginia's "fear of flying" scene at the airport, there is an airplane hangar with a sign for "Mobil" attached to it. The "Mobil" design seen was not introduced until the late 1950s. The movie is set in the mid-1940s, and the design that would have been used at that time was Mobil's logo of a white shield with large red Pegasus (flying horse) trademark and the name "Mobilgas" in black. See more »
I personally thought "Bugsy" was the best film of 1991 and should have beaten "The Silence of the Lambs" for Best Picture at the Academy Awards. The movie looks great, has great acting all around and Barry Levinson is in top form. Best of all, "Bugsy" avoids most, if not all, cliches that are usually found in gangster movies. If you want a good solid film about a real life crime figure, this is the one. If you want hackneyed, worn out cliches that go nowhere and leave a feeling of unsatisfaction, I would recommend "Mobsters" or "Billy Bathgate".
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