Two homies, Smokey and Craig, smoke a dope dealer's weed and try to figure a way to get the $200 they owe to the dealer by 10 p.m. that same night. In that time, they smoke more weed and get jacked and shot at in a drive-by.
Craig and Day Day have finally moved out of their parents houses and into their own crib. The cousins work nights at a local mall as security guards. When their house is robbed on Christmas... See full summary »
"Don't Be a Menace to South Central While Drinking your Juice in the Hood" is a parody of several U.S. films about being in the 'Hood', for instance "Boyz n the Hood", "South Central", "... See full summary »
John Singleton's portrayal of social problems in inner-city Los Angeles takes the form of a tale of three friends growing up together 'in the 'hood.' Half-brothers Doughboy and Ricky Baker are foils for each other's personality, presenting very different approaches to the tough lives they face. Ricky is the 'All-American' athlete, looking to win a football scholarship to USC and seeks salvation through sports, while 'Dough' succumbs to the violence, alcohol, and crime surrounding him in his environment, but maintains a strong sense of pride and code of honor. Between these two is their friend Tre, who is lucky to have a father, 'Furious' Styles, to teach him to have the strength of character to do what is right and to always take responsibility for his actions. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
At 0:17, when Furious fires his weapon at the intruder, the position of the end of his barrel moves several inches between the 2 shots. This would result in bullet holes in his front door which are much further apart than what is shown. See more »
John Singleton's best film also proved to be one of my favorite movies about life in the streets. Cuba Gooding, Jr. displayed early on he was going to be a respectable actor. The power of the film has yet to be matched as most modern interpretations of street life prove to be violent stylizations. While Singleton has taken a couple missteps along the way, this film still stands up rather well by today's standards. The motives and actions appear realistic, especially Doughboy's thirst for revenge. A good film, which not only helped improve Laurence Fishburne's career, but introduced us to Gooding.
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