| Joanna Pacula | ... | Tracy | |
| Tomas Arana | ... | Michele | |
| François Montagut | ... | Abe | |
| Gianni Garko | ... | Police Chief | |
| Erika Blanc | ... | Dr. Corti | |
| Matteo Gazzolo | ... | Gigli | |
| Susanna Javicoli | ... | Mrs. Consorti | |
| Bruno Corazzari | ... | Prof. Brusco | |
| Ursula von Baechler | ... | Katia Lelli | |
| Sebastiano Lo Monaco | ... | Mort | |
| Giovanni Lombardo Radice | ... | Morangi | |
| Paolo Baroni | ... | Milani | |
| Gianni Giuliano | ... | Cemetery Director | |
| Giuseppe Marini | ... | Agent Melli | |
| Guido Quintozzi | ... | Ass't Pathologist | |
| Francesco Romano | ... | Lifeguard | |
| Gianna Paola Scaffidi | ... | Mrs. Landi | |
| Mino Sferra | ... | Agent Mino |
Directed by | |||
| Lamberto Bava | |||
Writing credits(in alphabetical order) | ||
| Lamberto Bava | screenplay | |
| Teodoro Corrà | screenplay (as Teodoro Agrimi) | |
| Teodoro Corrà | story (as Teodoro Agrimi) | |
| Bruce Martin | screenplay | |
| Domenico Paolella | story | |
Produced by | |||
| Mario Bregni | .... | producer | |
| Pietro Bregni | .... | producer | |
Original Music by | |||
| Carlo Maria Cordio | |||
Cinematography by | |||
| Luigi Kuveiller | |||
Film Editing by | |||
| Piero Bozza | (as Pietro Bozza) | ||
Production Design by | |||
| Davide Bassan | (as David Bassan) | ||
Art Direction by | |||
| Eugenio Ulissi | |||
Costume Design by | |||
| Antonella Amato | |||
Makeup Department | |||
| Franco Casagni | .... | makeup artist | |
| Ferdinando Merolla | .... | hair stylist | |
Production Management | |||
| Teodoro Corrà | .... | production manager (as Teodoro Agrimi) | |
| Giammaria Vismara | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Alberto Brusco | .... | assistant director | |
Art Department | |||
| Maurizio Jacopelli | .... | property master | |
Sound Department | |||
| Luciano Anzellotti | .... | sound effects (as L. Anzellotti) | |
| Francesca Bregni | .... | dialogue editor | |
| Romano Checcacci | .... | sound mixer | |
| Mario Cuccu | .... | sound | |
| Alberto Doni | .... | sound re-recording mixer | |
| Maurizio Miani | .... | boom operator | |
Special Effects by | |||
| Franco Casagni | .... | makeup special effects | |
Visual Effects by | |||
| Aldo Mafera | .... | opticals | |
Stunts | |||
| Augusto Ghitarrini | .... | stunts | |
| Claudio Zucchet | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Antonio Annunziata | .... | first assistant camera | |
| Sergio Coletta | .... | chief electrician | |
| Alberto Dionisi | .... | still photographer | |
| Angelo Donatone | .... | key grip | |
| Marco Francescon | .... | generator operator | |
| Massimiliano Sano | .... | camera operator | |
Costume and Wardrobe Department | |||
| Cristina Chillemi | .... | seamstress | |
Editorial Department | |||
| Pierfrancesco Achilli | .... | second assistant editor (as Pier Francesco Achilli) | |
| Alessandro Gabriele | .... | first assistant editor | |
Music Department | |||
| Luca di Silverio | .... | soundtrack album producer | |
Other crew | |||
| Arditi | .... | caterer | |
| Franco Fenu | .... | production secretary | |
| Simonetta Lombardo | .... | cashier | |
| Aldo Mafera | .... | title designer | |
| Agostino Mecci | .... | administrator | |
| Maria Ruhle | .... | unit publicist | |
| Vittoria Vigorelli | .... | script supervisor (as Vittoria De Fazio Vigorelli) | |
| Luigi Zarcone | .... | production secretary | |
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| So Sweet, So Dead | The Phantom of the Opera | Dr. Renault's Secret | Training Day | Taking Lives |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Italy section |
There once was an era, approximately from the late 60's up until the early 80's, during which nearly every Italian director delivered his own personal giallo-movie and they featured the craziest plots and the most far-fetched red herrings. What great times they were! After this, however, the magnificent sub genre almost got extinct and there were only TWO directors that regularly attempted to breathe new life into the formula of mad black-gloved killers and sleaze-laden twists. Dario Argento is the king even to this day and the other one is Lamberto Bava, who was responsible for some truly underrated giallo-efforts like "Delirium: Photos of Gioia" and "You'll Die at Midnight". "Body Puzzle" is yet another criminally neglected film that features all the giallo's extraordinary trademarks, although that sadly also includes the major holes in the plot. "Body Puzzle" serves the absolute most implausible story I've ever beheld, but there are plenty of sadistic & gore-soaked murders on display and the absurd screenplay hints at some controversial topics like hidden homosexuality and schizophrenia. Lamberto Bava doesn't really bother to keep the killer's identity secret, as we immediately witness how a handsome young man brutally stabs an anonymous candy store owner to death. Several more grisly murders are committed before police inspector Michael discovers that the victims have one thing in common. They all received donor organs from a pianist who died in a motorcycle accident and the mysterious killer tries to puzzle him back together. The inspect is much quicker when it comes to falling in love with the deceased pianist's wife, played by Joanna Pacula. "Body Puzzle" completely stops to make sense halfway, but you've got to love Bava's enthusiast direction and his desperate efforts to maintain the suspense. The music and camera-work are more than adequate while the cast features some familiar faces. Giovanni Lombardo Radice briefly appears as the exaggeratedly gay acquaintance of both the killer and the dead pianist. Italian horror fans will certainly recognize him as the poor sucker who always dies sensationally ("Cannibal Ferox", "City of the Living Dead", "Cannibal Apocalypse" ).