A boy kidnapped by two mismatched hitmen puts them at each other's throats while being driven to their employers, possibly to be killed. Cohen, an older professional becomes increasingly ... See full summary »
One man's struggle to contain the curse he hides within... and his last-ditch attempt to free himself with the love of family. But when it looks as if he is loosing his battle, and ... See full summary »
After his car breaks down, Jack seeks shelter, lost in a thunderstorm in a remote shack in the woods. He finds himself held at gunpoint by a deranged mountain man who lives there with his ... See full summary »
Lou Diamond Phillips,
Tough ex-con Glenn Barnes gets paroled from prison after serving a sentence for manslaughter. Glenn plans to reopen his old nightclub the Garage on 42nd Street. Vicious rival nightclub ... See full summary »
An emotionally-distraught and suicidal woman dials a random telephone number and gets a lonely man on the phone. With pistol in hand, she threatens to kill herself over the phone unless he can talk her out of it within one minute.
When Bill Chrashank loses his arm in a car accident, the arm of an executed death row inmate is grafted on in its place. The only problem, as Bill soon discovers, is that the arm is possessed by a force he cannot control. Written by
Michael Silva <email@example.com>
An outlandish conclusion mars this otherwise decent little early '90s thriller. Jeff Fahey, he of "Lawnmower Man" fame, stars as Bill Chrushank, a shrink who tragically loses his arm in a brutal car wreck. But through the miracle of science, and with the consent of his wife, Chrushank is given a second chance at an able-bodied life via a groundbreaking transplant. All seems well until the limb, formerly belonging to a murderous death row inmate, seems to take on a life of its own. Is the killer living more than vicariously through Chrushank, or is it all in his head?
One of the biggest complaints the big-name critics had with this one was that the story is all too familiar (i.e. "Hands of Orlac"). Yet a borrowed story is no reason to automatically dismiss a picture. Look at how many cop pictures and romantic comedies steal elements from their predecessors. So yes, this basic tale has been told before, but director Eric Red (I've never heard of him, either) makes it all work pretty good. Until, that is, the aforementioned climax rears its ugly head. It's then that Chrushank discovers the sinister origins of his surgery. I won't give it away, but let's just say there are plenty of four-letter words to describe it: lame, poor, nuts, crap. This film just could have been so great with a great finale.
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