Rick Harding is a former Marines officer, now working in the FBI as a chemical weapons designer. While packing up for the night, a group of armed soldiers led by wanted criminal Carlos ... See full summary »
In 1923 British Colonial Nigeria, Mister Johnson is an oddity -- an educated black man who doesn't really fit in with the natives or the British. He works for the local British magistrate, ... See full summary »
A reflection about what makes everyone's life unique, through the story of Noah's family. Noah is an adjuster, having sex with his customers. His wife Hera watches pornographic movies for ... See full summary »
Tenuously based on the legends of Easter Island, Chile, this story details a civil war between the two tribes on the island: the Long Ears and the Short Ears. A warrior from the ruling ... See full summary »
Jason Scott Lee,
In the 17th century a Jesuit priest and a young companion are escorted through the wilderness of Quebec by Algonquin Indians to find a distant mission in the dead of winter. The Jesuit experiences a spiritual journey while his young companion falls in love with the Algonquin chief's beautiful daughter underneath the imposing and magnificent mountains. Dread and death follows them upriver. Written by
Keith Loh <firstname.lastname@example.org>
The ferocity of the torture scenes prompted accusations of racism from Native Americans. Prominent among the critics was Ward Churchill, who wrote an article that was heavily critical of the film. However, Brian Moore, who had done extensive research on the subject, had actually toned down the documented violence for both his book and his screenplay. See more »
The French girl plays a recorder solo from 'Der Fluyten Lust-hof" published in 1644, while the film is set in 1634. See more »
Tomorrow do not cry out.
If we do cry out, will they stop (torturing us)?
No, they will not stop. But if you cry out when you die, they will have your spirit.
See more »
One of the Finest Portrayals of American Indians in the Movies
This film is brilliant, because it defies conventional stereotypes of European settlers and American Indians. This movie strives and succeeds in its portrayal of Indians and whites as human beings, rather than as villains or saints. Those who feel this movie would show the Indians as noble savages will be gravelly disappointed. The Indians in "Black Robe" can be cruel, and have sexual mores that would disgust the more prudish viewers. The affect of the Jesuit missionaries among the Indians of Quebec is not romanticized or glossed over, nor are the Jesuits shown as evil white devils. All humans in this movie have their flaws and weaknesses and all act "morally" according to their own cultures' expectations. Beresford has crafted a marvelous film that ought to be required viewing in college history courses across the country.
The cinematography is beautiful, whether we are watching the gilded altars of the cathedrals of Renaissance France, the iridescent glow of a fire at an Indian village, the cramped quarters of an Indian longhouse, or the awesome and heavenly magnificence of the Canadian woodlands and what appears to be the St. Lawrance River. This movie does feature explicit sexual acts and gruesome violence, so I would not recommend this movie at all for very young children. I think most teenagers can handle this film. I suppose this film is very hard to find at your local video rental store, but do yourselves a favor and find it. Your efforts will be amply rewarded.
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