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Black Robe (1991)

7.1
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In the 17th century a Jesuit priest and a young companion are escorted through the wilderness of Quebec by Algonquin Indians to find a distant mission in the dead of winter. The Jesuit ... See full summary »

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Title: Black Robe (1991)

Black Robe (1991) on IMDb 7.1/10

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Cast

Cast overview, first billed only:
...
...
Daniel
...
...
...
Chomina's Wife
Billy Two Rivers ...
Ougebmat
Lawrence Bayne ...
Neehatin
Harrison Liu ...
Awondoie
Wesley Côté ...
Oujita
Frank Wilson ...
Father Jerome
François Tassé ...
Jean Brousseau ...
Yvan Labelle ...
Mestigoit
...
Kiotseaton
James Bobbish ...
Ondesson
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Storyline

In the 17th century a Jesuit priest and a young companion are escorted through the wilderness of Quebec by Algonquin Indians to find a distant mission in the dead of winter. The Jesuit experiences a spiritual journey while his young companion falls in love with the Algonquin chief's beautiful daughter underneath the imposing and magnificent mountains. Dread and death follows them upriver. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for areas of strong violence and sensuality | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

| | | |

Release Date:

4 October 1991 (USA)  »

Also Known As:

Black Robe  »

Filming Locations:

 »

Box Office

Gross:

$8,211,952 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The ferocity of the torture scenes prompted accusations of racism from Native Americans. However, Brian Moore, who had done extensive research on the subject, had actually toned down the documented violence for both his book and his screenplay. See more »

Goofs

Fr. Laforgue is seen baptizing with saliva. Saliva is not valid matter for baptism and no 17th century Jesuit, who knew their theology very well, would have baptized with saliva. He could have melted the snow to obtain some water. See more »

Quotes

Annuka: A dream is real. It must be obeyed.
Father Laforgue: We will do as she asks. What can we say to people who think that dreams are the real world; this one is an illusion. Perhaps they're right.
Daniel: Farewell, Father Laforgue.
Father Laforgue: No farewells. Not in this land. And no greetings, no names. The forests speak. The dead talk at night. God bless you both.
See more »

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User Reviews

 
Cross cultural conflict
5 January 2005 | by (Durham, NC) – See all my reviews

This exquisitely photographed film portrays the cultural clash between Europeans (in this case the Europeans happen to be French) and various native tribes in seventeenth century North America without romanticizing either French culture or that of the native peoples.

Perhaps the most striking feature of this film from my perspective was utter arrogance of the Europeans to come into a wild country presuming the superiority of their way of life over that of the indigenous peoples. No character seemed to understand that better than Father LaForgue, admirably portrayed by Lothaire Bluteau. The good Father soldiers on despite the evidence that his presence in the vast wilderness of North America won't make a whit of difference in his life or in the lives of the people he has vowed to introduce into "paradise." The Algonquin guides worry about their attachment to the "demon" LaForgue and wonder whether they shouldn't just kill him. Even LaForgue's young assistant, Daniel, wonders how the presence of a French missionary makes the the native people's lives any better. The Iroquois, who suffer from a harsh depiction in the film, take a more economically-based view of LaForgue -- he and Daniel are seen by the Iroquois as currency to be exchanged for guns.

An aside concerning the Iroquois. While the violence depicted in the film is no doubt accurate, what the film does not reveal is that the Iroquois likely became decidedly more hostile when the French began to assist old enemies, such as the Algonquin, in traveling into hunting grounds that had previously been Iroquois territory.

But back to LaForgue, whose journey is the primary emphasis of the film. He has journeyed, apparently from a life of some privilege in France, leaving behind a doting mother and (perhaps) a beautiful young woman. He has journeyed away from the "pleasures of the flesh," lingering on the sight of a couple making love in the communal tipi and later admitting to Daniel that he, LaForgue, lusts after the young Alogonquin woman,Annuka, with whom Daniel had already struck up a sexual relationship. He gets lost on the journey in the cathedral-like forest and rejoices and being found by Algonquin hunters, who express some bemusement that the Black Robe got lost in the first place. Finally, he journeys to the Hurons and a village beset by smallpox, where baptism has been sold to the natives as a miracle cure as much as it has a key to salvation.

By avoiding the tendency of films depicting Native American life to romanticize, Bruce Beresford has captured more profoundly the daily harsh realities of life for the peoples inhabiting the northeastern portion of North America at the arrivals of the first trickling of Europeans. Neither way of life is ultimately depicted as superior to the other: each simply is. This is not a "feel-good" film. Instead it is a realistic, thought-provoking tale of a journey of a man, of cultures, and of life itself. Simply a brilliant film.


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Recent Posts
Black Robe in the U.S. gotee75
One of the best soundtracks I've ever heard... Sleight-of-Hand
wow that is so mean on_the_catwalk
Not a remake of The Robe then? The Colourful Jester
Location? gotee75
Language Sounds like Birds? katjulian16
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