In the 17th century a Jesuit priest and a young companion are escorted through the wilderness of Quebec by Algonquin Indians to find a distant mission in the dead of winter. The Jesuit ... See full summary »
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In the 17th century a Jesuit priest and a young companion are escorted through the wilderness of Quebec by Algonquin Indians to find a distant mission in the dead of winter. The Jesuit experiences a spiritual journey while his young companion falls in love with the Algonquin chief's beautiful daughter underneath the imposing and magnificent mountains. Dread and death follows them upriver. Written by
Keith Loh <firstname.lastname@example.org>
The ferocity of the torture scenes prompted accusations of racism from Native Americans. However, Brian Moore, who had done extensive research on the subject, had actually toned down the documented violence for both his book and his screenplay. See more »
Chomina, left behind to die, says to the priest: an Algonquin word translated as "go", then "Black Robe", and the first word again. The subtitles, added here as to any Algonquin dialogue, substitute "my friend" for "Black Robe". This considerable shift in meaning, added in translation, is not compatible with the character. See more »
Lord, if it be thy wish that I suffer greater privations in the days ahead, I welcome it. Thou hast given me this cross for thy honor and for the salvation of these poor barbarians. I thank thee.
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Wow, what a fascinating movie and different kind of film. One really can't get the full impact of this through a review. Anyone who has seen this, I think would agree with me on that.
If I had skipped over the credits and someone had told me Terrence Malick (Days Of Heaven, The New World, The Thin Red Line and Badlands) and directed this film, I would have believed it. Visually, this is his kind of film. I wonder if this movie inspired parts of his latest effort, The New World? There are a number of similarities. Black Robe has the same kind of beautiful and haunting images Malick's films possess but the director in this case is Bruce Bereford, the man who directed Driving Miss Daisy a couple of years before doing this film. DMD also is beautifully-filmed.
Black Robe is not just a piece of art. As great as it is visually, this is a powerful story of a well-intentioned Jesuit priest in the early 17th century who travels to "New France" (upstate New York/French Canadian territory) attempting to convert a few area tribes to Christianity. To unbelievers, that seems pushy but Biblically-speaking it is not. Jesus commanded his followers to do just that (Matt. 28:18-20) , so the priest is only doing what missionaries have done for centuries. He also is a good man, stays strong in his beliefs regardless of his own well-being and is a gentle soul. Kudos to the filmmakers for being fair to him.
The Algonquins and the Hurons are also shown with their beliefs, too, and their cultures which obviously were in contrast to the white European-based priest. All sides are shown fairly in this movie, with both positive and negative traits of all.
I was shocked at a few scenes in here, not expecting them as the film has such a gentle flow to it before anything dramatic happens. We see a few sexual scenes and then some brutal violence. The Hurons, particularly, do not want any invasion of their privacy and culture and are openly hostile to the priest and the Algonquins. The story transforms from a quiet Malick-type "New World" poetic piece to a violent, suspenseful film and the question is, will the "good guys" make it out alive?
The actors in here, perhaps, are not names most people outside Canada are familiar with, including me, but Lothaire Blueteau as Father Laforgue, Aden Young as his assistant "Daniel" and Sandrine Holt as Daniel's Algonguin lover "Anuuka" are all very, very good. All the characters in this film are very credible people, steadfast in their own beliefs and they come across as realistic people. Most films have unreal people with unrealistic dialog....but not in this movie.
Another big plus was the soundtrack: a lush, haunting score throughout.
Without spoiling the ending, or adding political/theological agendas my own, let me just add that if you enjoy a beautiful-looking movie which also has a thoughtful, haunting story with honest characters, you should check this out. Highly recommended.
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