In 1999, Claire's life is forever changed after she survives a car crash. She rescues Sam and starts traveling around the world with him. Writer Eugene follows them and writes their story, as a way of recording dreams is being invented.
The director Friedrich Monroe has trouble with finishing a silent b&w movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks ... See full summary »
Mike Max is a Hollywood producer who became powerful and rich thanks to brutal and bloody action films. His ignored wife Paige is close to leaving him. Suddenly Mike is kidnapped by two ... See full summary »
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's Day the World Ended (1955). The producer is nowhere to be found and director Friedrich... See full summary »
A traveling projection-equipment mechanic works in Western Germany along the East-German border, visiting worn-out theatres. He meets with a depressed young man whose marriage has just broken up, and the two decide to travel together.
Set in 1999, a woman (Dommartin) has a car accident with some bank robbers, who enlist her help to take the bank money to a drop in Paris. On the way she runs into another fugitive from the law (Hurt), an American who is being chased by the CIA. The charges are false, he claims. They want to confiscate a device his father invented which allows anyone to record their dreams and vision. On the run from both the bank robbers and the CIA, the couple span the globe, ending up in Australia at his father's (von Sydow) research facility, where they hope to play back the recordings Hurt captured for his blind mother. Set in the futuristic year of 1999, a subplot about a damaged Indian nuclear satellite crashing and causing the end of civilization is a puzzling addition to the film. Written by
Ed Sutton <firstname.lastname@example.org>
Wenders sent out a call to his favorite musicians for original compositions for the film and received so much good music he decided not to choose a winner but to use it all. Wenders later admitted without a hint of regret that it was a decision that locked him into epic length. See more »
When Bert is shown as the guitarist in Chico's impromptu band for the first time, he hands the guitar to the green-shirted man on the bridge while the rest of the band keeps playing. But when the scene cuts to a different angle, Bert is still playing the guitar. See more »
I didn't know the cure for the disease of images. All I knew was how to write. But I believed in the magic and healing power of words, and of stories.
See more »
I first saw this movie 10 years ago, and have seen it perhaps 50 times since then. There has never been another film that has so affected me this way... the images, dialog, and music keep coming back to me, and each time I watch it I see something new. All this, and I've only seen the edited version, not the 5-hour director's cut, which I hope someday will be released on DVD.
Wenders has a different way of working - he develops the dialog, and even the plot (so the story goes), as the film is being shot. One of the reasons it all seems so real.
The integration of the music is fantastic, and gives just as emotional weight as the stunning cinematography. Rather than slap on some pop music in post-production as most directors do, he first solicited songs from his pals U2, Nick Cave, Peter Gabriel, et al to write a song about the end of the world. He then wove the resulting music into the script.
Every 6 months or so I'm amazed by some bit of news in real life that was actually telegraphed by the film, years ago. Remember the crisis with India and Pakistan developing nuclear arms a few years back?
Solveig Dommartin is intoxicating, William Hurt is his usual self, but for me Sam Neill is the best. His narration is especially haunting.
Shot on 4 continents in 8 countries, this film is truly an epic.
3 of 3 people found this review helpful.
Was this review helpful to you?