Set in 1999, a woman (Dommartin) has a car accident with some bank robbers, who enlist her help to take the bank money to a drop in Paris. On the way she runs into another fugitive from the... See full summary »
Thomas Jerome Newton is a humanoid alien who comes to Earth to get water for his dying planet. He starts a high technology company to get the billions of dollars he needs to build a return ... See full summary »
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
Set in 1999, a woman (Dommartin) has a car accident with some bank robbers, who enlist her help to take the bank money to a drop in Paris. On the way she runs into another fugitive from the law (Hurt), an American who is being chased by the CIA. The charges are false, he claims. They want to confiscate a device his father invented which allows anyone to record their dreams and vision. On the run from both the bank robbers and the CIA, the couple span the globe, ending up in Australia at his father's (von Sydow) research facility, where they hope to play back the recordings Hurt captured for his blind mother. Set in the futuristic year of 1999, a subplot about a damaged Indian nuclear satellite crashing and causing the end of civilization is a puzzling addition to the film. Written by
Ed Sutton <email@example.com>
The money just ran out to shoot in China, so actress Solveig Dommartin and one camera person surreptitiously shot the Chinese scenes in the film (seen on VideoFax in Paris by Eugene) completely on their own. See more »
When Bert is shown as the guitarist in Chico's impromptu band for the first time, he hands the guitar to the green-shirted man on the bridge while the rest of the band keeps playing. But when the scene cuts to a different angle, Bert is still playing the guitar. See more »
In its full length version this film is a really absorbing and enjoyable piece of work. I saw it at the National Film Theatre in London years ago, expecting to find the length a serious problem but knowing that I might not get another chance.
As it turned out there were two intervals and the fact that it took a whole afternoon added to the enjoyment... the absorption drew me in.
I never saw the short version but its relative lack of success suggests that the edit wasn't wholly successful. I don't know if the long version circulates in any form these days but if the chance arises to see it take an afternoon off, make sure the cinema has a nice cafe and settle down for a unique film.
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