Set in 1999, a woman (Dommartin) has a car accident with some bank robbers, who enlist her help to take the bank money to a drop in Paris. On the way she runs into another fugitive from the... See full summary »
Thomas Jerome Newton is a humanoid alien who comes to Earth to get water for his dying planet. He starts a high technology company to get the billions of dollars he needs to build a return ... See full summary »
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
Set in 1999, a woman (Dommartin) has a car accident with some bank robbers, who enlist her help to take the bank money to a drop in Paris. On the way she runs into another fugitive from the law (Hurt), an American who is being chased by the CIA. The charges are false, he claims. They want to confiscate a device his father invented which allows anyone to record their dreams and vision. On the run from both the bank robbers and the CIA, the couple span the globe, ending up in Australia at his father's (von Sydow) research facility, where they hope to play back the recordings Hurt captured for his blind mother. Set in the futuristic year of 1999, a subplot about a damaged Indian nuclear satellite crashing and causing the end of civilization is a puzzling addition to the film. Written by
Ed Sutton <firstname.lastname@example.org>
Features a car with a frighteningly prescient version of a satellite navigation system. See more »
When many of the European characters leave the Mbantua settlement and take a group photo, believing the adventure to be over, the voice-over mentions that it is February, 2000. Yet shortly after we see Henry Farber trying a new series of experiments on recording dream imagery, and a computer display for the current experiment says January 21. See more »
The drifting curiosity of Claire Tourneau lends a feeling of calm to UTEOTW; she is the still center of this quiet film, which occupies a poetic lull before the millennial storm. As in most of Wenders' films, there are moments of great beauty, elevated by the use of silence-- the sudden quiet in the plane, as the shadow slips over the hills (this is my favorite moment in the film)-- and there are Wenders' usual striking, trademark images from a moving vehicle of the landscape racing by. This movie, about vision and re-vision, also has a lot to do with poetry and transportation, like "King of the Road" and "Alice in the Cities". The soundtrack is altogether delightful. Like all of Wenders' films, it is exactly a half-hour too long, but like most of his work, it just manages to redeem itself. I believe this is his best film after his masterpiece, "Wings of Desire".
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