In 1999, Claire's life is forever changed after she survives a car crash. She rescues Sam and starts traveling around the world with him. Writer Eugene follows them and writes their story, as a way of recording dreams is being invented.
The director Friedrich Monroe has trouble with finishing a silent b&w movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks ... See full summary »
A traveling projection-equipment mechanic works in Western Germany along the East-German border, visiting worn-out theatres. He meets with a depressed young man whose marriage has just broken up, and the two decide to travel together.
Mike Max is a Hollywood producer who became powerful and rich thanks to brutal and bloody action films. His ignored wife Paige is close to leaving him. Suddenly Mike is kidnapped by two ... See full summary »
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's Day the World Ended (1955). The producer is nowhere to be found and director Friedrich... See full summary »
Set in 1999, a woman (Dommartin) has a car accident with some bank robbers, who enlist her help to take the bank money to a drop in Paris. On the way she runs into another fugitive from the law (Hurt), an American who is being chased by the CIA. The charges are false, he claims. They want to confiscate a device his father invented which allows anyone to record their dreams and vision. On the run from both the bank robbers and the CIA, the couple span the globe, ending up in Australia at his father's (von Sydow) research facility, where they hope to play back the recordings Hurt captured for his blind mother. Set in the futuristic year of 1999, a subplot about a damaged Indian nuclear satellite crashing and causing the end of civilization is a puzzling addition to the film. Written by
Ed Sutton <firstname.lastname@example.org>
Originally intended to be filmed in 70mm. See more »
When Bert is shown as the guitarist in Chico's impromptu band for the first time, he hands the guitar to the green-shirted man on the bridge while the rest of the band keeps playing. But when the scene cuts to a different angle, Bert is still playing the guitar. See more »
The drifting curiosity of Claire Tourneau lends a feeling of calm to UTEOTW; she is the still center of this quiet film, which occupies a poetic lull before the millennial storm. As in most of Wenders' films, there are moments of great beauty, elevated by the use of silence-- the sudden quiet in the plane, as the shadow slips over the hills (this is my favorite moment in the film)-- and there are Wenders' usual striking, trademark images from a moving vehicle of the landscape racing by. This movie, about vision and re-vision, also has a lot to do with poetry and transportation, like "King of the Road" and "Alice in the Cities". The soundtrack is altogether delightful. Like all of Wenders' films, it is exactly a half-hour too long, but like most of his work, it just manages to redeem itself. I believe this is his best film after his masterpiece, "Wings of Desire".
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