5.9/10
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39 user 23 critic

Billy Bathgate (1991)

In the year 1935, a teen named Billy Bathgate finds first love while becoming the protégé of fledgling gangster Dutch Schultz.

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Writers:

(book), (screenplay)
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Nominated for 1 Golden Globe. Another 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
...
Otto Berman
...
Irving
Billy Jaye ...
Mickey
...
Lulu
Timothy Jerome ...
Dixie Davis (as Tim Jerome)
...
...
Robert F. Colesberry ...
Jack Kelly
...
Mr. Hines
...
Mary Behan
...
Becky
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Storyline

Based loosely on the organized crime syndicates of the 20's and 30's, Billy Bathgate is the story of a young man's rise from gopher to right hand man in Dutch Schultz' gang. Having been impressed by the youth, Schultz takes him under his wing so to speak. Billy soon finds himself in a world where wealth and fortune live next door to danger and death. Written by Michael Silva <silvamd@cleo.bc.edu>

Plot Summary | Add Synopsis

Taglines:

In 1935, a New York kid was looking for a hero. He found Dutch Schultz. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for some gangster violence, and for language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 November 1991 (USA)  »

Also Known As:

Billy Bathgate - A scuola di gangster  »

Filming Locations:

 »

Box Office

Budget:

$48,000,000 (estimated)

Gross:

$15,965,919 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(DuArt)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Disputes between Dustin Hoffman and Robert Benton led to delays and reshoots, including an alternate ending that was then discarded in favor of the original ending, as the cost ballooned to forty million dollars. See more »

Goofs

When Drew Preston is walking with Billy Bathgate and takes his hand, the close-up shows her hand is on the front. In the next shot, her hand behind his and facing to the rear. See more »

Quotes

[first lines]
Bo Weinberg: [being tied up] What do you think, Irving? Makes this cheap dago move on me, Bo Weinberg. The man who took out @Vincent Coll. The man who held Jack Diamond's ears so he could put the gun in his mouth. Who found the rackets he was to *stupid* to find for himself, who made him something more than the lowdown fucking guy that he is! The schmuck, I should expect something else. He pulls me off the the street right in front of my girl, like he don't know no better. Schmuck!
Dutch Schultz: Don't talk to...
[...]
See more »

Connections

References Girl Without a Room (1933) See more »

Soundtracks

The Washington Post
Music by John Philip Sousa
Played at Saratoga race track
See more »

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User Reviews

 
Again Magnificent, so sadly almost invisible

My third viewing since it came out. The thing is stirring, romantic. The score and its timing are magnificent. Every frame is part of this masterpiece. Why it never won an academy award, I don't know (I haven't checked what it was up against that year) It's a little small But as I get holder that means less and less when great craft is present, as it is here. All the talent was used and used well. You can see that everyone gave everything they had to their roles. Great cast. The understated (Berman) the overstated (Schultz) The oblivious fearless magnificent love object The kid All great performances Even the smaller parts, the loyal Schultz hit men, Luck Luciano All great and in the team pulling in just the right directions at the right times The photography, perfect. The score, that majestic theme coming in and lifting you up, pulling you along at the right time. Not a gangster movie, more an allegory and morality play. Everyone was an archetype, a representative of basic forces Right, Wrong, Evil, Goodness, Selflessness, Betrayal, Compassion, Desire, Tenderness, Madness, Destiny (played by Luck) It's a mesmerizing movie for anyone prepared to watch a timeless drama. Forget about the gangsters, it's mythic. And it does it by paying insanely close attention to characterization. But thematically (via the writer) and theatrically (via the director) I can't want to forget enough about it to cry again the next time.


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