Cynthia comes forward to talk to detective John about the murder of her best friend's husband. The story is told as a series of flashbacks... James was a bullying, verbally and physically ... See full summary »
Butch "Bullet" Stein is a Jewish junkie from the mean streets of Brooklyn, is paroled after eight years in prison. Butch rips off a runner for local drug dealer, Tank, and is soon right ... See full summary »
Bank robbery in small town ends with one of the robbers being wounded. The loot from the robbery is just a asset for the even more spectacular heist. Simon, gang leader and Paris night club... See full summary »
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, ... See full summary »
Based loosely on the organized crime syndicates of the 20's and 30's, Billy Bathgate is the story of a young man's rise from gopher to right hand man in Dutch Schultz' gang. Having been impressed by the youth, Schultz takes him under his wing so to speak. Billy soon finds himself in a world where wealth and fortune live next door to danger and death. Written by
Michael Silva <firstname.lastname@example.org>
When Drew Preston is walking with Billy Bathgate and takes his hand, the close-up shows her hand is on the front. In the next shot, her hand behind his and facing to the rear. See more »
[being tied up]
What do you think, Irving? Makes this cheap dago move on me, Bo Weinberg. The man who took out @Vincent Coll. The man who held Jack Diamond's ears so he could put the gun in his mouth. Who found the rackets he was to *stupid* to find for himself, who made him something more than the lowdown fucking guy that he is! The schmuck, I should expect something else. He pulls me off the the street right in front of my girl, like he don't know no better. Schmuck!
Don't talk to...
[...] See more »
The big screen adaptation of E. L. Doctorow's novel shows impressive credentials and handsome production values; so why is the finished film so inert? Is it because the story itself, about a fresh-faced Bronx kid who, during the Depression, learns the hard facts of criminal life from mobster Dutch Schultz (and falls for the boss' girlfriend) is so familiar? Could it be the abrupt, anti-climactic ending to the film's clever hopscotch structure? Or is it because the movie is too much about Billy (played by clean-cut newcomer Loren Dean, a throwback to pre-Touchstone Disney) and not his psychotic mentor? No evidence is visible of the much publicized production problems other than a few scenes where dialogue was obviously overdubbed, but the film still looks as if it were made under duress. A strong supporting cast, and Dustin Hoffman's exciting performance as the vulgar Dutch, are saving graces.
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