Cynthia comes forward to talk to detective John about the murder of her best friend's husband. The story is told as a series of flashbacks... James was a bullying, verbally and physically ... See full summary »
Samantha Hughes, a teenaged Kentucky girl, never knew her father, who died in Vietnam before her birth. Samantha lives with her uncle Emmett, who also served in Vietnam. Emmett hangs around... See full summary »
A comedy of life's temptations - lust, greed and power. The city in question is Sydney and the colour green signifies greed and envy in David Williamsons amusing satire on its film and ... See full synopsis »
Sully is a rascally ne'er-do-well approaching retirement age. While he is pressing a worker's compensation suit for a bad knee, he secretly works for his nemesis, Carl, and flirts with ... See full summary »
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
Steve Beck (Vince Martin) is a Karate instructor, Robby Mason (Tom Jennings) his prize student. Beck is using drugs to give him an edge. Guy Duncan (Craig Pearce) is Beck's drug connection ... See full summary »
Danny has been sent to boarding school, in this sequel to The Year My Voice Broke. Against a backdrop of bullying and sadistic teachers Danny strikes up an affair with an African girl, ... See full summary »
PC Simpson is an enthusiastic surfer. With the help of his father's company's engineer Howard he develops a high tech surf board for the coming world surf championship. But then he falls in... See full summary »
Based loosely on the organized crime syndicates of the 20's and 30's, Billy Bathgate is the story of a young man's rise from gopher to right hand man in Dutch Schultz' gang. Having been impressed by the youth, Schultz takes him under his wing so to speak. Billy soon finds himself in a world where wealth and fortune live next door to danger and death. Written by
Michael Silva <firstname.lastname@example.org>
When Drew Preston is walking with Billy Bathgate and takes his hand, the close-up shows her hand is on the front. In the next shot, her hand behind his and facing to the rear. See more »
[being tied up]
What do you think, Irving? Makes this cheap dago move on me, Bo Weinberg. The man who took out @Vincent Coll. The man who held Jack Diamond's ears so he could put the gun in his mouth. Who found the rackets he was to *stupid* to find for himself, who made him something more than the lowdown fucking guy that he is! The schmuck, I should expect something else. He pulls me off the the street right in front of my girl, like he don't know no better. Schmuck!
Don't talk to...
[...] See more »
My third viewing since it came out. The thing is stirring, romantic. The score and its timing are magnificent. Every frame is part of this masterpiece. Why it never won an academy award, I don't know (I haven't checked what it was up against that year) It's a little small But as I get holder that means less and less when great craft is present, as it is here. All the talent was used and used well. You can see that everyone gave everything they had to their roles. Great cast. The understated (Berman) the overstated (Schultz) The oblivious fearless magnificent love object The kid All great performances Even the smaller parts, the loyal Schultz hit men, Luck Luciano All great and in the team pulling in just the right directions at the right times The photography, perfect. The score, that majestic theme coming in and lifting you up, pulling you along at the right time. Not a gangster movie, more an allegory and morality play. Everyone was an archetype, a representative of basic forces Right, Wrong, Evil, Goodness, Selflessness, Betrayal, Compassion, Desire, Tenderness, Madness, Destiny (played by Luck) It's a mesmerizing movie for anyone prepared to watch a timeless drama. Forget about the gangsters, it's mythic. And it does it by paying insanely close attention to characterization. But thematically (via the writer) and theatrically (via the director) I can't want to forget enough about it to cry again the next time.
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