Free on IMDb

| Photos (see all 19 | slideshow) | Videos (see all 2) |
Directed by | |||
| Peter Hewitt | (as Pete Hewitt) | ||
Writing credits(WGA) | ||
| Chris Matheson | (characters) & | |
| Ed Solomon | (characters) | |
| Chris Matheson | (written by) & | |
| Ed Solomon | (written by) | |
Produced by | |||
| Paul Aaron | .... | co-producer | |
| Robert W. Cort | .... | executive producer | |
| Stephen Deutsch | .... | co-executive producer | |
| Ted Field | .... | executive producer | |
| Rick Finkelstein | .... | executive producer | |
| Scott Kroopf | .... | producer | |
| Neil A. Machlis | .... | supervising producer | |
| Chris Matheson | .... | co-producer | |
| Richard Christian Matheson | .... | co-producer (as Chris Matheson) | |
| Ed Solomon | .... | co-producer | |
| Barry Spikings | .... | executive producer | |
| Erwin Stoff | .... | co-producer | |
| Connie Tavel | .... | co-executive producer | |
Original Music by | |||
| David Newman | |||
Cinematography by | |||
| Oliver Wood | |||
Film Editing by | |||
| David Finfer | |||
Casting by | |||
| Karen Rea | |||
Production Design by | |||
| David L. Snyder | |||
Art Direction by | |||
| Gregory Pickrell | |||
| Russell J. Smith | |||
Set Decoration by | |||
| Peg Cummings | |||
| Robin Peyton | |||
Costume Design by | |||
| Marie France | |||
Makeup Department | |||
| Scott Oshita | .... | special makeup effects artist | |
| Shaun Smith | .... | special makeup effects crew | |
Production Management | |||
| Kevin Allison | .... | production manager: concert | |
| Neil A. Machlis | .... | unit production manager | |
Art Department | |||
| David L. Glazer | .... | property master: additional photography | |
| Guy Hietala | .... | set painter | |
| Simon Murton | .... | storyboard artist | |
| David Russell | .... | conceptual illustrator | |
| David Russell | .... | storyboard artist | |
| Joe Wood | .... | construction coordinator | |
Sound Department | |||
| Gregg Barbanell | .... | foley artist | |
| Bob Beemer | .... | sound re-recording mixer | |
| G.W. Brown | .... | supervising adr editor | |
| Gene S. Cantamessa | .... | production sound mixer | |
| Steve Cantamessa | .... | boom operator | |
| Dane A. Davis | .... | supervising sound editor | |
| Arnold Finkelstein | .... | sound effects editor | |
| Joanna Garland | .... | assistant sound editor (as Joanna Jimenez) | |
| Tommy Goodwin | .... | adr mixer | |
| Tom Hammond | .... | foley editor | |
| David Jobe | .... | foley recordist | |
| Kini Kay | .... | sound effects supervisor | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Lance Laurienzo | .... | first assistant sound editor | |
| Lisa Linder | .... | assistant sound editor | |
| Trillby Kim Lowe | .... | dialogue editor (as Kimberly Lowe Voigt) | |
| Nash Michael | .... | foley editor | |
| Michael Minkler | .... | sound re-recording mixer | |
| Todd Toon | .... | sound effects editor | |
| Brian Ufberg | .... | assistant sound editor | |
Special Effects by | |||
| John S. Baker | .... | special effects crew | |
| Yancy Calzada | .... | special effects crew | |
| Scott Coulter | .... | animatronics effects | |
| Roy Goode | .... | special effects technician | |
| John Teska | .... | special creature effects | |
| Mark Yuricich | .... | special effects foreman: VIFX | |
| Bill Zahn | .... | special effects technician | |
| Vincent J. Guastini | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Richard 'Dr.' Baily | .... | computer graphics animator: VIFX | |
| Allen Blaisdell | .... | visual effects | |
| Peter Konig | .... | sculptor | |
| Alan G. Markowitz | .... | matte cameraman | |
| Gregory L. McMurry | .... | visual effects supervisor | |
| Zeke Morales | .... | visual effects assistant editor | |
| Martin November | .... | visual effects editor | |
| Paula Schneider | .... | model maker | |
| Scott Schneider | .... | model maker | |
| David Stump | .... | effects director of photography | |
| Larry Weiss | .... | computer graphics animator: VIFX | |
| Matthew Yuricich | .... | visual effects artist | |
| Al Magliochetti | .... | visual effects (uncredited) | |
Stunts | |||
| David Carrera | .... | stunt double: Keanu Reeves | |
| Clarke Coleman | .... | stunts | |
| Monty Cox | .... | stunts | |
| Eurlyne Epper | .... | stunts | |
| Christian J. Fletcher | .... | stunt double | |
| James M. Halty | .... | stunts (as Jim Halty) | |
| Tabby Hanson | .... | stunts | |
| Tom Harper | .... | stunt double | |
| Randy Lamb | .... | stunts | |
| Will Leong | .... | stunts | |
| Jamie Jo Medearis | .... | stunts | |
| Jeff Miller | .... | stunt double: Alex Winter | |
| Janet Lee Orcutt | .... | stunts (as Janet Orcutt) | |
| James Pearson | .... | stunts (as Jim Pearson) | |
| Pat Romano | .... | stunts | |
| Glenn R. Wilder | .... | stunt coordinator (as Glenn Wilder) | |
| Scott Wilder | .... | stunts | |
Camera and Electrical Department | |||
| James B. Crawford | .... | gaffer | |
| Brent Poe | .... | assistant chief lighting technician | |
| Brennan L. Price | .... | lighting technician: second unit | |
| Joseph T. Terranova | .... | set lighting technician | |
| Michael T. Travers | .... | best boy grip | |
Casting Department | |||
| Cash Oshman | .... | crowd casting | |
Costume and Wardrobe Department | |||
| Tim Turner | .... | specialty costumes | |
Editorial Department | |||
| David Orr | .... | color timer | |
Music Department | |||
| Tim Boyle | .... | score mixer | |
| Jim Martin | .... | musician: air guitars | |
| Randy Miller | .... | orchestrator | |
| Steven L. Smith | .... | music preparation | |
| Steve Vai | .... | composer: additional music | |
| Tom Villano | .... | music editor | |
Transportation Department | |||
| Robert K. Johnson | .... | transportation captain | |
| Kenny Searle | .... | transportation coordinator | |
| Dean Winton | .... | driver | |
Other crew | |||
| Yancy Calzada | .... | puppeteer | |
| Jak Castro | .... | stand-in | |
| Kathi Danielson | .... | first assistant accountant (as Kathi Evans) | |
| Mike Elizalde | .... | puppeteer | |
| Sophia Lansky | .... | additional voices | |
| Sara Spring | .... | production coordinator: re-shoots | |
| Bob Wagner | .... | set production assistant | |
| David J. Garfield | .... | photo double (uncredited) | |
Thanks | |||
| William Shatner | .... | special thanks | |
|
|
|
|
|
| Bill & Ted's Excellent Adventure | Back to the Future Part II | Star Wars: Episode I - The Phantom Menace | Terminator 2: Judgment Day | The Transformers: The Movie |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
| Add this title to MyMovies |
This movie is very underrated. It's highly imaginative, creative and clever. It's just plain fun and in my opinion this film tops the first one. But the film was forgotten when it first came out, and became even more overlooked as the years passed. "Bill & Ted's Bogus Journey" also bombed at the box office, whereas the first one was a pretty good hit and very popular.
I think the problem may be that this film was just released a couple years too late. In 1991, Bill and Ted already seemed "so '80s". Even though the '80s were only a couple years ago back at that time, the landscape of the music and style for kids had changed so radically with gangsta rap, hip hop, Pearl Jam, Nirvana, grunge and the Seattle sound. Bill and Ted with their Ozzy Osbourne, Van Halen and Guns N' Roses music along with their '80s style seemed so out of place and very outdated in '91, and I think that's one BIG reason the film bombed at the box office. Nobody but surfers were still saying stuff like "excellent!" and "bogus!" in 1991. "Gremlins 2" which also came out in the early '90s suffered a similar fate of being a good film that bombed at the box office because it was too associated with the '80s. The transition from the '80s to the '90s was a much faster change then now with the '90s and '00s. 1991 was nothing like 1988 or 1989, whereas right now, 2002 and last year 2001 still looks/looked like 1995 or 1996.
If only "Excellent Adventure" which was made in 1988, was released THAT YEAR instead of 1989, and "Bogus Journey" was made quickly and released in 1989, then it too would have probably been just as wildly received as the first.