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Directed by | |||
| Peter Hewitt | (as Pete Hewitt) | ||
Writing credits(WGA) | ||
| Chris Matheson | (characters) & | |
| Ed Solomon | (characters) | |
| Chris Matheson | (written by) & | |
| Ed Solomon | (written by) | |
Produced by | |||
| Paul Aaron | .... | co-producer | |
| Robert W. Cort | .... | executive producer | |
| Stephen Deutsch | .... | co-executive producer | |
| Ted Field | .... | executive producer | |
| Rick Finkelstein | .... | executive producer | |
| Scott Kroopf | .... | producer | |
| Neil A. Machlis | .... | supervising producer (as Neil Machlis) | |
| Chris Matheson | .... | co-producer | |
| Ed Solomon | .... | co-producer | |
| Barry Spikings | .... | executive producer | |
| Erwin Stoff | .... | co-producer | |
| Connie Tavel | .... | co-executive producer | |
Original Music by | |||
| David Newman | |||
Cinematography by | |||
| Oliver Wood | |||
Film Editing by | |||
| David Finfer | |||
Casting by | |||
| Karen Rea | |||
Production Design by | |||
| David L. Snyder | |||
Art Direction by | |||
| Gregory Pickrell | |||
Set Decoration by | |||
| Chris Butler | (as Chris A. Butler) | ||
| Robin Peyton | |||
Costume Design by | |||
| Marie France | |||
Makeup Department | |||
| Glen Hanz | .... | makeup effects technician: Kevin Yagher Productions | |
| Scott Oshita | .... | special makeup effects artist | |
| Shaun Smith | .... | special makeup effects crew | |
Production Management | |||
| Kevin Allison | .... | production manager: concert | |
| Paul A. Levin | .... | post-production supervisor | |
| Neil A. Machlis | .... | unit production manager | |
Art Department | |||
| Robert Consing | .... | storyboard artist | |
| Peg Cummings | .... | set decorator: additional photography | |
| David L. Glazer | .... | property master: additional photography | |
| Guy Hietala | .... | set painter | |
| Simon Murton | .... | storyboard artist | |
| Cammie Noel | .... | scenic artist | |
| David Russell | .... | conceptual illustrator | |
| David Russell | .... | storyboard artist | |
| Russell J. Smith | .... | assistant art director: additional photography (as Russ Smith) | |
| Tom von Badinski | .... | carpenter | |
| Joe Wood | .... | construction coordinator | |
Sound Department | |||
| Gregg Barbanell | .... | foley artist | |
| Bob Beemer | .... | sound re-recording mixer | |
| G.W. Brown | .... | supervising adr editor | |
| Gene S. Cantamessa | .... | production sound mixer | |
| Steve Cantamessa | .... | boom operator | |
| Dane A. Davis | .... | supervising sound editor | |
| Arnold Finkelstein | .... | sound effects editor | |
| Tommy Goodwin | .... | adr mixer | |
| Tom Hammond | .... | foley editor | |
| Joanna Jimenez | .... | assistant sound editor | |
| David Jobe | .... | foley recordist | |
| Kini Kay | .... | sound effects supervisor | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Lance Laurienzo | .... | first assistant sound editor | |
| Lisa Linder | .... | assistant sound editor | |
| Kimberly Ellen Lowe | .... | dialogue editor (as Kimberly Lowe Voigt) | |
| Nash Michael | .... | foley editor | |
| Michael Minkler | .... | sound re-recording mixer | |
| Todd Toon | .... | sound effects editor | |
| Brian Ufberg | .... | assistant sound editor | |
Special Effects by | |||
| John S. Baker | .... | special effects crew | |
| Yancy Calzada | .... | special effects crew | |
| Scott Coulter | .... | animatronics effects | |
| Roy Goode | .... | special effects technician | |
| Timothy Huizing | .... | specialty props | |
| John Teska | .... | special creature effects | |
| Mark Yuricich | .... | special effects foreman: VIFX | |
| Bill Zahn | .... | special effects technician | |
| Vincent J. Guastini | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Richard 'Dr.' Baily | .... | computer graphics animator: VIFX | |
| Allen Blaisdell | .... | visual effects | |
| Peter Konig | .... | sculptor | |
| Alan G. Markowitz | .... | matte cameraman | |
| Gregory L. McMurry | .... | visual effects supervisor | |
| Zeke Morales | .... | visual effects assistant editor | |
| Martin November | .... | visual effects editor | |
| Wally Schaab | .... | matte camera operator | |
| Paula Schneider | .... | model maker | |
| Scott Schneider | .... | model maker | |
| David Stump | .... | effects director of photography | |
| Larry Weiss | .... | computer graphics animator: VIFX | |
| Matthew Yuricich | .... | visual effects artist | |
| Al Magliochetti | .... | visual effects (uncredited) | |
Stunts | |||
| David Carrera | .... | stunt double: Ted | |
| Clarke Coleman | .... | stunt performer | |
| Monty Cox | .... | stunt performer | |
| Eurlyne Epper | .... | stunt performer | |
| James M. Halty | .... | stunt performer (as Jim Halty) | |
| Tabby Hanson | .... | stunt performer | |
| Thomas Robinson Harper | .... | stunt performer (as Tom Harper) | |
| Randy Lamb | .... | stunt performer | |
| Jamie Jo Medearis | .... | stunt performer | |
| Jeff Miller | .... | stunt double: Bill | |
| Janet Lee Orcutt | .... | stunt performer (as Janet Orcutt) | |
| James Pearson | .... | stunt performer (as Jim Pearson) | |
| Pat Romano | .... | stunt performer | |
| Glenn R. Wilder | .... | stunt coordinator (as Glenn Wilder) | |
| Scott Wilder | .... | stunt performer | |
| Christian J. Fletcher | .... | stunt double (uncredited) | |
| Will Leong | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Michael J. Coo | .... | key dolly grip | |
| James B. Crawford | .... | gaffer | |
| Jason Hicks | .... | grip | |
| John T. Martin | .... | grip | |
| Brent Poe | .... | assistant chief lighting technician | |
| Brennan L. Price | .... | lighting technician: second unit | |
| Joseph T. Terranova | .... | set lighting technician | |
| Michael T. Travers | .... | best boy grip | |
Casting Department | |||
| Cash Oshman | .... | crowd casting | |
Costume and Wardrobe Department | |||
| Leslie Joyce | .... | key costumer | |
| Tim Turner | .... | specialty costumes | |
Editorial Department | |||
| David Orr | .... | color timer | |
Music Department | |||
| Tim Boyle | .... | score mixer | |
| Jim Martin | .... | musician: air guitars | |
| Randy Miller | .... | orchestrator | |
| Steven L. Smith | .... | music preparation | |
| James Thatcher | .... | musician: french horn | |
| Steve Vai | .... | composer: additional music | |
| Tom Villano | .... | music editor | |
Transportation Department | |||
| Robert K. Johnson | .... | transportation captain | |
| Kenny Searle | .... | transportation coordinator | |
| Dean Winton | .... | driver | |
Other crew | |||
| Yancy Calzada | .... | puppeteer | |
| Jak Castro | .... | stand-in | |
| Kathi Danielson | .... | first assistant accountant (as Kathi Evans) | |
| Mike Elizalde | .... | puppeteer | |
| Sophia Lansky | .... | additional voices | |
| Bill H. Schwocho | .... | stand-in for William Sadler | |
| Sara Spring | .... | production coordinator: re-shoots | |
| Bob Wagner | .... | set production assistant | |
| David J. Garfield | .... | photo double (uncredited) | |
Thanks | |||
| William Shatner | .... | special thanks | |
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| Bill & Ted's Excellent Adventure | Star Wars: Episode VI - Return of the Jedi | The Prophecy | Back to the Future Part II | Star Trek: First Contact |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
It was only on my second viewing, years later, that I realized two things about this movie: 1) I enjoyed it immensely, and 2) that because its execution is decidedly sharper than the premise itself warrants. I had laughed my way through the movie before it occurred to me to renew my initial protests--valleyspeak and loogies and airheadedness (even *good*-natured airheadedness) just aren't inherently funny, especially when drawn out to feature length. But though the movie's momentum does begin to sputter out towards the end, Reeves and Winter and Sadler (and Hal Landon Jr. in an unforgettable scene) display such a remarkable sense of comic timing throughout that even the more clumsily-scripted jokes (e.g. Ted failing to recognize a certain inhabitant of Hell) work as effortlessly as the witter ones (e.g. the challenge). And the teaming of Winter and Reeves clicks so well that the teaming of Bill and Ted (who spend only one scene separated in the entire movie, disaster if they're not well-matched) appears utterly unstrained.
(Side note: I found the first movie to be only sporadically entertaining--sightly different comic sensibilities there, it seems.)
I give it a 7.75. Surprisingly good fun.