The world of our distant future is a veritable utopia, thanks to the lyrics of two simple-minded 20th Century rock and rollers, Bill S. Preston, Esq. and Ted "Theodore" Logan. However, a would-be conquerer threatens to throw history off-track by sending "most non-non-heinous" evil robot Bill and Teds back to kill their good counterparts. Finding themselves dead, the boys must outwit the Grim Reaper and traverse Heaven and Hell to return to the land of the living, rescue their "babes" and have a "most triumphant" concert at the all-important Battle of the Bands. Written by
David Thiel <firstname.lastname@example.org>
The Ria Paschelle character was partially modeled after The Borg from Star Trek: The Next Generation (1987). See more »
When Death falls from the sky after Bill and Ted are resurrected, he hits the ground wearing black and white shoes, when he had been always seen in bare feet. See more »
Chuck De Nomolos:
It is time. They have reached the second crucial turning point in their destiny. Their message is about to reach millions. But, we will change all that. When our mission is successful, no longer will the world be dominated by the legacy of these two fools! No longer will we hear this.
[plays air guitar]
Chuck De Nomolos:
We will stop them now! Brothers and sisters, are we ready?
[everybody cocks their guns]
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It was only on my second viewing, years later, that I realized two things about this movie: 1) I enjoyed it immensely, and 2) that because its execution is decidedly sharper than the premise itself warrants. I had laughed my way through the movie before it occurred to me to renew my initial protests--valleyspeak and loogies and airheadedness (even *good*-natured airheadedness) just aren't inherently funny, especially when drawn out to feature length. But though the movie's momentum does begin to sputter out towards the end, Reeves and Winter and Sadler (and Hal Landon Jr. in an unforgettable scene) display such a remarkable sense of comic timing throughout that even the more clumsily-scripted jokes (e.g. Ted failing to recognize a certain inhabitant of Hell) work as effortlessly as the witter ones (e.g. the challenge). And the teaming of Winter and Reeves clicks so well that the teaming of Bill and Ted (who spend only one scene separated in the entire movie, disaster if they're not well-matched) appears utterly unstrained.
(Side note: I found the first movie to be only sporadically entertaining--sightly different comic sensibilities there, it seems.)
I give it a 7.75. Surprisingly good fun.
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