Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
Belle is a girl who is dissatisfied with life in a small provincial French town, constantly trying to fend off the misplaced "affections" of conceited Gaston. The Beast is a prince who was placed under a spell because he could not love. A wrong turn taken by Maurice, Belle's father, causes the two to meet. Written by
Tim Pickett <email@example.com>
Disney's original choice for director was Richard Williams, fresh off directing the animation for Who Framed Roger Rabbit (1988). Williams declined the offer in order to continue work on The Princess and the Cobbler (1993), but suggested Richard Purdum. Purdum's treatment was closer to the original story, with a darker tone and no musical numbers. Unsatisfied with the initial story reels, Jeffrey Katzenberg asked Howard Ashman and Alan Menken, who were just finishing work on The Little Mermaid (1989), to add songs and contribute story ideas. Purdum left the production at the end of 1989, feeling the project was no longer the film he wanted to make. The opening scenes of his initial treatment can be seen as an extra on the 2010 Diamond Edition DVD/Blu-Ray release. See more »
On the Special Edition, at exactly one hour and three minutes, just for a second, Mrs. Potts' eyes turn black and then turn back to blue. See more »
Once upon a time, in a faraway land, a young prince lived in a shining castle. Although he had everything his heart desired, the prince was spoiled, selfish, and unkind. But then, one winter's night, an old beggar woman came to the castle and offered him a single rose in return for shelter from the bitter cold. Repulsed by her haggard appearance, the prince sneered at the gift and turned the old woman away. But she warned him not to be deceived by appearances, for beauty is found ...
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"To our friend, Howard, who gave a mermaid her voice and a beast his soul, we will be forever grateful. Howard Ashman (1950-1991)" See more »
Beauty and the Beast is an engaging movie with so much care and beauty fused into its core. Beauty is much more than just an influential animated classic. It is a grand and powerful fable, sugar coated with the best animation effort in a time where CGI was becoming a movie mainstay. In its finest moments, Beauty is a rousing musical, making your head move and getting caught up right in the mix. The score is unforgettable and the characters are so easy to get into. A movie that children and adults alike will love, Disney deserved its Academy Award nominations for creating such a joy.
Small town Belle longs for more than a local life, maintaining her imagination through books and taking care of her kind, yet eccentric father. But when their horse returns without papa, Belle sets out to find the awful truth in an enchanted castle.
You can see that so much time and care was spent in drawing this masterpiece. I cannot think of many other movies that show such meticulous background and animation. That such effort is woven effortlessly into its songs that make Beauty and the Beast the timeless classic Disney rightfully lauds itself over. 'Be Our Guest,' 'Beauty and the Beast,' 'Gaston,' you will be humming these songs at one point in your your life! Kudos to Disney for creating a charismatic, attractive villain in Gaston. He would not be a villain if he was not such a jerk. You must watch this movie at least once in your life, in a comfortable sofa and with the sound turned right up for the Broadway scores. You will enjoy it!
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