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A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.

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3,604 ( 233)
Nominated for 3 Oscars. Another 13 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
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David Warrilow ...
Garland Stanford
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I.M. Hobson ...
Derek
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Poppy Carnahan (as Megan Faye)
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Richard St. Claire
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Pete
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Storyline

In 1941, New York intellectual playwright Barton Fink comes to Hollywood to write a Wallace Beery wrestling picture. Staying in the eerie Hotel Earle, Barton develops severe writer's block. His neighbor, jovial insurance salesman Charlie Meadows, tries to help, but Barton continues to struggle as a bizarre sequence of events distracts him even further from his task. Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Plot Synopsis

Taglines:

Between Heaven and Hell There's Always Hollywood! See more »

Genres:

Comedy | Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for language and some scenes of violence | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

21 August 1991 (USA)  »

Also Known As:

Barton Fink - Delírios de Hollywood  »

Box Office

Budget:

$9,000,000 (estimated)

Gross:

$6,153,939 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Barry Sonnenfeld:  as the page calling for Barton Fink in the restaurant. This is Joel Coen and Ethan Coen's first movie without Sonnenfeld as cinematographer. See more »

Goofs

Charlie's leaking ear changes sides. See more »

Quotes

W.P. Mayhew: You are dripping, sir.
See more »

Connections

Referenced in The Matrix (1999) See more »

Soundtracks

DOWN SOUTH CAMP MEETING
by Irving Mills and Fletcher Henderson
Published by Mills Music, Inc.
Courtesy of EMI Music Publishing
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User Reviews

 
Look upon me! I'll show you the life of the mind!
17 July 2007 | by (United States) – See all my reviews

The Coen brothers have come a long way from their start with an 8mm camera. They have written and produced some great homages to the film noir era of Hollywood, and this film is no exception.

First, is the great dialog written by the brothers. Great dialog is a feature of their films, and this one has some of the most memorable I have heard. You can almost turn off the visual and just listen and be enchanted and know you are listening to a Coen brothers film.

But turning off the visual would deprive you of the great cinematography of Roger Deakins. His can frame a scene to the point that you could pause the film and just soak in the texture and color and realism. It is almost as if every frame is a painting.

The Coen brothers also seem to get the best performances out of an actor that I have seen. John Goodman is brilliant in this film and he seems to do his best work for the Coens. John Turturro is captivating as the hack writer who talks about his love for the common man, but just really doesn't know the common man and really doesn't care about them. Michael Lerner was brilliant as the requisite man behind the desk that is the feature of 40's noir.

One doesn't always know what is in the Coen brothers minds. Is this a foretelling of the rise of Nazism, of intellectuals who really didn't understand the appeal of fascism to the common man, or a surreal portrait of someone who sells out. No matter what their intention, they make you think and return to see their films again and again.


37 of 50 people found this review helpful.  Was this review helpful to you?

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