In 1941, New York intellectual playwright Barton Fink comes to Hollywood to write a Wallace Beery wrestling picture. Staying in the eerie Hotel Earle, Barton develops severe writer's block. His neighbor, jovial insurance salesman Charlie Meadows, tries to help, but Barton continues to struggle as a bizarre sequence of events distracts him even further from his task. Written by
Scott Renshaw <firstname.lastname@example.org>
Gone are the days when my heart was young and gay, gone are my friends from the cotton fields away, gone from the earth to a better land I know, I hear the gentle voices calling, old black Joe. I'm coming I'm coming, oh my head is bending low, I hear the gentle... the truth my honey is a tart that does not bear scrutiny. Breach my levee at your own peril!
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I am absolutely amazed at the fantastic taste of the imdb readership, having loved this film for years and always been told by people I'd told about it and persuaded to watch that it was no good, I finally find some other people out there who love it as much as me, posting (mostly) extremely positive comments...This is a fabulous film, dripping with a brooding, sticky atmosphere that draws you in to the clammy world of Barton Fink, sat in his hotel room listening to the creaking of the wallpaper as it dribbles moistly from the walls, searching for inspiration in his tacky painting and dusty typewriter...Perhaps it is a little dark for some tastes, but as black comedy goes this is the blackest and the most biting there is, the Hollywood system and New York theatrical snobbery lampooned with equal viciousness. Deep insight into the nature of the creative spirit, a plethora of fine performances bringing at first stereotypical characters to full life (despite the unreal, fable-like atmosphere created by the slimy, glistening colours reminiscent of the films of Jeunet&Caro...), and many moments of hilarity make this a perfect movie, one I would not hesitate in recommending to anyone despite the fairly high probability they will hate it. A lack of any underlying morality, an absence of absolutes of right and wrong, good and bad, give this film a unique feeling that it could go anywhere. The last twenty minutes are about the most powerful I have ever seen in anything, at the end of almost every scene I thought it could end there and be an amazing film, yet each further scene only added further depth and poignancy. The first time I saw it, it left me drained, mind spinning, hands shaking, barely able to reach for the remote to rewind it to watch it again...
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