Mourning his dead child, a haunted Vietnam vet attempts to discover his past while suffering from a severe case of disassociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
After a car wreck on the winding Mulholland Drive renders a woman amnesic, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
In Paris, the shy bureaucrat Trelkovsky rents an old apartment without bathroom where the previous tenant, the Egyptologist Simone Choule, committed suicide. The unfriendly concierge (... See full summary »
In 1941, New York intellectual playwright Barton Fink comes to Hollywood to write a Wallace Beery wrestling picture. Staying in the eerie Hotel Earle, Barton develops severe writer's block. His neighbor, jovial insurance salesman Charlie Meadows, tries to help, but Barton continues to struggle as a bizarre sequence of events distracts him even further from his task. Written by
Scott Renshaw <email@example.com>
In his play, "Bare Ruined Choirs", Barton's characters are named Lil, Maury, and Dave. According to the original script, these are also the names of his parents and uncle, although in the film, his father's name is Sam. See more »
When Mundt pulls the bedframe apart, the metal ball that drops to the floor has a metal rod through the center. When it hits the floor, the rod is nowhere to be seen. See more »
I could tell you stories to curl your hair, but it looks like you've already heard 'em.
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The Coen brothers have come a long way from their start with an 8mm camera. They have written and produced some great homages to the film noir era of Hollywood, and this film is no exception.
First, is the great dialog written by the brothers. Great dialog is a feature of their films, and this one has some of the most memorable I have heard. You can almost turn off the visual and just listen and be enchanted and know you are listening to a Coen brothers film.
But turning off the visual would deprive you of the great cinematography of Roger Deakins. His can frame a scene to the point that you could pause the film and just soak in the texture and color and realism. It is almost as if every frame is a painting.
The Coen brothers also seem to get the best performances out of an actor that I have seen. John Goodman is brilliant in this film and he seems to do his best work for the Coens. John Turturro is captivating as the hack writer who talks about his love for the common man, but just really doesn't know the common man and really doesn't care about them. Michael Lerner was brilliant as the requisite man behind the desk that is the feature of 40's noir.
One doesn't always know what is in the Coen brothers minds. Is this a foretelling of the rise of Nazism, of intellectuals who really didn't understand the appeal of fascism to the common man, or a surreal portrait of someone who sells out. No matter what their intention, they make you think and return to see their films again and again.
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