In 1941, New York intellectual playwright Barton Fink comes to Hollywood to write a Wallace Beery wrestling picture. Staying in the eerie Hotel Earle, Barton develops severe writer's block. His neighbor, jovial insurance salesman Charlie Meadows, tries to help, but Barton continues to struggle as a bizarre sequence of events distracts him even further from his task. Written by
Scott Renshaw <firstname.lastname@example.org>
I run this dump, and I don't know the technical mumbo-jumbo. Why do I run it? Cause I got horse sense goddamit, SHOWMANSHIP! And also I hope Lou told you this, I am bigger and meaner and louder than any other kike in this town. Did you tell him that Lou? And I don't mean my dick is bigger than yours, it's not a sexual thing. You're a writer, you know more about that. Coffee?
See more »
The Coen-movie I liked best was "Raising Arizona". But being realisic, I know that "Miller's Crossing" and "Barton Fink" were better. There is so much inside and behind this movie, it's impossible to refer to every single detail. John Turturro has never given a better performance than here, as arrogant, too ambitious author Barton Fink. John Goodman also plays his role for a lifetime. And of course, Michael Lerner was nominated for an Academy Award. The reason why he still is no star is that he didn't act in any other Coen-brothers-movie. It's a fact that with their direction actors reach their climax.
Some of my friends who saw this film disliked it because they didn't understand the plot. Well, this is not a movie for people who need instructions how to handle a film. You have to think, to guess what all the symbols mean, what the ending means. Whatever you'll guess it can't be completely wrong because a real masterpiece like this offers many possibilities for interpretation.
53 of 84 people found this review helpful.
Was this review helpful to you?