| Garfield Andrews | ... | Panama Hat Man | |
| Themmis Anno | ... | Turkish Man | |
| Barry Ashley | ... | Ahmet | |
| Conrad Bergschneider | ... | Lorenzo | |
| Al Bernardo | ... | Sam Olivido | |
| Peter Blais | ... | Bald Man | |
| Jason Blicker | ... | Frankie | |
| Donald Burns | ... | Thief | |
| Ellen Dubin | ... | Saleslady | |
| Patty Elsasser | ... | Flo | |
| J.J. Evans | ... | Black Tenant | |
| Diane Fabian | ... | Matron #3 | |
| David Fox | ... | Bum | |
| Michael Gaitt | ... | Boy | |
| Cecil Halliway | ... | Charlie | |
| Kay Hawtrey | ... | Matron #1 (as Kay Hawtry) | |
| Kate Healey | ... | Nurse #1 | |
| Florence Hill | ... | Matron #2 | |
| Carol Kane | ... | Maria | |
| Géza Kovács | ... | Carmine (as Geza Kovacs) | |
| Tex Konig | ... | Russian Man | |
| Elena Kudaba | ... | Lady with Purse (as Elena Kuduba) | |
| Jerry Levitan | ... | O'Grady | |
| Amy Lyle | ... | Harriet | |
| Mark Melymick | ... | Guy | |
| Darlene Mignacco | ... | Nora (as Darlene Mignaco) | |
| Ray Paisley | ... | Cop #1 | |
| Patrick Patterson | ... | Captain | |
| Anne Pellett | ... | Egg Lady | |
| Doris Petrie | ... | Mother Comisso | |
| Lou Pitoscia | ... | Vincenzo (as Lou Pitoscias) | |
| Judge Reinhold | ... | Ernie | |
| Colleen Reynolds | ... | Fat Woman | |
| Vito Rezza | ... | Sidney | |
| Frank Ruffo | ... | Goon | |
| Errol Slue | ... | Willie (voice) | |
| Alexandra Stapley | ... | Angelica (as Alex Stapley) | |
| Holly Stapley | ... | Angelica | |
| Evelyn Stewart | ... | Nurse #2 | |
| Barry Stillwell | ... | Business Man | |
| rest of cast listed alphabetically: | |||
| Jordan-Patrick Marcantonio | ... | Homeless Boy (uncredited) | |
Directed by | |||
| Francis Schaeffer | (as Francis A. Schaeffer) | ||
Writing credits(in alphabetical order) | ||
| Javier Bonafont | uncredited | |
| Damian Lee | ||
| Doug Moore | story | |
| James Shavick | ||
Produced by | |||
| Yvonne Buckingham | .... | executive producer | |
| Helder Goncalves | .... | associate producer | |
| Damian Lee | .... | producer | |
| Henry Less | .... | executive producer | |
| Curtis Petersen | .... | co-producer (as Curtis Peterson) | |
| Alexander Ruge | .... | associate producer | |
Original Music by | |||
| Ronald J. Weiss | |||
Cinematography by | |||
| Curtis Petersen | |||
Film Editing by | |||
| Doug Caron | (as Douglas Caron) | ||
| Allan Mestel | |||
Casting by | |||
| Kim Everest | |||
Art Direction by | |||
| Jim Murrin | |||
Set Decoration by | |||
| Caroline Gee | |||
Costume Design by | |||
| Kate Healey | |||
Makeup Department | |||
| Ma Kalaadevi Ananda | .... | makeup artist (as Marilyn Carbone) | |
| Marie Nardella | .... | makeup department head | |
| Dean Sadler | .... | hair stylist | |
| Dean Sadler | .... | key makeup artist | |
Art Department | |||
| Jeff Mawle | .... | property master | |
Sound Department | |||
| Jack Heeren | .... | foley recordist | |
| Andy Malcolm | .... | foley artist | |
| Allen Ormerod | .... | sound re-recording mixer | |
| Valentin Pricop | .... | sound mixer | |
| Alban Streeter | .... | supervising sound editor | |
| Jim Thompson | .... | boom operator | |
Special Effects by | |||
| Ron Craig | .... | special effects | |
| Stan Zuwala | .... | special effects | |
Stunts | |||
| Matt Birman | .... | stunts | |
| Eric Bryson | .... | stunts | |
| Mark Burton | .... | stunts | |
| Shane Cardwell | .... | stunts | |
| John Gillespie | .... | stunts | |
| Ted Hanlan | .... | stunts | |
| Dwayne McLean | .... | stunts | |
| Ken Quinn | .... | stunt coordinator | |
| Helen Scott | .... | stunts | |
Camera and Electrical Department | |||
| Johnny Askwith | .... | gaffer | |
| Dennis Beauchamp | .... | camera operator | |
| Dennis Beauchamp | .... | director of photography: second unit | |
| Michael Chisholm | .... | best boy electric | |
| Richard Eagan | .... | second assistant camera | |
| Shelagh Fox | .... | still photographer | |
| Charles A. Gould | .... | key grip | |
| John Medland | .... | still photographer | |
| Doug Nelson | .... | third assistant camera | |
| Curtis Petersen | .... | camera operator: "a" camera | |
| John Rogers | .... | gaffer: second unit | |
| Franco Tata | .... | best boy grip | |
| Pat Williams | .... | first assistant camera | |
Editorial Department | |||
| Cathy Rait | .... | color timer | |
Transportation Department | |||
| Dennis Kuss | .... | transportation coordinator | |
| Katy Turpin | .... | transportation captain | |
Other crew | |||
| Leslie Druker | .... | script supervisor | |
| Monica Glanert | .... | location manager | |
| Kris Michaels | .... | production coordinator | |
| Jennifer Moore | .... | double: Ms. Kane | |
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| Delivering Milo | King of New York | Date Night | Cops and Robbers | Across the Universe |
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| Full cast and crew | Company credits | IMDb Comedy section |
| IMDb Canada section |
When mob widow Maria goes to the airport with her daughter she accidentally kills the mobster who killed her husband. With the guy's brother on her tail Maria jumps into Ernie's taxi to get away. To save her daughter, Maria leaves her in the cab and runs. Ernie initially tries to return the girl, but then becomes more concerned with ensuring that Maria and Angelica can get away safely.
When a film's headline stars are Judge Reinhold and Carol Kane, you know that you're not talking multi-million blockbuster material. However Reinhold has made some good, albeit cheap, movies recently and you never know. However this tries to be too much - maybe because the director didn't know what he wanted. At the start it plays like a thriller, then it becomes a chase movie, once the baby gets left it becomes a comedy and a romance before reverting back to chase and thriller for the finale. None of it convinces and none of it works. There are no real thrills, no excitement and certainly no laughs or romantic sparks.
The cast are naturally poor because they have nothing to do. Reinhold just looks bored as he is trapped doing the `man with a cute kid routine'. Kane is OK but never looks like a lead actresses or a mob widow. As for the twins that play Angelica, they are sickingly cute! (but is that what this film needed?)
Overall this film doesn't know what it wants to be and tries to cover 5 or 6 different genres at different stages. This gives it a disjointed feel and ultimately is the reason it all fails. It would have been much better to throw in a lot of good gags and play the whole thing tongue in cheek for laughs.