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At the Max (1991)

 -  Documentary | Music  -  June 1992 (USA)
7.4
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Ratings: 7.4/10 from 268 users  
Reviews: 5 user | 8 critic

A filming of the 1990 Rolling Stones "Steel Wheels" concert that traveled Europe. This was filmed in the IMAX process, which allows the film to be projected in a size ten times the size of a regular 35mm projected image.

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Title: At the Max (1991)

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Director: Julien Temple
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Cast

Credited cast:
...
Himself (as The Rolling Stones)
...
Himself (as The Rolling Stones)
...
Himself (as The Rolling Stones)
...
Himself (as The Rolling Stones)
...
Himself (as The Rolling Stones)
Chuck Leavell ...
Himself (Keyboards)
Bobby Keys ...
Himself (Saxophone)
Crispin Cioe ...
Himself (Uptown Horns)
Arno Hecht ...
Himself (Uptown Horns)
Hollywood Paul Litteral ...
Himself (Uptown Horns)
Bob Funk ...
Himself (Uptown Horns)
Bernard Fowler ...
Himself (Vocals)
Lorelei McBroom ...
Herself (Vocals)
Sophia Jones ...
Herself (Vocals)
Rest of cast listed alphabetically:
The Uptown Horns ...
Themselves
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Storyline

In 1989, the Rolling Stones go on their "Steel Wheels" tour: Jagger, Richards, Watts, Wood, and Wyman, backed by three singers, a sax, four horns, and two keyboards. In Turin, Berlin, and London, they perform on a gigantic stage in front of masses. The staging includes huge air-filled figures of women and of a wolf; there are fireworks and a light show. On stage, the musicians are sometimes yards apart, with Jagger racing up and down wide staircases that project like wings to the left and right of the stage. All the while, the music pours forth, sixteen songs in all, from "Satisfaction" and "Sympathy for the Devil" to "Start Me Up" and "Rock and a Hard Place." Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Larger than live

Genres:

Documentary | Music

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Details

Country:

| |

Language:

Release Date:

June 1992 (USA)  »

Also Known As:

Rolling Stones: Live at the Max  »

Filming Locations:

 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

1.44 : 1
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Did You Know?

Trivia

When the film was released in the UK in 1992, the only place you could see it was the National Museum of Photography, Film and Television in Bradford, Yorkshire. IMAX theatres are much more prevalent in the UK now. See more »

Soundtracks

Tumbling Dice
Written by Mick Jagger and Keith Richards
Performed by The Rolling Stones
See more »

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User Reviews

TOO larger than life
24 February 2002 | by (Virginia) – See all my reviews

I had high hopes for this IMAX film. To say I was disappointed would be an understatement. What should have been a revolutionary concert film turns out to be 85 minutes of the Mick Jagger show. Now, that's really not a big surprise as he is, after all, a legendary frontman for a legendary rock band. But seeing him (and to a lesser degree Keith Richards and Ron Wood) in IMAX proportions, posturing around the stage and "playing" with the huge blow-up dolls is more than anyone can handle. The emphasis here was NOT on the music, but on their obvious reactions to being filmed by a huge IMAX camera. I have only seen the Rolling Stones in concert once (for their 1999 tour), but I have to say that this concert was fairly disappointing. The entire concert was not filmed, as you can see the list of songs near Charlie Watts' drum kit several times in the movie and a few--Harlem Shuffle, Angie, Jumping Jack Flash--were not filmed. I could not believe they left off the latter song, one of the Stones' signature songs. The songs they did perform were over-extended versions of other classics like Satisfaction, where Mick climbs the rafters and catwalks and just acts silly. I glanced around the IMAX theater while this movie was playing, and everyone was frozen in their seats. It would have been a good opportunity to really "cut loose" and move to the huge images and sound, but no one did. The filmmakers really missed out on an opportunity to film a great concert with "At the Max." You are left with the feeling that the Stones were patting themselves on the backs for "revolutionizing" the concert film.


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