Paris by night. Alex, 22, wants to become a filmmaker. He is fascinated by first times and his girlfriend, Florence, has just left him for his best friend, Thomas. First break-up, first ... See full summary »
A young writer becomes intrigued with a mysterious dark-haired woman who claims to be his long-lost sister and he begin an unusual relationship with her prompting a downward spiral involving his domineering mother and lovely fiancée
At the age of 20, Martin leaves his home town and comes to Paris, where he fortunately becomes a model by chance. He meets Alice, his brother's friend, and falls in love with her. They ... See full summary »
Marc (Michel Piccoli) recruits Alex (Denis Lavant), son of his former, now dead colleague. Alex is a card shark with a big dream to go out to the world and leave his own mark. His ... See full summary »
In 1997, for it's fiftieth anniversary, the Cannes Film Festival asked Leos Carax for a short film, a kind of postcard addressed to the festival, in which the director would give news of himself and of his film project "Pola X".
Al and Elsa have been a couple for some time, but the chances that their relationship will be long-lived are few. For one thing, Al is appallingly dependent on Elsa for his every emotional ... See full summary »
Set against Paris' oldest bridge, the Pont Neuf, while it was closed for repairs, this film is a love story between two young vagrants: Alex, a would be circus performer addicted to alcohol and sedatives and Michele, a painter driven to a life on the streets because of a failed relationship and an affliction which is slowly turning her blind. The film portrays the harsh existence of the homeless as Alex, Michele and Hans, an older vagrant survive on the streets with their wits. As they both slowly get their lives back together, Michele becomes increasingly dependent on Alex as her vision deteriorates further. Fearing that Michele will leave him if she receives a new medical treatment Alex attempts to keep Michele practically a prisoner. The streets, skies and waterways of Paris are used as a backdrop to the story in a series of stunning visuals which dominate the film. Written by
Leos Carax was originally given permission to use the real Pont-Neuf bridge in Paris and have it closed for filming but delays in filming meant the permission expired and he had to reconstruct the whole thing on a lake near Montpellier, France. The construction of a new version of the Pont-Neuf - and its surrounding buildings in Paris - helped make the film of the most expensive French films ever made. See more »
My dreams sent me. People in dreams, ought to call them when you wake. Make life simpler. "Hello, dreamed of you. Love woke me".
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After the last end title, during a fraction of a second, there is a handwritten inscription "à Luje - Amour - A." (To Luje - Love - A.) A. stands for Alexandre (Leos Carax' real first name) and Luje for Juliette (Binoche). See more »
Don't try to watch this one on streaming Netflix; there's a case to be made for not watching it at all
Seems like the streaming format can't do justice to this cult film's visual pyrotechnics (literally, in the case of the famous Bastille Day fireworks/waterskiing sequence(!)), but what really tipped the balance for us was the operatic silliness of the plot. At first it seems like Carax is trying for the kind of bittersweet fantasy about the Parisian underclass that Jean Renoir and René Clair were turning out in the 30supdated with a "gritty" layer of realism that can be difficult to watch. We didn't much care for the way the script exploits pathologyblindness, depression, dissociation, addiction, pathological jealousy and all-around destructive crazinessas a substitute for character and emotion, which comes across as cynical and pretentious. The over-the-top plot contrivances may make for some effective individual scenesMichèle fantasizes about hunting down an ex-lover and shooting him, Alex destroys all the "have you seen this girl?" posters that Michèle's parents have put up, Michèle and Alex pose like figureheads on the prow of a barge on the Seine (remind you of anything?)but none of it seems to add up to much in the end. There's another scene where middle-aged tourists are roofied and robbed by the lovers at an outdoor café; we see them waking up, feeling dazed and abused no doubt. We identified.
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