| Jane March | ... | The Young Girl | |
| Tony Leung Ka Fai | ... | The Chinaman | |
| Frédérique Meininger | ... | The Mother | |
| Arnaud Giovaninetti | ... | The Elder Brother | |
| Melvil Poupaud | ... | The Younger Brother | |
| Lisa Faulkner | ... | Helene Lagonelle | |
| Xiem Mang | ... | The Chinaman's Father | |
| Philippe Le Dem | ... | The French Teacher | |
| Ann Schaufuss | ... | Anne-Marie Stretter | |
| Quach Van An | ... | The Driver | |
| Tania Torrens | ... | The Principal | |
| Raymonde Heudeline | ... | The Writer (end) | |
| Yvonne Wingerter | ... | The Writer (beginning) | |
| Do Minh Vien | ... | The Young Boy | |
| Hélène Patarot | ... | The Assistant Mistress | |
| Jeanne Moreau | ... | Narrator (French and English version) / Récitante (voice) | |
| Frédéric Auburtin | ... | Liner Pianist | |
| Alido H. Gaudencio | ... | Anne-Marie Stretters Driver | |
| Vu Dinh Thi | ... | Ferry Captain | |
| Truong Thu | ... | Bus Driver | |
| Nguyen Thi Cam Thuy | ... | Bride | |
| Lu Van Trang | ... | Bus Controller | |
| Vu Kim Trong | ... | Young Girls Coolie |
Directed by | |||
| Jean-Jacques Annaud | |||
Writing credits(in alphabetical order) | ||
| Jean-Jacques Annaud | ||
| Gérard Brach | ||
| Marguerite Duras | novel | |
Produced by | |||
| Claude Berri | .... | producer | |
| Timothy Burrill | .... | co-producer | |
| Jacques Tronel | .... | co-producer | |
Original Music by | |||
| Gabriel Yared | |||
Cinematography by | |||
| Robert Fraisse | |||
Film Editing by | |||
| Noëlle Boisson | |||
Casting by | |||
| Francine Cathelain | |||
| Françoise Combadière | |||
| Olivier Mergault | |||
| Joanna Merlin | |||
| Patricia Pao | |||
Production Design by | |||
| Hoang Thanh At | |||
Art Direction by | |||
| Olivier Radot | |||
Costume Design by | |||
| Yvonne Sassinot de Nesle | |||
Production Management | |||
| Jean-Yves Asselin | .... | unit production manager | |
| Mederic Bourlat | .... | assistant unit manager | |
| Olivier Hélie | .... | unit production manager | |
| Alfred Lott | .... | production manager | |
| Christine Raspillère | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Frédéric Auburtin | .... | first assistant director | |
| Isabelle Henri | .... | assistant director | |
Art Department | |||
| Jean-René Coulon | .... | property master | |
| Mat Troi Day | .... | property buyer | |
| Sophie Martel | .... | set dresser | |
| Christian Portal | .... | property master | |
| Maxime Rebière | .... | storyboard artist | |
Sound Department | |||
| Anke Bakker | .... | assistant sound editor | |
| Laurent Quaglio | .... | sound | |
| Laurent Quaglio | .... | supervising sound editor | |
| Christian Wangler | .... | sound mixer | |
Special Effects by | |||
| Georges Demétrau | .... | special effects | |
Visual Effects by | |||
| Alan Church | .... | optical camera operator | |
| Frederic Moreau | .... | optical effects | |
| Andy Stevens | .... | optical camera assistant: Magic Camera Co | |
Camera and Electrical Department | |||
| Benoît Barbier | .... | still photographer | |
| Tahar Boualam | .... | generator operator | |
| David Campbell | .... | crane operator: Technocrane | |
| Mario d'Orio | .... | grip | |
| Gilles Floquet | .... | best boy grip | |
| Alain Herpe | .... | assistant camera | |
| Jean-Pierre Mas | .... | key grip | |
| Marc Nove | .... | best boy electric (as Marc Nové) | |
| Didier Nové | .... | gaffer | |
Costume and Wardrobe Department | |||
| Jean-Daniel Vuillermoz | .... | costumer assistant | |
Editorial Department | |||
| Diane Logan | .... | assistant editor | |
| Yvan Lucas | .... | color timer | |
Other crew | |||
| Danielle Dumanoir | .... | production coordinator | |
| Eleanor Fazan | .... | choreographer | |
| Claude Fenioux | .... | financial controller | |
| Segolene Fleury-Slimane | .... | production accountant | |
| Nicole Heitzmann | .... | production accountant | |
| Jennifer Patrick | .... | voice coach | |
| Nam Son | .... | historical advisor | |
| Guy Wagner | .... | maritime advisor | |
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| Lolita | Eyes Wide Shut | Emmanuelle | Felicity | Damage |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb France section |
My wife and I were enraptured and thoroughly enjoyed this gem. Deeply evocative and so real that we nearly felt the rain and hot humidity, we were swept along on this unique journey. The external and newsgroup reviews did not ring true for us. Well OK, the characters were very sad and March delivered stilted lines at times, but there was so much magic to see and hear! She sizzled. He struggled. They both yearned for what could not be.
Those harbour and river scenes were no Hollywood set or computer graphics, but just had to be the real thing: Vietnam! The reviews said 'not erotic' and 'like Penthouse'...?!? Just look beneath the surface: even though both characters are trapped in cultural barriers and subsequently repress so many emotions (especially the girl), they escape into the blissfully unreal world of the rented room where emotions run deep albeit confused.
You will not find the usual American 'formula film' composed of glitz, action, intrigue, syrupy sweetness and a predictable ending. Instead here is a film that is complex yet simple, both beautiful and ugly, about separateness and unions, and the sufferings of those who love but cannot love. We were captivated, enchanted. If you are prudish or do not like 'foreign films', then avoid this film. However, if you have ever travelled in Asia, if you love creative cinematography, if you enjoy small subtleties, if you like an insight into the past and a time of strong desires... then see this film! It was refreshing, and we did not want it to end.