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The Lover (1992)
"L'amant" (original title)

6.9
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Ratings: 6.9/10 from 12,553 users  
Reviews: 85 user | 23 critic

In 1929 French Indochina, a French teenage girl embarks on a reckless and forbidden romance with a wealthy, older Chinese man, each knowing that knowledge of their affair will bring drastic consequences to each other.

Writers:

(based on the novel), (adaptation), 1 more credit »
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Title: The Lover (1992)

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Nominated for 1 Oscar. Another 3 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
The Mother
Arnaud Giovaninetti ...
...
The Younger Brother
...
Helene Lagonelle
Xiem Mang ...
The Chinaman's Father
Philippe Le Dem ...
The French Teacher
Ann Schaufuss ...
Quach Van An ...
The Driver
Tania Torrens ...
The Principal
Raymonde Heudeline ...
The Writer (end)
Yvonne Wingerter ...
The Writer (beginning)
Do Minh Vien ...
The Young Boy
Hélène Patarot ...
The Assistant Mistress
Edit

Storyline

It is French Colonial Vietnam in 1929. A young French girl from a family that is having some monetary difficulties is returning to boarding school. She is alone on public transportation when she catches the eye of a wealthy Chinese businessman. He offers her a ride into town in the back of his chauffeured sedan, and sparks fly. Can the torrid affair that ensues between them overcome the class restrictions and social mores of that time? Based on the semi-autobiographical novel by Maugerite Duras. Written by Cal Lott <cal.lott@gsb.uchicago.edu>

Plot Summary | Plot Synopsis

Taglines:

She gave her innocence, her passion, her body. The one thing she couldn't give was her love.


Motion Picture Rating (MPAA)

Rated R on appeal for graphic and explicit sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

30 October 1992 (USA)  »

Also Known As:

The Lover  »

Filming Locations:

 »

Box Office

Gross:

$4,899,194 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (R-rated)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Jean-Jacques Annaud's paycheck was £1.1 million. See more »

Goofs

Her lover smokes filtered cigarettes in 1929. They were not invented until the mid-'30s and not in common use until the 1950s. See more »

Quotes

[first lines]
Narrator: Very early in my life, it was too late. At eighteen it was already too late. At eighteen I aged. This aging was brutal. This aging, I saw it spread over my features, one by one. Instead of being frightened by it, I saw this aging of my face with the same sort of interest I might have taken for example in the reading of a book. That new face I kept it. It's kept the same contours, but its matter is destroyed. I have a destroyed face. Let me tell you again: I'm fifteen and a half. ...
See more »

Connections

Spoofed in 92 Legendary La Rose Noire (1992) See more »

Soundtracks

Waltz in B minor Opus 69 No. 2
Written by Frédéric Chopin (as Chopin)
Performed by Howard Shelley
See more »

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User Reviews

Wonderfully evocative, refreshingly original, intriguing cinematography.
13 February 1999 | by (New Zealand) – See all my reviews

My wife and I were enraptured and thoroughly enjoyed this gem. Deeply evocative and so real that we nearly felt the rain and hot humidity, we were swept along on this unique journey. The external and newsgroup reviews did not ring true for us. Well OK, the characters were very sad and March delivered stilted lines at times, but there was so much magic to see and hear! She sizzled. He struggled. They both yearned for what could not be.

Those harbour and river scenes were no Hollywood set or computer graphics, but just had to be the real thing: Vietnam! The reviews said 'not erotic' and 'like Penthouse'...?!? Just look beneath the surface: even though both characters are trapped in cultural barriers and subsequently repress so many emotions (especially the girl), they escape into the blissfully unreal world of the rented room where emotions run deep albeit confused.

You will not find the usual American 'formula film' composed of glitz, action, intrigue, syrupy sweetness and a predictable ending. Instead here is a film that is complex yet simple, both beautiful and ugly, about separateness and unions, and the sufferings of those who love but cannot love. We were captivated, enchanted. If you are prudish or do not like 'foreign films', then avoid this film. However, if you have ever travelled in Asia, if you love creative cinematography, if you enjoy small subtleties, if you like an insight into the past and a time of strong desires... then see this film! It was refreshing, and we did not want it to end.


38 of 42 people found this review helpful.  Was this review helpful to you?

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