In 1929 French Indochina, a French teenage girl embarks on a reckless and forbidden romance with a wealthy, older Chinese man, each knowing that knowledge of their affair will bring drastic consequences to each other.
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In 1994 South Korea, a female North Korean spy integrates herself as a housekeeper for U.S. military officer to steal classified documents, but soon worries about her cover when she falls for the teenage son of the officer.
Thomas Murray and Amanda have just moved to Paris. He works for a bank owned by Amanda's father Arthur Trevane. Amanda decides that she does not like Paris, so she goes back to London. ... See full summary »
French colonists in Africa, several months behind in the news, find themselves at war with their German neighbors. Deciding that they must do their proper duty and fight the Germans, they ... See full summary »
François Perrin plays football at the AS Trincamp. During a training session, he gets into a fight with Bertier, the team's star, and is ordered off the field. The club's boss, who is also ... See full summary »
In 1967, a young Beijing student, Chen Zhen, is sent to live among the nomadic herdsmen of Inner Mongolia. Caught between the advance of civilization from the south and the nomads' ... See full summary »
It is French Colonial Vietnam in 1929. A young French girl from a family that is having some monetary difficulties is returning to boarding school. She is alone on public transportation when she catches the eye of a wealthy Chinese businessman. He offers her a ride into town in the back of his chauffeured sedan, and sparks fly. Can the torrid affair that ensues between them overcome the class restrictions and social mores of that time? Based on the semi-autobiographical novel by Maugerite Duras. Written by
Cal Lott <firstname.lastname@example.org>
Duras' real Chinese lover was called Lee. See more »
Her lover smokes filtered cigarettes in 1929. They were not invented until the mid-'30s and not in common use until the 1950s. See more »
Very early in my life, it was too late. At eighteen it was already too late. At eighteen I aged. This aging was brutal. This aging, I saw it spread over my features, one by one. Instead of being frightened by it, I saw this aging of my face with the same sort of interest I might have taken for example in the reading of a book. That new face I kept it. It's kept the same contours, but its matter is destroyed. I have a destroyed face. Let me tell you again: I'm fifteen and a half. ...
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L'Amant is a very beautiful, haunting and sensual film. The characters are perfect and acted in a minimalist way that's refreshing.
I see here that the main objections to this film are: 1 .. Not enough character development 2 .. The film does not have a clear direction to where it's going 3 .. Too slow 4 .. Too much sex (for some people if a film has explicit sex it can't be good)
All these objections are pointless:
1 .. The characters here are ordinary people, not that interesting by themselves. It's the love story that's interesting. Both of them know they have no future and try to pretend it's not love. I am sick of films in which the characters are sure they love each other after 30 minutes of "character development".
2 .. The fact that this film does not follow a clear path it's one of it's qualities. It adds more drama and the characters themselves are confused and don't know where they're going. The whole film plays like a dream of love and to request "clear direction" it's pointless.
3 .. Ahh! The "too slow" argument. There are films in this world that make you think about you, your life and the world that's around you. Surely you need some TIME to reflect on that. Short attention-span is a bad thing :).
4 .. This film is about love. The fact that they are shown having sex makes them real persons, with real bodies not some film characters. Sex is an escape from the world around them and I don't think it's too much, too explicit or some nonsense like that. It's so hard to have a film with sex it it that's not trivial! This is a masterpiece by this fact alone.
The persons who "though up" these arguments took the main strengths of the film and complained about them. This for me it's proof enough that they didn't understand this film or that the film didn't struck a single chord in their soul. Short attention span is the main plague of films now and the lack of it is the reason the french make such great films! Please try to see it again and not in a hurry. It's not light cinema! It's great cinema!
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