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The Lover (1992)

L'amant (original title)
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0:58 | Trailer

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In 1929 French Indochina, a French teenage girl embarks on a reckless and forbidden romance with a wealthy, older Chinese man, each knowing that knowledge of their affair will bring drastic consequences to each other.

Writers:

(based on the novel), (adaptation) | 1 more credit »
Reviews
Nominated for 1 Oscar. Another 3 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
The Mother
Arnaud Giovaninetti ...
...
The Younger Brother
...
Helene Lagonelle
Xiem Mang ...
The Chinaman's Father
Philippe Le Dem ...
The French Teacher
Ann Schaufuss ...
Quach Van An ...
The Driver
Tania Torrens ...
The Principal
Raymonde Heudeline ...
The Writer (end)
Yvonne Wingerter ...
The Writer (beginning)
Do Minh Vien ...
Hélène Patarot ...
The Assistant Mistress
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Storyline

It is French Colonial Vietnam in 1929. A young French girl from a family that is having some monetary difficulties is returning to boarding school. She is alone on public transportation when she catches the eye of a wealthy Chinese businessman. He offers her a ride into town in the back of his chauffeured sedan, and sparks fly. Can the torrid affair that ensues between them overcome the class restrictions and social mores of that time? Based on the semi-autobiographical novel by Maugerite Duras. Written by Cal Lott <cal.lott@gsb.uchicago.edu>

Plot Summary | Plot Synopsis

Taglines:

She gave her innocence, her passion, her body. The one thing she couldn't give was her love.


Motion Picture Rating (MPAA)

Rated R on appeal for graphic and explicit sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

30 October 1992 (USA)  »

Also Known As:

The Lover  »

Filming Locations:

 »

Box Office

Gross:

$4,899,194 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (R-rated)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Director Jean-Jacques Annaud carefully choreographed the sex scenes to appear believable. See more »

Goofs

Her lover smokes filtered cigarettes in 1929. They were not invented until the mid-'30s and not in common use until the 1950s. See more »

Quotes

[first lines]
Narrator: Very early in my life, it was too late. At eighteen it was already too late. At eighteen I aged. This aging was brutal. This aging, I saw it spread over my features, one by one. Instead of being frightened by it, I saw this aging of my face with the same sort of interest I might have taken for example in the reading of a book. That new face I kept it. It's kept the same contours, but its matter is destroyed. I have a destroyed face. Let me tell you again: I'm fifteen and a half. ...
See more »

Connections

Referenced in Too Tired to Die (1998) See more »

Soundtracks

Waltz in B minor Opus 69 No. 2
Written by Frédéric Chopin (as Chopin)
Performed by Howard Shelley
See more »

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User Reviews

 
Poetic exploration of female sexuality
27 January 2004 | by (Europe) – See all my reviews

This movie is one of the very few successful attempts at evoking female sexuality and sensuality in a non-obscene way. It's an exploration of the work of the senses, not so much a story with a plot. Therefore, it is unique in the history of cinema. Whereas other movies featuring a young girl and an older lover are mostly playful, ironic or simply intent on breaking a taboo, this movie brings an ode to the senses themselves in a much more subtle way.

Difficult as this may be, Annaud brings us as close as we can get to the atmosphere of love in a colonial and exotic setting. This delicate setting with its many contradictions (race, gender, age) adds to the experience. (A young girl who explores her own sexuality, couldn't dream of a more well-suiting context). In fact, the "colony" herself is a major character in the movie; the colony with her mighty Mekong River, her smells and colors, her strange sounds and her enigmatic people.

On a more metaphoric level, the Colony represents a temporary space, a place where Western people only pass through, a space that cannot be owned forever, a place of love and hate, just like the lovers' relationship. And in the end, the lovers have to go their own way, just like the colonialists have to leave the colony they love.

The movie is poetically slow, and at times becomes an almost ritual repetition of a single act. Precisely therein lies its 'dramatic content'. Add the beautiful cinematography and you have a nice exercise in film.


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