6.9/10
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92 user 29 critic

The Lover (1992)

L'amant (original title)
Trailer
0:58 | Trailer

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In 1929 French Indochina, a French teenage girl embarks on a reckless and forbidden romance with a wealthy, older Chinese man, each knowing that knowledge of their affair will bring drastic consequences to each other.

Writers:

(based on the novel), (adaptation) | 1 more credit »
Reviews
Popularity
4,318 ( 240)
Nominated for 1 Oscar. Another 3 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
The Mother
Arnaud Giovaninetti ...
...
The Younger Brother
...
Helene Lagonelle
Xiem Mang ...
The Chinaman's Father
Philippe Le Dem ...
The French Teacher
Ann Schaufuss ...
Quach Van An ...
The Driver
Tania Torrens ...
The Principal
Raymonde Heudeline ...
The Writer (end)
Yvonne Wingerter ...
The Writer (beginning)
Do Minh Vien ...
Hélène Patarot ...
The Assistant Mistress
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Storyline

It is French Colonial Vietnam in 1929. A young French girl from a family that is having some monetary difficulties is returning to boarding school. She is alone on public transportation when she catches the eye of a wealthy Chinese businessman. He offers her a ride into town in the back of his chauffeured sedan, and sparks fly. Can the torrid affair that ensues between them overcome the class restrictions and social mores of that time? Based on the semi-autobiographical novel by Marguerite Duras. Written by Cal Lott <cal.lott@gsb.uchicago.edu>

Plot Summary | Plot Synopsis

Taglines:

She gave her innocence, her passion, her body. The one thing she couldn't give was her love.


Motion Picture Rating (MPAA)

Rated R on appeal for graphic and explicit sexuality | See all certifications »

Parents Guide:

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Details

Country:

| |

Language:

Release Date:

30 October 1992 (USA)  »

Also Known As:

The Lover  »

Filming Locations:

 »

Box Office

Gross:

$4,899,194 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (R-rated) | (unrated)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Cécile Fleury said that she was the body double of Jane March for some nude scenes of this film. But the spokesman of Renn Productions (which produced this film) said to Daily Mail that Cécile Fleury was only a stand-in for technical purposes - a common practice to spare a film's stars from tiring sessions under studio lights while scenes are set up. "This girl was only used for lighting purposes when scenes were being set up. She has not been used in the shooting at all," the Renn Productions spokesman said. See more »

Goofs

Her lover smokes filtered cigarettes in 1929. They were not invented until the mid-'30s and not in common use until the 1950s. See more »

Quotes

[first lines]
Narrator: Very early in my life, it was too late. At eighteen it was already too late. At eighteen I aged. This aging was brutal. This aging, I saw it spread over my features, one by one. Instead of being frightened by it, I saw this aging of my face with the same sort of interest I might have taken for example in the reading of a book. That new face I kept it. It's kept the same contours, but its matter is destroyed. I have a destroyed face. Let me tell you again: I'm fifteen and a half. ...
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Connections

Featured in Joe Bob's Drive-In Theater: Aardvark Jubilee (1995) See more »

Soundtracks

Waltz in B minor Opus 69 No. 2
Written by Frédéric Chopin (as Chopin)
Performed by Howard Shelley
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User Reviews

THE HEAT IS PALPABLE!
3 August 2001 | by (Ontario, CANADA) – See all my reviews

The Lover is not just a movie, it is sensual, breathtaking and intimate sometimes bordering on voyeurism. From the outset the scenery directs the action taking the viewer into a world of a young girl and a Chinese man that embark on a doomed love affair in 1929 Colonial Vietnam. Jane March plays the young 15 year old 'girl'. That is all we know of her as she stands on the front of a ferry cruising the Mekong Dekta. She dressed in a cheap short sleeved dress, straw hat and high heels and heavily rouged lips that belie her age. She is on her way back to a girls' school in Saigon when she is first 'seen'. The second time she is summoned to a black sedan where she meets The Chinaman, smouldering Tony Leung, sitting in the back seat of the car attired elegantly in a tailored white suit. He offers her a ride to her school where a simple, impulsive kiss on the window leads to a frustrating passionate love story laced with cultural misunderstandings. This movie is fueled right from the start with sexual tension. March and Leung are perfect as the two nameless leads who are taken on this journey of first discovery, through latent but palpable lust, then finally to ruin. She cannot love him and he cannot commit without betraying his family's honour and heritage. She will be nothing but his lover, never his wife. I felt a deep sadness for these people, their isolation evident as they silently scream for their individuality in a world that will not accept either of them together, or apart. Jean-Jacques Annaud has done for The Lover what he did for The Bear and The Name of the Rose, gave us characters that are haunting and memorable. The cinematography here is sparse, pale so as to give the story a poignant futility. Gabriel Yared's score is sensual almost brutally so as these characters' bodies come together while their souls never connect. This movie is not for the faint of heart. It IS sexual. The scenes border on artful pornography. Annaud never quite goes that far as to allow it to delve into hard-core, but the scenes are hard to watch. They are so intimate that we believe the leads are making love before our eyes...but we are compelled to watch, transfixed by the intimacy. Throughout we are reminded of the toll the affair has had on the young girl with the tremulous grosgrain narration of the always excellent Jeanne Moreau. She underscores the events and emotions of the sometimes perversely detached lead character. The Lover is based partly on the life of Marguerite Duras of whom March's young girl is almost a dead-ringer. Annaud imbues this story with every emotional nuance forcing us to use its characters as a mirror of our own hidden desires. This is a movie that made me long for what is hidden deep within my secret heart...and a little afraid of what I might find there.


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