A reflection about what makes everyone's life unique, through the story of Noah's family. Noah is an adjuster, having sex with his customers. His wife Hera watches pornographic movies for ... See full summary »
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Twenty-three-year old Peter Foster is an only child who lives at home, where he constantly hears his parents arguing. Because Peter does nothing all day, the family goes to a clinic where a... See full summary »
Director:
Atom Egoyan
Stars:
Patrick Tierney,
Berj Fazalian,
Sirvart Fazlian
This is about a self-styled New York hipster who is paid a surprise and quite unwelcome visit by his pretty sixteen-year-old Hungarian cousin. From initial hostility and indifference a ... See full summary »
Johnny flees Manchester for London, to avoid a beating from the family of a girl he has raped. There he finds an old girlfriend, and spends some time homeless, spending much of his time ... See full summary »
Director:
Mike Leigh
Stars:
David Thewlis,
Lesley Sharp,
Katrin Cartlidge
Two business executives--one an avowed misogynist, the other recently emotionally wounded by his love interest--set out to exact revenge on the female gender by seeking out the most innocent, uncorrupted girl they can find and ruining her life.
This film, based on a Jim Carroll short story, recounts the tale of Curtis and his encounter with voodoo. Curtis is a drug addict who has become paranoid, thinking that his wife's mother ... See full summary »
Director:
John L'Ecuyer
Stars:
Maurice Dean Wint,
Callum Keith Rennie,
Rachael Crawford
Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a ... See full summary »
A reflection about what makes everyone's life unique, through the story of Noah's family. Noah is an adjuster, having sex with his customers. His wife Hera watches pornographic movies for the Board of Censors. They live with their son Simon and Hera's sister in a show-flat. One day, they meet Bubba, who wants to make a movie in their house. Written by
Yepok
Hera:
When I say something which deserves consideration and you respond without thinking, how do you feel?
Noah:
I feel fine.
Hera:
I thought you might feel stupid.
See more »
To respond to a previous review that wrote that the fact that the censor wife tapes porn from work to show her sister since they share everything together isn't convincing---in the film the wife explains to her boss that she shared what she learned from school to her sister because she couldn't go to school, and that it is like that from where they're from. Egoyan didn't specify where they were from, but it is Armenia. The way I see it, I am convinced because it is a matter of culture and family in a more depraved country, and I got it immediately, and the fact isn't that the sisters' bond is strange, but like the wife said, it is like that where she comes from. To me, the movie is an extreme dramatization of a man too involved in his work, which in the end destroys his life and family in a climate of heightened modernity and an inevitable air of danger. In one of the film's most gruesome scenes, a man is masturbating outside the glass slide doors of the living room at night while the wife's sister is watching one of the taped porn movies. In another scene, the "filmmaker" greets the family and gives them each an identical jacket, designed like tacky franchises sold in amusement parks. There's a certain vulnerability about the way the family members take the jacket, as if the scene is trying to express an awkward sorrow about mass franchise and how it's crudely threw at people and families. What I found very, very amused and surprised by is how throughout the film I expected, in the end, the obscene couple to be exposed to the family then shame and explanation could to be provided as punishment for their deceit and nightmarish violation---but when the husband finally confronts the "filmmaker" while he is about to burn down his living room, he is shown as simply, understandably, INSANE.
Their are certain unnecessary or unsubtle little spots of ambiguity in the film such as the wife's prior, semi-romantic encounter with her foot specialist on the subway, but then again, such details and the film's insistence in unpurifying EVERY relationship the adjuster has with his clients has its own reasons and means of defining and exposing the main characters that enhances the environment of robbed values the film so determinedly tries to create. Atom Egoyan stands out as a filmmaker of "ideas", and in this film as well as most of his images/pace/style express a lyrical modernity through a rich and mysterious vision. He is the most interesting provocateur.
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To respond to a previous review that wrote that the fact that the censor wife tapes porn from work to show her sister since they share everything together isn't convincing---in the film the wife explains to her boss that she shared what she learned from school to her sister because she couldn't go to school, and that it is like that from where they're from. Egoyan didn't specify where they were from, but it is Armenia. The way I see it, I am convinced because it is a matter of culture and family in a more depraved country, and I got it immediately, and the fact isn't that the sisters' bond is strange, but like the wife said, it is like that where she comes from. To me, the movie is an extreme dramatization of a man too involved in his work, which in the end destroys his life and family in a climate of heightened modernity and an inevitable air of danger. In one of the film's most gruesome scenes, a man is masturbating outside the glass slide doors of the living room at night while the wife's sister is watching one of the taped porn movies. In another scene, the "filmmaker" greets the family and gives them each an identical jacket, designed like tacky franchises sold in amusement parks. There's a certain vulnerability about the way the family members take the jacket, as if the scene is trying to express an awkward sorrow about mass franchise and how it's crudely threw at people and families. What I found very, very amused and surprised by is how throughout the film I expected, in the end, the obscene couple to be exposed to the family then shame and explanation could to be provided as punishment for their deceit and nightmarish violation---but when the husband finally confronts the "filmmaker" while he is about to burn down his living room, he is shown as simply, understandably, INSANE.
Their are certain unnecessary or unsubtle little spots of ambiguity in the film such as the wife's prior, semi-romantic encounter with her foot specialist on the subway, but then again, such details and the film's insistence in unpurifying EVERY relationship the adjuster has with his clients has its own reasons and means of defining and exposing the main characters that enhances the environment of robbed values the film so determinedly tries to create. Atom Egoyan stands out as a filmmaker of "ideas", and in this film as well as most of his images/pace/style express a lyrical modernity through a rich and mysterious vision. He is the most interesting provocateur.