After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
The Addams step out of Charles Addams' cartoons. They live with all of the trappings of the macabre (including a detached hand for a servant) and are quite wealthy. Added to this mix is a crooked accountant and his loan shark and a plot to slip in the shark's son into the family as their long lost Uncle Fester. Can the false Fester find his way into the vault before he is discovered? Written by
John Vogel <firstname.lastname@example.org>
Universal Studios was interested in purchasing the film from Orion until Paramount acquired it. See more »
When Wednesday and Pugsley are selling lemonade there is only one sign behind them, but when Morticia goes to talk to Fester, she walks by the same spot and the sign is moved and another is there with the original next to it. See more »
Two, ten, eleven. Eyes, fingers, toes!
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The Addams Family has had a death... Fester Addams. But lo and behold, their lawyer knows a man who resembles Fester and if he passes the impostor off, could gain access to the family vault, full of treasures untold. But can the fake Fester survive the family's maniacal games?
I don't have much experience with older incarnations of the Addams Family. So, I can't make an educated comparison. However, this film excels in every way: macabre, humorous and just plain eccentrically absurd. The casting is also amazing... Raul Julia in the performance of his career, and Christopher Lloyd in a very offebeat role even for him.
This was a breakout performance for Christina Ricci (playing Wednesday Addams). Sure, it possibly typecast her into weird roles ("Casper", "Sleepy Hollow", "Pumpkin") but this is, beyond a doubt, where she fits. She can do drama ("Monster", "Black Snake Moan") but will always be America's goth girl.
This film's dark humor is family appropriate -- cartoon violence, no nudity and marginal language. They simply do not make films like this anymore. Full credit must be given to the writer and director for bringing this family to life in a way that just cannot be repeated. Well, aside from the sequel.
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