The Addams Family is not your typical family: they take delight in most of the things that "normal" people would be terrified of. Gomez Adams is an extremely wealthy man, and is able to ... See full summary »
The Addams step out of Charles Addams' cartoons. They live with all of the trappings of the macabre (including a detached hand for a servant) and are quite wealthy. Added to this mix is a crooked accountant and his loan shark and a plot to slip in the shark's son into the family as their long lost Uncle Fester. Can the false Fester find his way into the vault before he is discovered? Written by
John Vogel <email@example.com>
Several scenes reference original Charles Addams illustrations, most notably the introduction sequence where the Addams family pours a cauldron of oil on the Christmas carolers, the passenger on Gomez's toy train, the octopus painted on the footboard of Wednesday's bed, and Pugsley with the road sign. See more »
The Latin Sic gorgiamus allos subjectatos nunc" supposedly meaning "We gladly feast on those who would subdue us" is a combination of bad Latin and fake Latin. A better approximation would be:
"qui nos opprimere velint, illos libenter devoramus" See more »
The Addams Family are one of the more recognisable families in TV history. With that in mind, let's skip the introductions and get straight to the chase.
The performances in this movie are superb. It's a black, black comedy, and as such, it requires a certain kind of actor. The kind who has the right look, the perfect comedic timing, and the ability to deliver lines so deadpan it almost hurts.
Raul Julia, Anjelica Huston, and a young Christina Ricci somehow ALL manage to deliver. They're truly a delight to watch, delivering the most macabre lines without even coming close to cracking a smile, yet having me in stitches every time. Even Christopher Lloyd, playing a far more energetic character, manages to bring in a maniacal edge to the performance. I don't think there's an actor in the movie who doesn't understand the role they play.
The script is great material for them to work with too, extremely witty, rarely if ever falling on it's face, and complemented with some fantastic sets. And let's not forget the music. From the legendary theme tune, to the harpsichord jingles accompanying the visual gags, to the booming organs during the heavier moments, it's spot-on. The whole movie works as one to capture *THE* Addams atmosphere, macabre as it's ever been.
Sure, there's a plot too, but while it drives the movie on, you'd watch this movie for the wonderful theme, not for an intriguing plotline.
It's a classic, and you're doing yourself a disservice if you haven't seen it, or if you think you're too sensible for this kind of movie.
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