After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
The Addams step out of Charles Addams' cartoons. They live with all of the trappings of the macabre (including a detached hand for a servant) and are quite wealthy. Added to this mix is a crooked accountant and his loan shark and a plot to slip in the shark's son into the family as their long lost Uncle Fester. Can the false Fester find his way into the vault before he is discovered? Written by
John Vogel <firstname.lastname@example.org>
The original director of photography, Owen Roizman, quit the production after about a month to go work on another film. His replacement, Gale Tattersall, had his contribution cut short not long afterwards when he had to quit after being rushed to hospital with a severe sinus infection. Fed up with the situation, director Barry Sonnenfeld took over the cinematography himself, reasoning that if anything happened to him then production would be shut down, so he didn't have much to lose. See more »
When Margaret is examining the Chinese finger trap with Morticia, she inserts both her fingers in the device, which would trap them. In the next shot, her fingers have escaped the trap. Then, she inserts them a second time and this time they become stuck. See more »
You are too precious for words, why I could just... eat you alive!
Oh no, Margaret! Too young!
See more »
The Addams Family are one of the more recognisable families in TV history. With that in mind, let's skip the introductions and get straight to the chase.
The performances in this movie are superb. It's a black, black comedy, and as such, it requires a certain kind of actor. The kind who has the right look, the perfect comedic timing, and the ability to deliver lines so deadpan it almost hurts.
Raul Julia, Anjelica Huston, and a young Christina Ricci somehow ALL manage to deliver. They're truly a delight to watch, delivering the most macabre lines without even coming close to cracking a smile, yet having me in stitches every time. Even Christopher Lloyd, playing a far more energetic character, manages to bring in a maniacal edge to the performance. I don't think there's an actor in the movie who doesn't understand the role they play.
The script is great material for them to work with too, extremely witty, rarely if ever falling on it's face, and complemented with some fantastic sets. And let's not forget the music. From the legendary theme tune, to the harpsichord jingles accompanying the visual gags, to the booming organs during the heavier moments, it's spot-on. The whole movie works as one to capture *THE* Addams atmosphere, macabre as it's ever been.
Sure, there's a plot too, but while it drives the movie on, you'd watch this movie for the wonderful theme, not for an intriguing plotline.
It's a classic, and you're doing yourself a disservice if you haven't seen it, or if you think you're too sensible for this kind of movie.
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