As a single mother of five, Mrs. Millicent Torkelson is a do-it-yourselfer with a flair for finding ingenious ways to make ends meet. Her oldest daughter Dorothy is a sensitive dreamer who ...
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When Marcy Bradford dies, she leaves her teen-age daughter Nicole in the custody of a father she has never met; or rather, two fathers - Michael, a straight-laced and formal man; and Joey, ... See full summary »
Andy "Brink" Brinker and his in-line skating crew--Peter, Jordy, and Gabriella--who call themselves "Soul-Skaters" (which means they skate for the fun of it, and not for the money), clash ... See full summary »
Erik von Detten,
A teenager wins a fully automated dream house in a competition, but soon the computer controlling it begins to take over and everything gets out of control, then Ben the teenager calms down the computer named Pat and everything goes back to normal.
Six teams compete through a series of physical and mental challenges as it narrows down to only one team given the privilege to enter a mysterious temple in order to retrieve an artifact ... See full summary »
Dee Bradley Baker,
As a single mother of five, Mrs. Millicent Torkelson is a do-it-yourselfer with a flair for finding ingenious ways to make ends meet. Her oldest daughter Dorothy is a sensitive dreamer who finds solace by talking to the "man in the moon". The rest of the clan includes Steven Floyd, Chuckie Lee, Mary Sue and Ruth Ann, all of whom easily get themselves in and out of trouble. Making the best of bad times. Written by
Series creator Lynn Montgomery claims to have gotten the name "Torkelson" from a real-life Steven Floyd Torkelson, who had showed her his bug collection, and shared his first kiss with her thirty years earlier. See more »
Although The Torkelsons was an ensemble comedy, Connie Ray and Olivia Burnette were the obvious stars. They took characters who could have been caricatures (the frazzled, whacky southern mama and her precocious wannabe-poet daughter) and gave rich, realistic and complex performances. Dorothy Jane's crush on Riley was realistically poignant, exciting and angsty as only unrequited teen love can be. The jokes were cute, the lessons learned didn't clobber watchers over the head, and the Torkelsons had a moral-center much more admirable and realistic than most "family values" programming. Networks didn't know what to do with this show. It was so unique that it was difficult to fit smoothly into programming blocks. It was bounced around in the schedule so much that devoted fans set up calling networks to alert each other when they happened to find an episode on the air.
Almost Home tried to put The Torkelsons' heart and wit into a more marketable package, but the sarcastic city kids' reaction to the earnest Oklahomans mirrored the condescension shown by network executives.
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